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milliways_bar2006-01-21 11:10 pm
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It was cold today, on Clwyd Farm. The cold comes with John Rowlands as the front door opens, and the shepherd steps through.
And immediately looks around, warily.
And immediately looks around, warily.
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Who has just glanced up at the door, and appears to be finding his book rather less than riveting now.
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A little.
He nods to Will, awkwardly.
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"Noswaith dda, Will, John."
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Will, after all, has some experience with this kind of awkwardness, and with keeping his feelings hidden behind calm normality.
Then, glancing over with the faintest of smiles, "Hullo, Bran."
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Will she be down tonight?
He doesn't know if he wants to see her, or if he doesn't.
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His hands clench on the curve of his harp.
"We haven't talked much, lately," Bran says. He is addressing John, but he casts a quick beseeching look at Will over his sunglasses.
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Oh, won't this be fun.
"It is good to see you," he says to John. The ruefulness in that qualifies the statement. Despite the circumstances, he is not saying, or maybe whether or not you think the same just now.
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Even so, this cannot be avoided forever.
And so he schools his expression into calm neutrality, and with the prospect of new levels of awkwardness quite clear on the horizon, he makes his way over to where the three are standing.
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Any pleasantness that he bore because of the presence of Bran and Will drains from his face. It's replaced by wariness.
A lot of wariness.
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Bran curses himself. This is not the way John should hear the news. Bran should have told him weeks ago, in some private moment, perhaps after a harp lesson. The bar is far too public of a place, and Merriman and Will are, well, a thousand years old, and know always how everything fits in the long pattern.
Too late, now.
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Even so, even after coming to Milliways for this long, Will is rarely not glad to see Merriman, and so his eyes warm for a moment in a small and rather rueful smile.
"Hullo, Merriman."
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The direction of John's gaze is not lost on him, and so he adds:
'She is no longer here. Not in the bar, or anywhere in this place.'
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Then, to Merriman -- and it is somehow strange to him that his voice should sound so normal -- "Where?"
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There is no way to have made this easy, or kind. He still wishes there were.
For now, he is silent, watching.
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It's like chewing glass to say it, in a way.
'The Dark came rising here, this past Twelfth Night. The White Rider' -- he won't call her Blodwen, not to John's face -- 'attempted to escape this place of exile, with a young girl held hostage to ensure her safe running.'
That choice of words, at least, was deliberate.
'And in an unexpected turn of events, the Dark's power was broken at its height. And when Will and I regained enough of our senses to see what had happened to the White Rider, we found that she had gone. Vanished, and the power of the Dark gone as well. Not necessarily an escape, but...as I said, we do not know for certain where she is, or what happened to her when the Dark's power was broken.'
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(safe running)
-- safe running.
John's face tightens again.
When Merriman is through, he says -- still quietly -- "An unexpected turn of events."
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"I was not there," he says to John, "but I knew. I should have told you."
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But he has nothing to say -- Bran is right, and Will can add little to the story that Merriman has not said, except what should not be told yet -- and so his eyes flick from one person to the next, and he says nothing.
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There's the briefest flicker of irony in his last statement.
'And so all that Will or I or anyone here can tell you is that she is gone. We do not know where she has gone, or if she will return, or if she can return. For if we knew, there would be no point in keeping it from you.'
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His wife. Among other things. His wife.
He's not looking at Bran.
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Quietly, "The White Rider had her power gathered, in ice and storm, and was being held back."
"And then a house fell from the sky." There is no hint of joking in face or voice. "I do not know what power sent it here then, but it did, and its falling broke through her spells. And the power of that breaking cast her..." A tiny shrug, one-shouldered. "Elsewhere."
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He's looking at Merriman. His voice is tight.
"A house? Was that entirely necessary?"
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A beat.
'It was as much of a surprise to Will and I as it was to everyone there. To say that it was an "unexpected turn of events" is understating the fact. But even if we do not understand how or why, it does not change what happened.'
And though he would not say it aloud, the unspoken addition to the end of that remark is And I for one would not have it be otherwise.
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His throat works for a moment.
And then he turns, and opens the front door, and goes through.
The ensuing click is quite loud, all told.
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Low, after a long moment, "There was no way to make that easy, I think."
More sadly, "I wish there were."
He does.
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Instead, another sigh.
"Maybe. Or maybe not."
He shoves his hair back from his forehead, ignoring the fact that it flops right back.
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'He knows, now. Even if there might have been an easier way to hear of it, he knows. And all that remains is for him to come to terms with it somehow.'
Because he has to.
They all have to.
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Not much else to say.
They both understand this. And how little they can do about any of it, for now.