http://clockarmageddon.livejournal.com/ (
clockarmageddon.livejournal.com) wrote in
milliways_bar2006-08-21 01:00 pm
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[ooc: Faux Jack Bauer voice: The following thread takes place between 3 and 4 on the Armageddeon Clock.]
By now, you've probably connected that soft chime to the shaking earth, and both of those to the new furnishing.
Bet you want to take a closer look, huh?
Bet you want to take a sledgehammer to the thing, huh?
Well, here's your chance to have a go at either or both.
By now, you've probably connected that soft chime to the shaking earth, and both of those to the new furnishing.
Bet you want to take a closer look, huh?
Bet you want to take a sledgehammer to the thing, huh?
Well, here's your chance to have a go at either or both.

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She just doesn't know how.
So, that closer look? Is being taken. Cautiously. It may be more volitile than already demonstrated.
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Doesn't want to hurt you.
Just wants to destroy everything around you and toss you and everyone else out into the Void.
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Well, except the smalltext. We'll just be grateful Sikozu doesn't know about that.
She steps closer still, and reaches out one arm slowly, pressing a finger to the body of the clock.
Testing.
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"Rather protective, aren't you." She murmurs, before trying to peek behind and underneth the clock, looking for any sort of device, or wires leading to one.
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Actually, the meter's going to wait. He's going to try the other approach first. Namely: approach it slowly, hands where they can be seen, and smile without showing his teeth. "Hey there," he says to the clock. "Welcome to Milliways. Have you got a name?"
What? Sometimes it works.
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Although Spielberg's aliens didn't really use kazoos, which is what Ray's got on him now.
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Kit approaches the clock and sits down, using the Speech in its entirety when he says,
"Dai'stiho, cousin. Where have you come from?"
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Then, finally: Far away.
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"What do your numbers mean?"
They clearly aren't time.
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Power, the clock decides upon.
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So it is a relatively happy Claudia that enters the bar.
The child notices the clock and approaches, instantly awed by the thing. She looks up at it, eyes wide, and senses that there is more to it than it seems.
A hand reaches out and touches it, curious and perhaps a little hesitant.
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"You bite back, don't you?" she asks it, looking at it from top to bottom. "I wonder what it is you're doing here. I can't imagine the Landlord installed you. You're quite atrocious in nature."
Like called to like, after all, as did power.
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(Now, the bar.)
He did not intend to come in right now (busy. So terribly busy. I forgot I had a meeting. I blacked out and wound up on the West Side with a hot-dog and someone's tongue.), but he has, and he is facing the clock. "It's so damn gauche," he mutters and steps closer to it.
(the hamster is on his wheel. let's start this baby up. time's not waiting for you. let me off.)
"Later," he says, and takes the door back to New York.
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That's right -- a big stick.
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Tick.
You wouldn't hit a clock with glasses, would you?
Tick.
Tick.
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You can understand, I'm sure.
Jimmy rubs his palms along the handle of the bat, sort of sizing up the clock a bit. He figures if there's nothing wrong with it, he'll save up half a few weeks' pay and replace it, but first... sizing it up. Yeah, 's a clock all right.
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Yep, just a clock. No reason to bash it in.
Tick.
Honest. It's defenseless! It's only got one hand, after all!
Tick.
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So there he is, about a foot away from said clock, just staring at it.