http://not-one-drop.livejournal.com/ (
not-one-drop.livejournal.com) wrote in
milliways_bar2006-05-08 04:29 pm
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(no subject)
Mal has curled herself into a booth with a blanket around her shoulders, and a sketchpad and pencil in front of her. She seems to be drawing weapons.
Namely swords.
Bother?
Namely swords.
Bother?
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-oh.
Oh.
And she's not alone.
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Fifty-four years of memories have just settled on his shoulders, of a life that isn’t even his.
Just on the edge of conscience, his lungs let out all their oxygen in one long, slow hiss, the sound strangely distant in his ears.
“Shit.”
A blind step back, and another, and somewhere along the way he ends up on the floor with a hand pressed to his temple.
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Eventually, she manages to slow the thoughts to a trickle, not really aware that she's bit her lip and blood is trickling down her chin.
And slowly begins to pull herself upright.
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“Stop it,” he manages to grind out through gritted teeth, still on the floor.
Any pretence of calm has gone, and he’s shaking.
Whether from anger or fear is hard to tell.
“Stop it before I make you stop it.”
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He gets random flashes of thoughts now, picutres, memories - the strongest a combination of lust and rage, blood and hands on her wrists, a tree by the lake.
Soon replaced by anger and fear, hands on her face, cold, naked, something white-hot shoved down her throat, sending poison into her body.
"Make me."
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So he does, fists clenched and jaw clenched and mind pulling, with a whoosh of clarity that leaves his head spinning.
Only for a second.
Only for a second and then Mal, vampire or no, is slammed back against the nearest wall with a hand wrapped around her throat.
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So she watches him, and one hand comes up, slowly, tucking a piece of hair behind her ear.
"I didn't know you were afraid of the dark."
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“Shut up.”
The anger has left his voice, cold, calm blankness in its wake.
“I know how to hurt you. I know how to kill you. I know all your secret little fears and doubts, and all of what goes on in that pretty little head of yours-”
She may recognise the scissors suddenly pressed against her throat. They’re a lot sharper than they were last time she saw them.
“-so shut up before I put it to use.”
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"My dear, it goes-" and switches to speaking in his mind, 'both ways'.
And then maybe she smiles.
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Sands shakes, and whatever doubt there once was, it is now long gone. This is anger, pure and simple.
Hissed low and gentle, “Maybe so. But I am the one with a pair of scissors pressed against your fucking throat.”
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"You're threatening me after breaking into my mind?"
Makes a light tsk noise.
"I can help you, dear."
And one hand venturing towards his face.
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“No.”
Perhaps the scissors- open and gripped so tightly blood trickles unnoticed down his fingers- slipped. Perhaps they didn’t. Either way, they jerk sideways, forwards, twists and
slide
into the fleshy part of Mal’s shoulder, blade slick with blood.
A breath of laughter, fingers loose against her neck.
“You can’t.”
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"Maybe I can."
And this time her hand, her other hand, is quick, and lightly brushes his cheekbone.
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The bar fades to grey, to black, to the whir of a drill and the echoes of screams (his) faint in his ears. Blood dripping hot down his face.
The bar fades and he staggers backwards, releasing his grip to clutch at his own throat with a strangled half-sob, because he can’t quite breathe.
“Fuck you,” he whispers.
Maybe he’s actually talking to Mal, but maybe not.
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"Fight."
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It hurts- oh God, it hurts- and he just doesn't want to, but he’s back, he’s there.
And in the blink of an eye, the scissors are back in his hand.
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-exactly
and she shakes her head.
"Hey."
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He draws in a long, shaky breath, and slowly opens his eyes.
Dully, neither regretful nor satisfied, “I stabbed you again.”
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Softly.
"If someone sees, there's going to be an issue."
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If by issue, you mean ‘people beating the crap out of Sands again’.
It may just be the grin that’s slid back into place, but he doesn’t sound like he cares too much.
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Stands, shakes her bloody hand, drops spattering on Sands.
"I should go."
Holds lightly onto the side of the booth, feeling tired and drained at not at all wanting to go back up to her room.
Her skin is very, very cold.
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“You can come to my room, if you like. It’s closer.”
Even with the blankness behind his eyes, he somehow manages to work in a leer.
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And she sees. And maybe rolls her eyes. But maybe smirks back.
"Swell."
His words, her body turning, stumbling toward the stairs.
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Drawing to a halt before door 103, hand drifting almost automatically over the numbers, he pulls out his key and turns it in the lock.
The door swings open (http://rigthegames.livejournal.com/1703.html).