Prince Vlad, Dracula (
vojvode) wrote in
milliways_bar2013-09-11 02:46 pm
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(no subject)
[ After this. ]
He enters from the back door, and takes but a moment to survey the room. It is not ideal, but that can be fixed.
An imperious gesture beckons a wait rat, and he mutters something to them. The rat dashes off, gathering some of its comrades to help with clearing out one of the darker corners of the bar. Filigreed brass lamps are hung and lit. The banquet is draped with rugs and pillows. A hookah is placed in the center of the low table, right next to a huge chess set.
He removes his coat and rolls up his sleeves as he watches the preparations being made. When they are finally to his satisfaction, he takes his place at the center of them. One of the rats brings him a small table and a tray with several accoutrements.
Another quiet murmur of suggestion, and the rat nods. A few minutes later, there is a tiny group of rat musicians sitting to one side, playing an oud and some strange stringed instruments, one on a tiny but strangely deep drum. Their first strains make him smile, and nod.
He takes up the pipe while one of the rats lights the lamp. In two puffs, he starts to feel his body relax. He lays back into the cushions, his long legs stretched out on the table, one arm draped across the pillows.
Yes, this will do nicely.
[Warnings for: Sexual innuendo, casual vampiric feeding, not so casual drug use, and general debauchery. Also, pup is potentially violent, so please PM me if you intend to come at him with both barrels. Many thanks to Fi for helping me research the opium smoking.]
[ETA: And we're in slowtime. Thank you all! Closed to new tags. ]
He enters from the back door, and takes but a moment to survey the room. It is not ideal, but that can be fixed.
An imperious gesture beckons a wait rat, and he mutters something to them. The rat dashes off, gathering some of its comrades to help with clearing out one of the darker corners of the bar. Filigreed brass lamps are hung and lit. The banquet is draped with rugs and pillows. A hookah is placed in the center of the low table, right next to a huge chess set.
He removes his coat and rolls up his sleeves as he watches the preparations being made. When they are finally to his satisfaction, he takes his place at the center of them. One of the rats brings him a small table and a tray with several accoutrements.
Another quiet murmur of suggestion, and the rat nods. A few minutes later, there is a tiny group of rat musicians sitting to one side, playing an oud and some strange stringed instruments, one on a tiny but strangely deep drum. Their first strains make him smile, and nod.
He takes up the pipe while one of the rats lights the lamp. In two puffs, he starts to feel his body relax. He lays back into the cushions, his long legs stretched out on the table, one arm draped across the pillows.
Yes, this will do nicely.
[Warnings for: Sexual innuendo, casual vampiric feeding, not so casual drug use, and general debauchery. Also, pup is potentially violent, so please PM me if you intend to come at him with both barrels. Many thanks to Fi for helping me research the opium smoking.]
[ETA: And we're in slowtime. Thank you all! Closed to new tags. ]
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Which, he reflects, doesn't sound much like evidence. Um.
The boy peers at the man, automatically logging away the usual little things: Relaxed, obviously. Seriously indulgent. Polite. Wealthy. Likely highly educated. Earth, 19th century? Probably a long-term patron.
Then, bending to suggestion, he starts logging away the things he normally doesn't: Thin. Strong cheekbones. Graceful. Sensual. Waiting.
The teen stares. And swallows. And glances away, flushed.
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'It was the music. It takes hold of me, and together, we journey. Please, join me if you'd like. I would have pleasant company to share the evening with.'
He gestures expansively to indicate the cushions.
'Do you play chess?'
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"Yes, I do," he murmurs, with a sharp spike of interest, already designating each piece with a scent, a sound, a name. "Though you will beat me."
As he sits, he doesn't register that the fragrance of the smoke isn't as bad as it used to be, just its presence.
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He eyes the youth up and down. Not a lot of meat on him. Still, there's something about him that's enticing.
'That does not mean we should not play, does it?'
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The boy hums along with the lilting violin in an effort to distract himself, and laces his fingers together under his chin. If it gets any warmer in this corner of the bar, he may have to loosen his cravat.
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'What is your name? How may I call you?'
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"Autor," he says confidently, straightening his shoulders. If he's going to give his name, he may as well do it right. "And yourself?"
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It's easier than the truth. And why shouldn't he ask?
'Forgive me if I don't get up, Autor. Would like something to drink? To eat, perhaps?'
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And they do, hastening to him with a rather specific tea blend of Darjeeling and Assam, milk, two sugars.
"I believe it's your turn, Tepesh," the boy says, still amused at how quickly the man thwarted the name game.
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'Tea?'
One eyebrow quirks upwards, his lips in a crooked grin. The poor lad rambles like -- no, that thought gets shoved away.
'My hospitality is wounded, sir.'
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Autor brings a pawn forward in preparation for Mia, his bishop on fire who leaves ice crystals in her wake--and to whom he owes far too many favors. "While I'm grateful to have benefited from your hospitality," he says, raising his teacup, "I am amazed at its lack of constitution, and do hope the wounds aren't fatal."
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'Oh it is a fragile thing, my hospitality. Those who neglect to show it proper care are often keen to find a remedy for their, carelessness.'
He takes a long, sensuous pull on the pipe before leaning down and urging a knight forward onto the field of battle.
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Ehh, probably, the boy thinks, frustration expressed with blue glitter and a snapped bone. No one gets to Milliways without being special in some way.
"I'll have to keep that in mind," the boy murmurs, and sneezes at the smoke. He counters that knight with the bishop which was once Rabastan, an otter-man. Now he directs Javert, a man of justice who has found himself climbing up the Tower of Babel, screamed at in German when all he knows is French.
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His focus is immediately more intent. The sneeze is greeted with an amused sneer.
'It would serve you well to do so.'
The boy's move is easily countered. Ten moves ahead, fifteen, twenty. It doesn't matter.
'You are acquainted with the Frenchman, then?'
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"Javert?"--strawberries and carpets and 'Puissiez-vous être moins anxieux bientôt' and demon children and I apologize, I was wrong--"Stars and garters, who isn't acquainted with the man?"
Then he frowns, waving a hand to clear his face from the smoke. "You really are in my head, aren't you? Will I ever find a chess game that doesn't involve a telepath in this place, I wonder."
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'I apologize. The thoughts on the very surface of your mind, they are as apparent to me as the expressions on your face.'
He beckons with a hand, silently suggesting that perhaps if he leaned against the man, he would be more comfortable.
'So he is your instrument of justice? This Javert?'
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Cool anger struggles to manifest through the pleasing fumes, so when Tepesh beckons, the boy blinks at him, stymied. "Oh, um," he says, and the corner of his lip lifts. "Thank you for the apology. I guess."
The boy stares at the proffered hand, dizzy and swaying. He doesn't quite lean on him, but scoots closer, for the warmth.
"Javert believes I am a demon child, or a 'hellbeast disguised as a fool'," Autor says, breaking into a bright, boyish smile. "He is absolutely correct."
He shakes his head at the question, trying to rid the taste of the rejected berries on his tongue. "My instrument? Not at all; were I to play him, I'd snap his strings," he says. "Why? Is he yours?"
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'His strings are taut, and when drawn, make a strange kind of music.' However briefly. 'No, he is not mine. No matter how much I might wish it to be true, he is his own and no one else's.'
Perhaps it is the fog of the opium that draws the truth from him. Perhaps it is that this boy smiled at him, and the warmth touched something hidden deep inside.
'A demon child, then? Do tell me more.'
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"Aww," the boy murmurs, resting his shoulder against the man's. "It's okay to be sad. Did you know you can tell whether or not a pineapple is fresh by smelling to see if it's sweet?"
And indeed, mingling with the opium is the scent of sugared fruits, and sunlight, and a little girl's tears. A poignant memory of comfort, and--though painful--one he treasures most, and wants to share.
"Javert is scared of flying carpets and strawberries,"--'You are only a child. You should not bother adults with unasked-for fruit. It is rude.'--"and I should have seen that," Autor says softly, waving his hand to simulate flight. "I was a stray dog, you know, and even with that I didn't see how frightened he was. There are so many strawberries forced on him in this bar, even if he were used to eating them, he'd be sick within the hour."
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There is a part of him that craves life, more than blood.
'Javert is afraid of many things, and there are many things he does not understand. Such as the offering of such a rare and wonderful gift.'
He shares the memory of a young child, no more than eight, proffering a bowl full of black berries, so ripe and lush, their scent alone makes the mouth water.
'How are you a stray dog? I do not understand.'
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The boy closes his eyes at welcome intrusion of the berries, running his tongue over his lower lip. "Oh. I haven't had those in ages," he breathes, with a nostalgia bordering on an ache, spanning far past his apparent seventeen years.
He rouses again at the question, though his eyes are somewhat unfocused. "Mm? Oh, that. It's just like I told that... that man shaped from clay and pride, Javert. When Bar first pulled me in, she Bound-ed me, too. I almost starved to death."
Then he shrugs, bonelessly, head lolling. "Y-You have to understand, before that, I hadn't spoken to a... single new person in... in at least nine... maybe ten years? And no one ever touched me, either," he says. "So the people who did shout, 'let me help you!' hurt my ears. Like trying to feed a stray dog, and like a stray dog, I bit them, because I didn't understand what the hell they wanted from me--and some of it was just insulting."
'I understand your need to try.' And he's floating, not unlike the feeling he has now, in pain then but held aloft by sunlight. 'And it's not a bad thing. But I am awake and aware and I have a right to sit there, injured.'
"Hey, have you ever had a fruit smoothie?" he asks abruptly, tonguing his dry palate as he nuzzles Tepesh's arm. "Those’re sooo good. To die for. Maybe. But they make living really nice."
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'Would you like one? My hospitality would insist, but you've already dealt it a crippling blow.' The words have a faint tease to them.
He beckons a rat and orders the boy some fresh berries as well. At least one of them should enjoy it.
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Sleepily, the boy glances at the chess board, seeking his champion of cool drinks and cinnamon rolls: the bloodied lady knight, protecting people no matter how she has to move to achieve that.
The boy's thoughts drift sluggishly around his pieces, eventually meeting up with the rook in his pocket. Laughter. Pleasurable hate. Competition. An unfolding of what could have been, hinged on Autor's choice. Longing, still.
So he reaches out and scoops up a piece. "Here," he says gently--almost childlike--as he presses the bishop Javert into the vampire’s pale palm. "This is for you."
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'Thank you, sir. I will treasure it.'
He smiles, and touches the boy on the head again, his hand coming around to cup his cheek.
'I believe you have had a little too much of this rich smoke, my dear Autor. So perhaps, a smoothie for you and a bit of fresh air?'
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He rubs his cheek against Tepesh's palm, pops a berry in his mouth, and then attempts to get to his wobbly, heavy feet.
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