Coalhouse returns to the bar tonight, returning, several months belatedly, the books loaned to him in November. He considers returning to his room, afterwards, but finds himself drawn to the piano. It, too, has felt the effects of the sorcery effecting the bar, and there's very little to distinguish it from the dozens (hundreds?) of pianos he played at in his life.
A conversation only a night or two ago had lit a spark; he knows all about sparks.
(
I know how to blow things up.)
He shrugs off his jacket, draping it across a nearby chair, and seats himself at the bench, hitching a suspender up as he does. His hat he sets on the pianotop. (Upside-down, a bowl to catch what it may; a flip of his wrist that is long-ingrained habit.)
He doesn't play; but he stares at the keys as if there's a message hidden in the pattern, the narrow black keys jumbled amidst the white. The expression in his face is hard to look at; sorrow and longing and fear.