veryvorkosigan (
veryvorkosigan) wrote in
milliways_bar2010-03-08 10:18 pm
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The front door opens onto a sedately appointed hallway, framing a tall middle-aged woman in loose-fitting beige knit shirt and tan pants. She pushes back a stray wisp of silvering red hair, and blinks into the noise and light of the bar in brief surprise.
(Her surprise is perhaps understandable. From her perspective, after all, it's been just over six years.)
"...Oh," she says after a moment. "Oh, that's right."
(Her surprise is perhaps understandable. From her perspective, after all, it's been just over six years.)
"...Oh," she says after a moment. "Oh, that's right."
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Not to say 'flummoxed.'
(Not to say, 'on instant alert.')
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"Hello," she says, with a small smile.
(It's a start.)
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"...Hello," she says after a moment, politely enough. (Very neutrally.)
There's no reason not to, after all.
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(She's reminded, fleetingly and poignantly, of Drou when she was first assigned to Cordelia's person. So many years ago.)
"First time here?" she asks, lightly.
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Hawkeye's eyes land on her for an instant longer than before.
"Where's here?" she asks, thereby answering the question.
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The name feels strange in her mouth. Stranger than it should; it hasn't been that long.
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Hawkeye waits to see if anything more is forthcoming.
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If this woman launches into a detailed monologue about the alchemical details, Hawkeye is rephrasing that and fast.
(She's more than old enough, too, to know when she's being soothed. In another situation, she would be more okay with that; right now, she doesn't trust any of this in the slightest. Cordelia she distrusts no more than everything else, though.)
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Tipping her head at the door, she adds "Except the obvious one."
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It's more request than challenge. That might be by conscious choice, but it's still true.
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Either Cordelia is a reliable source or she isn't. If she's lying -- or a hallucination, or something else -- then pursuing the questioning isn't much use. If she's telling the truth, it's fair enough.
(And Colonel Mustang's the one of them who's better at reading what people are saying between the lines.)
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"Evening," he offers from behind a lowing magazine, "Or the time of day you prefer otherwise."
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She studies him for a moment. "Does that look likely, from your end of history?"
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It's unusually frank, but Milliways brings that out.
"It's good to do something about it instead of moping. Keeps me busy."
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"Thanks," he says, "Have a seat if you want one. Is there anything you want to drink? I never really got in the habit of it myself."
No mouth, alas.
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And, "Oh," she sighs, "coffee, please. I haven't had this place's coffee in years."
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