River Tam (
river_meimei) wrote in
milliways_bar2006-11-30 02:12 am
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River is tucked under a booth, legs crossed and elbows resting on the floor. There's a notebook in front of her, and a handful of colored pens. She's scribbling in a tangled mixture of Chinese and English and diagrams; she never manages to fill a page before she slashes the work out with a frustrated jerk of the pen, and turns angrily to a new page.
She's been through a number of pages by now, apparently to no avail.
[OOC: Sorry for earlier post-and-delete -- mun was called away from the computer right after posting. Back now, though. :)]
She's been through a number of pages by now, apparently to no avail.
[OOC: Sorry for earlier post-and-delete -- mun was called away from the computer right after posting. Back now, though. :)]
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Above, on the table, sounds of scissors.
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The pen catches on the paper, and rips a crumpling tear across it.
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A while later, a low, rumbled, "Damn." Sounds of paper crumpling.
The ball of paper makes it under the table.
It's a snowflake.
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She turns her glower on it too for a moment, possibly automatically, and then pauses, regarding it. Slowly, she picks it up (pen held between two fingers), and turns it between her hands.
Only a few motions unfold it. It's nearly complete, but not quite -- rumpled and just a bit asymmetrical, and one stray cut has nearly lopped off a corner.
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The face of Destruction appears, sideways, looking down at River through the space between the table and the bench.
He's looking at her the way she's looking at the snowflake.
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Her jittery frustration has faded into something old and tired and sad, as she brushes gentle fingers across the crinkled paper.
"Won't hold still."
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Pause.
"I would have. If I'd gone." His gaze shifts to the snowflake. "Not one of my better efforts."
(The scissors he is using, for the record, are blue-handled child's safety scissors.)
"Want some advice?"
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She looks up at him, after a moment. (Not at the scissors.)
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The gaze of Destruction is steady, constant, alive, volatile.
"You can approach it more clearly when the time comes if you're not frustrating yourself right now when you don't have anything."
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Not on the snowflake.
"I want to."
"Can't fix it. I never can. She's caught, and, and the reciprocity is fractured. I am. Everybody's breaking."
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From a distance, it might look like he decided to take a nap there on the bench.
"You want to do something about it? Don't speed up the process. That's as much as you can do right now. Later...later could be different."
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And then, fingers clenched against her coat, nods a little.
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"I'll be around."
Pause.
"More so than usual. And not...functionally. You know what I mean."
"Thanks."
His hand is gone.
His face is gone.
And then the engineer boots are gone, and the footsteps go away.
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But not, for now, at the blank notebook page in front of her.
Her eyes are damp.
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"I'm trying to balance the sidewalk, but the tectonic plates are in shift."
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"Just red. The gradients are speculative -- can't control the factors of calibration."
There is, in fact, no red ink on the page. A lot of green, and pink, and brown, and two shades of purple, although whether it's meant to be abstract art or creative note-taking isn't entirely clear.
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River jerks the page back, thumps the notebook over to a clean sheet, and begins to scrawl something else. It looks something like a green box sprouting javelins at irregular intervals.
"You're wearing the wrong face," she informs him irritably. "Not polite."
Beat.
"Seven shapes at each point. They'll resort to knives to repolarize the anchor."
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He frowns and an idea strikes him, "Just a sec..." He pulls his head back and then returns under the booth a moment later with a plate of chocolate chip cookies with pecans, "You want a cookie?"
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Beat.
Reaching for the plate, "Okay."
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She has eloquent eyebrows.
"I'm factoring in the roof."
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It doesn't sound as if River's entirely aware of what she's saying. She's still staring at him in wide-eyed worry, almost like a wild animal frozen for a moment's glance.
"Not in the lungs. You'll drown."
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"Chocolate," she mutters to the notebook, low.
"It's healthsome."
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It's absent; her notebook has caught her attention again. Her hand grabs for a pen, fingers swift but a little clumsy, and she scowls at the paper before she begins to scribble again. Every third word or so is crossed out with a single fierce line.
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"There a reason you're bein so hard on yourself as an editor?" He asks as she crosses out.
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Her voice is tight and stressed, and she's enunciating just a shade too clearly, as if each word takes effort.
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