Kate Warner (
justdidntseeit) wrote in
milliways_bar2008-09-13 08:37 am
Entry tags:
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[ oom: sparkle and fade ]
Kate gives the wall one last, hopeless look before approaching the bar.
She sets her tote, Bill's keys, the pair of running shoes and the piece of paper in her hands on a stool, then places her palms flat against the counter.
"Bar, I — I need your help. If you could — is there any way you can let the Landlord know I'm here but it's a mistake? I can't — "
She lets out a long, slow breath.
"I really can't be here right now."
A napkin appears.
I can't do that, I'm sorry. That's not how Milliways works.
Her stomach clenches.
"But I — Bar, Bill's hurt, he's in the hospital, and I — "
She bites the inside of her cheek; she's not going to cry. She's not. It won't help anything, not right now.
"Please?"
Another napkin appears; the apology blurs in her vision.
"Okay."
Mouth too dry and features pale, she nods, then swallows.
"I just — I needed to ask."
She sinks onto a stool; a cup of coffee and a note appear, along with two jars of Katherine Barlow's spiced peaches and a basket of warm buttermilk biscuits. (And, [somewhat] inexplicably, a whistle. Any other time, she'd laugh, but she can't manage even a small smile right now.)
She reads the note, blinking hard, then curls her hands around the mug, glancing toward the Front Door. Her door, the door that only leads to L.A. — a universe away from South Carolina and Bill's hospital room.
She's not very hungry at the moment.
[ tiny tags: billy kaplan, boo, the russian astronaut ]
[ ooc: sporadic slowtimes likely, as it's saturday and gorgeous out, but the post is open indefinitely for tags, y'all ]
Kate gives the wall one last, hopeless look before approaching the bar.
She sets her tote, Bill's keys, the pair of running shoes and the piece of paper in her hands on a stool, then places her palms flat against the counter.
"Bar, I — I need your help. If you could — is there any way you can let the Landlord know I'm here but it's a mistake? I can't — "
She lets out a long, slow breath.
"I really can't be here right now."
A napkin appears.
I can't do that, I'm sorry. That's not how Milliways works.
Her stomach clenches.
"But I — Bar, Bill's hurt, he's in the hospital, and I — "
She bites the inside of her cheek; she's not going to cry. She's not. It won't help anything, not right now.
"Please?"
Another napkin appears; the apology blurs in her vision.
"Okay."
Mouth too dry and features pale, she nods, then swallows.
"I just — I needed to ask."
She sinks onto a stool; a cup of coffee and a note appear, along with two jars of Katherine Barlow's spiced peaches and a basket of warm buttermilk biscuits. (And, [somewhat] inexplicably, a whistle. Any other time, she'd laugh, but she can't manage even a small smile right now.)
She reads the note, blinking hard, then curls her hands around the mug, glancing toward the Front Door. Her door, the door that only leads to L.A. — a universe away from South Carolina and Bill's hospital room.
She's not very hungry at the moment.
[ tiny tags: billy kaplan, boo, the russian astronaut ]
[ ooc: sporadic slowtimes likely, as it's saturday and gorgeous out, but the post is open indefinitely for tags, y'all ]

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Help, sure.
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"I, um — you're not interrupting."
A quiet breath.
"And I appreciate the offer, but ... "
She trails off with a small shake of her head.
No one can fix this but the Landlord.
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"Kate Warner. Sorry, I didn't mean to be rude, I just — "
She tries to smile and inclines her head toward the empty stool next to her.
"Please, have a seat."
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"I am the Devil."
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But.
It'd been that kind of day.
(possibly, you would have needed to be born and bred on the steppes to understand)
Which all explains why, when the tiny woman sits down at the bar, Bar makes a brush appear. But the trouble is with having a mass of long, thick, ridiculously windswept hair is that it can act like blinkers.
When Esfir catches sight of Kate, she actually flinches in surprise.
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(She remembers the woman — so small, Russian, she thinks. She'd been mesmerized by the Window.)
"Sorry, I — "
Unbidden, Bar makes another (possibly helpful) offering appear on the counter between them.
" -- hi."
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But before she can say anything, the Bar attempts to help. Again.
"...pink."
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"Looks like," she nods. "Not your favorite?"
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"Um-excuse me? Ma'am?"
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She looks up from her coffee and tries to offer a smile.
(She mostly fails, but it's the effort that counts, right?)
"Can I help you?" she asks, wondering if he's a new arrival.
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A little shakily, "I look that bad, huh?"
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It's not a good look.
Which is why he slowly walks over, and sets his mug on the bar near her.
"Kate?"
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His eyes are soft and serious, and there's so much concern in his voice, she's almost sucked back into her kitchen with Jack again.
Her hands leave her coffee mug and fist in her lap while she swallows hard.
"Doc, hey."
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He's trying to read it off her face. Not digging too deep, but he doesn't have to. When you spend your life learning the way a man's face reacts in the half second before he draws -- a subtle flick of the skin above his eye, a tick in his jaw -- you learn to read people pretty well.
Doc feels his stomach twinge, a little. He's not sure why.
"What's wrong?"
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just answer the question
"I just — "
God, this is hard.
She glances around the bar, biting the inside of her cheek.
"Do you think we could go outside for a minute?"
She's already standing, looking toward the back door, avoiding Doc's eyes so she won't tear up.
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(Paul feels something twist in his chest. Something over the numbness.)
(And he's glad he's dressed for work, not as poorly as he keeps himself at home. He can't hide the gray and white in his hair, nor the pallor of his face, but at least part of him's presentable.)
He doesn't much know how to act.
But it's only one second after he sees her that he's moving forward to give her a hug.
And although she deserves so much more than what he can offer her by way of comfort, it's the least he can do for the moment.
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But she can't, not just yet. Not when —
And then there are arms are around her and she stiffens for half a heartbeat before she realizes who it is and she doesn't care if he smells like cigarettes because it's Paul.
She closes her eyes.
dontcrydontcrydontcry
And shakes her head against his collarbone.
"You can't be nice to me right now."
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"An' you do."
There is only ever a select group of people who will look out for him in the least way.
Back out the door, there used to be a family, there used to be a wife and two daughters, but there aren't anymore, and what he has is a string of people in a bar at the end of the universe.
And, dammit, he cares more than he tells himself he does.
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"So I look that great, huh?"
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She's skipping through the bar, blowing bubbles sparatically. And then, GLEE OF GLEEFULNESS, there is a Lellow Kake! Boo RUNS (spilling some bubbles as she goes) toward the older woman. "LELLOW KAAAAKE!" Her face is full of a toddler glee and her eyes sparkle. Once she reaches Kate her arms go up (spilling even more bubbles) and she jumps. PICK ME UP PICK ME UP PICK ME UPPPPPP! "LELLOW KAKE LELLOW KAKE LELLOW KAAAAAKE!"
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"Hey, half-pint."
She carefully slides her now-cold cup of coffee well out of Boo's reach and puts Bill's keys on the counter (she doesn't remember how they got in her hand) before she picks up Boo.
She doesn't care about the spilled bubbles or the stickiness.
"How're you?"
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"HIII!"
She'll notice Kate's sadness in a bit.
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"Hey."
She pulls back just enough to check Boo's face for bumps, scrapes, bruises, and crumbs.
"Have you been a good girl, Gracie-Boo?"
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