The opening door reveals
a host of greens -- soothing greens, weepy greens, parasitic greens, spongy greens -- and through these greens, out of these greens,
wearing these greens, walks the Sphinx.
She is not as large as one might expect, her lioness body longer, leaner, yet smaller than the true likeness, and with something distinctly canine about it. Her size allows her torso and head the proper human proportions; though she looks nothing like the statues, woman melded crudely with beast. There is an alien-yet-appropriate cohesion to her frame, so that she always seems her own creature, not something tacked-together from many parts.
Her eagle wings are coated in a sheen of moisture, droplets gleaming on each russet feather. The Sphinx unfolds them slightly as she enters, displacing a clammy puff of air; the bristling jungle at her back is not a warm one.
She sits down and stares at the Bar, unblinking, as her door closes. Smeared over her face and breasts are the juice, ooze, slime and mush of myriad forms of plant life. She cranes her neck to lick one shoulder, the motion as cat-quick as her papillae-studded tongue, stained with leaf blood.
"At the top it is a wild cow, at the bottom it is a fish," the Sphinx murmurs to herself. "At the top it is shattered potsherds, at the bottom it is half a cubit." Her fingers flex out of their knuckle-curl, the calloused pads whispering faintly against the floor as they trace undefinable patterns.
"My husband heaps up for me, my child measures out for me; let my lover pick the bones from the fish for me."
These seeming riddles are not riddles at all, but Sumerian proverbs, chosen at random from her vast collection of maxims; the Sphinx seizes upon them in times of uncertainty, comforted not by the meaning, but by the utterance of words.
[OOC: Open all weekend, with slowtimes welcome! If you have any questions about the Sphinx, please see my Back Room post, and feel free to comment there. Thank you!]Tiny tags: The Sphinx, Wilbur Whateley, Pan