http://yuppie-trash.livejournal.com/ (
yuppie-trash.livejournal.com) wrote in
milliways_bar2006-07-02 11:02 pm
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Patrick is sidled into a booth with a stack of newspapers. Artlessly mussed hair that has seen a hand anxiously tearing through it once too many times, head bent over the current article that he scissoring out(--ake sure the wires are exposed and plug it in) of the newspaper. Breathy, hitching laughter and anxious twitchy smiles over his project. The sleeves of his shirt are unbuttoned and rolled up past his elbows, fingers smudged with ink (--the live wires and touch--). Paisley tie loose, collar gaping, and the rumpled jacket of the navy blue Armani suit is balled up beside him.

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It's a breathy purr, as Mal slips into the seat across from him.
"And how are you?"
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A disjointed twist of his head of his head to side (decapitated), and he is looking at her with dilated, vacant eyes. The grin stretches from (throat slit)ear to ear. After a beat; "That ain't workin', that's the way you do it. Money for nothin' and your chicks for free."
"I want my MTV."
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Focusing on his throat, licking her lips.
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"Have you had days like that? Days that make you feel like shining up a shotgun and walking straight into a Starbucks"
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Shrugs, "But I have days like that all the time."
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One cold hand on his, hard, nails digging in briefly.
"What?"
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"Or, do you need me to speak much more s-l-o-w-l-y so that you can understand the words. Even then, I think you might need help."
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"You've never heard of different worlds, have you?"
Bares her fangs in disdain.
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"Immortal. You'd like to be, wouldn't you?"
Licks the tip of one fang, "I could arrange that."
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*Of course, Yrael isn't a cat.*
*A fine-boned, pale hand is reached forward to snag one of the clipped pieces so Yrael can read it. Rather boring, Yrael thinks.*
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Right outside my door;
I can't see but I feel it
And it helps to keep me warm.*
*Interesting. Yrael doubts the person in the yellow raincoat will come forward with testimony. The article is replaced in the pile by the same hand, and Yrael goes back to watching, wondering what song it is that is being hummed.*
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Asylums do not usually lend themselves to song. At least, not in the conventional sense.
*Yrael knows the songs of screams, yes. He knows the Music of despair and desperation and brokenness. He could sing it, but he doesn't, at the moment.*
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*That's where the serial killers go. Yrael's been reading.*
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He pauses for a breath before speaking, "Samuel Fuller's honest, visionary pulp film uses an insane asylum as a metaphor for American society. The inmates include a black man who thinks he's a white supremacist, a Korean War Vet who thinks he's a Civil War Confederate general, and a nuclear physicist who has reverted to childhood. This microcosm, which Fuller created in 1963, has lost none of its force over time. In addition, the film's treatment of journalistic hubris foreshadows the contemporary problem of media becoming corrupted by its compliant association with governmental elites."
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So... which inmate most metaphorically represents you, or would you be your own inmate alltogether?
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