http://not-one-drop.livejournal.com/ (
not-one-drop.livejournal.com) wrote in
milliways_bar2006-11-25 05:08 pm
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[OoM: In which there is early-morning conversation and bed-hogging. Now unlocked!]
Mal's down in the bar, now, sitting on a stool and sipping a cup of coffee. She's whistling rather tunelessly under her breath as well, staring off into space.
(Completely botherable, we add)
[ooc: many, many apologies, but I must go. slowtime is wonderful, and I should be back within a couple hours.]
Mal's down in the bar, now, sitting on a stool and sipping a cup of coffee. She's whistling rather tunelessly under her breath as well, staring off into space.
(Completely botherable, we add)
[ooc: many, many apologies, but I must go. slowtime is wonderful, and I should be back within a couple hours.]
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He nudges Mal with an elbow, dropping onto the stool beside her.
“Fancy seeing you here.”
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She nudges back.
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Smirking, he liberates her coffee and takes a sip.
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He takes a gulp, and then winces because ow. Hot.
Sulkily, “Casablanca. It’s a classic.”
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Teach him to drink her coffee!
"Never heard of it."
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He grins, but pushes the mug back across to her anyhow. What a kind and generous soul!
“You should watch it.”
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Ah, but the coffee is back. She sips it, raising her eyebrows.
"What's it about?"
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He’s staring at the coffee like if he wishes hard enough it’ll come back.
“Boy meets girl. Girl flees Nazis. The greatest romance of all time!”
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Mal takes pity on Sands, and slides it back towards him. "You're addicted. Nazis?"
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Wrapping his hands appreciatively around the mug, he glances up at her. “You don’t know the Nazis?”
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Mal shakes her head. "Never heard of them."
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He pauses, frowning, because how on Earth do you explain Nazis?
At length, “They… uh. You know how I’m a complete bastard?”
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Mal eyes him. "Yeah, I do."
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He sips on her coffee for dramatic effect, then continues. “Yeah. They were worse.”
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...wow. "Scary."
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“They were big on oppression of the masses. Genocide. That kind of thing.”
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"Pity."
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Guns on her hips, and that big brown hair of hers always been distinctive. As has that walk, a sensual glide emphasized by curved hips.
She goes to the Bar, leans against a stool and talks to the sentient bar for a moment before she, bottle of tequila in hand, walks out the back door.
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“And then there was a big war, lots of people died, and-”
It’s not so much that he trails off as one moment he’s talking and the next he’s not. His face has gone far paler than it has any right to, eyes fixed on the door and the person disappearing through it.
“Mal,” he says softly. “Give me your knife.”
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Except then, then he's looking at her and he's gone all quiet and so Mal bites her lip, hand going down to her waist.
Unsheathes the knife, and hands it over silently.
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A murmured “don’t follow me,” and then he’s gone (http://didntseeit.livejournal.com/2606.html).