http://victoryisboring.livejournal.com/ (
victoryisboring.livejournal.com) wrote in
milliways_bar2007-06-06 05:44 am
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Mai is sitting out by the lake (on a rock, where she won't get grass stains on her robes). A pile of small, flat stones is sitting next to her. There's no telling where they came from since she certainly wouldn't have expended the effort to collect them.
Still, there are stones, and Mai is skipping them out across the lake with seeming carelessness. She's pretty good at it, it's rare for a stone to sink before it's skipped at least six times.
A careful observer might note that the stones are skipping across precisely the same spots on the surface of the lake. At least out to the third skip. Mai is suppressing her frustration with the small variance in the positioning of the fourth.
Still, there are stones, and Mai is skipping them out across the lake with seeming carelessness. She's pretty good at it, it's rare for a stone to sink before it's skipped at least six times.
A careful observer might note that the stones are skipping across precisely the same spots on the surface of the lake. At least out to the third skip. Mai is suppressing her frustration with the small variance in the positioning of the fourth.

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Hnh. Morning. Well, that happens. Means it'll be a while before Bar's really going to be happy about selling him beer. Eh, he can wait; he's got a few things to practise out here anyway. The Slayers're starting to catch up in earnest in several areas of one-on-one combat, so he's got to keep ahead somehow.
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Mai has had plenty of practice looking relaxed and bored, but there are other senses, and she doesn't have much experience trying to fool them.
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At any rate, Wells happens to glance over towards the lake and spot the girl; he raises a hand in greeting, but she looks a mite busy just at the moment. If she's at all like the Slayers who've worn her sort of attitude, she's likely to ball up further if he intrudes.
Well, there are other ways to find out about a person. The first is to set up camp somewhere in their field of vision- say, off to one side, where they're not looking at you directly but where they'll catch your motion more often than not and almost have to look- and fall to doing something you've been meaning to do for a while. Proper practise at knife-throwing, say, since it's a skill Wells's had a few lessons in but not much in the way of experience.
Another is to make sure that you're downwind of the other person, which is a thing most humans don't notice until it's pointed out to them.
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She does glance over occassionally, trying to appear disinterested, to observe his technique.
It doesn't stop her from continuing tossing the ever-shrinking pile of stones, sometimes without looking.
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He's not bad. For a beginner.
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Mai's occassional subtle glances grow less and less occassional and subtle as time wears on. It's not long before she's looking his way more often than not, still tossing stones without looking.
The pile is shrinking and it's going to run out soon. She's going to need to find something to do when that happens.
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She's still wary, and still managing to look relaxed and uncaring. Mai looks Wells up and down silently, evaluating. Then she nods, "You're wrist is too loose. Need it for control, but you need to keep it stiff enough that you don't lose power from the throw."
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The first one is the usual case of over-compensation after being corrected for a poor technique, but he's much closer to right on the second one.
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The blade is hefted curiously. She checks the balance and weight and then tosses the knife lazily toward the target to get a feel for it. She's not really sure she's happy with the weapon's design for throwing.
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"Wasn't my first choice for learning to throw," Wells admits, "but it was the best balance I could lay my hands on in Yorkshire. I'd have to get up to Scotland to find someone who made and sold proper throwing blades." He eyes the hit and adds, "Nice form anyway."
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The look she gives him is slightly contemptuous. If she'd made such a sloppy throw, no matter how accurate it was, her teacher would have smacked her. Probably more than once.
"You should get something custom-made." Cost and effort have never been a concern for Mai.
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"Might do, at that," Wells says. "There's a smith with a forge here who seems t'know his shit well enough. I dunno if he does throwing knives, but if he doesn't I know someone else who does."
He's not about to criticise her for sloppy form when he knows damned well that his own is currently worse. Generally he prefers to have a leg to stand on for that sort of thing.
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That's a rather noncomittal "hmm". Mai doesn't sound or look doubtful, but it doesn't change the fact that she is.
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Well.
Sort of.
If you're, you know, somebody else.
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"Who said anything about dabbling?" is all he says in answer; it's a subject that's got to be near to her heart, or she wouldn't break form to be visibly emotional about it. And now he's curious.
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"I take my weapons seriously," Wells says quietly. "All of 'em. Edged, blunt, projectile or thrown."
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One eyebrow twitches and Mai's perfectly level voice returns, "If you are studying that many different things then you can master none of them."
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It's more than he would've been capable of at her age; he was a bloody stupid adolescent. In the meantime, he's going to check the knife over for nicks and dents. It's not the best throwing-weapon in the world, no, but it's all he's got.
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