Hiro Nakamura (
supaahiro) wrote in
milliways_bar2007-05-08 07:23 pm
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Hiro was down in the bar again. He was, sadly, rather preoccupied with a certain brand of woe here. But that didn't mean he wasn't trying to figure out a way to do something about it.
But then there was the Conversation; a soft cheek against Bar's (clean) top, and whispers. Whispers and promises and cajoling. Bar obliged his request. First were the stacks of paper in a myriad of colors. And then were was the dolly to get it outside. A small backpack was provided. A number of bags, and a small counter that sat steadily at 0 and seemed to have no ticker to make it count...
So he went outside, not far from the lake, settled down with his paper, large number of bags, and started to fold. There's a latern, and a sleeping bag, and a small radio (playing Utada Hikaru right this second).
This... is going to take a while, but he's not going back into bar until it's done. Not even for dinner, not even for lunch, not for anything.
He has a mission. A new one. One crane. Two cranes. Three cranes. Four...
[NO NEW TAGS TONIGHT THANKS <3333
AND WE HAVE ENTERED SLOWTIME NOW. THANK YOU ALL!]
But then there was the Conversation; a soft cheek against Bar's (clean) top, and whispers. Whispers and promises and cajoling. Bar obliged his request. First were the stacks of paper in a myriad of colors. And then were was the dolly to get it outside. A small backpack was provided. A number of bags, and a small counter that sat steadily at 0 and seemed to have no ticker to make it count...
So he went outside, not far from the lake, settled down with his paper, large number of bags, and started to fold. There's a latern, and a sleeping bag, and a small radio (playing Utada Hikaru right this second).
This... is going to take a while, but he's not going back into bar until it's done. Not even for dinner, not even for lunch, not for anything.
He has a mission. A new one. One crane. Two cranes. Three cranes. Four...
[NO NEW TAGS TONIGHT THANKS <3333
AND WE HAVE ENTERED SLOWTIME NOW. THANK YOU ALL!]
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Stepping around a rock on the shore put the paratrooper medic a stones throw away from the odd man doing something with a very large stack of paper. With curiosity perked, Gene slowly starts to make his way over to Hiro watching as he folds the paper in intricate ways. "Nev'r seens som'one doin tha' 'fore.." comes the drawled out words.
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He doens't look up, but speaks heavily accented English: "The crane is the promise of love and longevity, symbol of fidelity..." Even if it sounds more like fiderity out of Hiro's lips. "My people used to believe that if you could fold a thousand cranes, you could have a wish granted..."
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"Mus' be'n important wish to bes aimin t' make 'thousand of 'em." Finally dark eyes flicker up at Hiro, narrowing slightly in slight confusion before he finally takes a seat upon the ground.
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The man with the paper catches his interest, though, so his course swerves just a little bit in Hiro's direction before he pauses at a respectful distance.
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Hiro doesn't look up at the stranger.
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He's rather intent on those little things.
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"Hello," she says cheerfully. "Would you like some help with that?"
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"...ano?" Hiro blinks at the girl. "Ah-- you know-- origami?"
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He's not in uniform right now, just jeans and a plaid shirt. Coming across the man with the growing flock of cranes around him he stops and tilts his head. He expected to perhaps find wildlife out here, just not of the paper variety.
"Like birds?" He guesses, watching as Hiro folds.
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...yeah, someone didn't get the doubles memo.
Twenty-six cranes. Twenty-seven.
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"That's origami, isn't it?"
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Hiro blinks at Sarah a moment and then nods. "Yes. Origami," he confirms. "Making cranes."
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*Now he's standing near the mass of paper and blinking down at it.*
Hiro?
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Osaka approaches slowly, not quite believing her eyes. "Um... excuse me..." she says softly. Thanks to the magic of the Bar, Hiro will hear her speaking her native Kansai dialect.
Is Hiro into shoujo anime? If so, he might just recognize her.
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Besides, Hiro can't recognize EVERYBODY. But he does smile at the girl and replies, "Yes, miss?"
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"I got big job to do," he says, looking up at Kaylee. "Not like Serenity, but still big."
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"What are you doing?" says the slightly-French-sounding English accent.
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"Making cranes," he says and does not look up.
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Pauses. Turns. Music?
Then she spots the unfamiliar someone and his... not exactly small stack of paper. "Hello?" she moves in closer, but doesn't crowd--that'd just be rude.
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He's not jumping up to help, but he can ask.
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Despite the glasses he wears (a sign of his one and only physical weakness) his peripheral vision is perfect and more than makes up for his slight myopia. When he goes outside he instantly spots someone familiar, just to the left of him. After staring for a few moments, insane grin on his face, Dwight makes his advance.
Midway there, though, he slows down, noticing the cranes and the paper on the ground. He knows what this means...
"I once made 112 cranes in a single evening." This is Dwight's way of offering help. "I would have made more but I got a hand cramp. Too much target practice earlier with the potato gun."
Surely, mere paper couldn't have done that.
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He looks up and blinks. "Po--tatoe gun?"
THat he's never heard of.
One-hundred-sixteen cranes, and nobody's stopping yet.
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