Niccolo Machiavelli (
auraofmystery) wrote in
milliways_bar2011-12-16 03:17 pm
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Oh hey, so it turns out that guy was right! If you have a Milliways napkin in your hand, you can find the door to the tavern pretty much anywhere you want it!
This, Mac reckons, could be interesting!
Milliways, you may have a young man in yellow, entering through the front door in a manner that started hesitant, and is now a confident stroll, somewhat as if he owns the place.
One day, Milliways. One day.
This, Mac reckons, could be interesting!
Milliways, you may have a young man in yellow, entering through the front door in a manner that started hesitant, and is now a confident stroll, somewhat as if he owns the place.
One day, Milliways. One day.
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Well, it's not really so much a door as it is the outwards swinging of one section of wall. Through the new archway pass five small figures in overalls and leather jackets.
"Do do do do do de do do do do do do do do do"
Oh yeah, they're also singing.
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Mac glances up and around to see if anyone else has seen these people. they don't look that out of place, after all.
What he does want to know, however, is where that door came from.
"Hey," he calls cheerfully over to them.
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Dreads.
Glasses.
Idol.
Hat.
Braids.
None of them seem to be paying any attention what so ever to Mac.
Well, accept maybe Braids. But then, he did always a questionable attention span.
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He came into the bar partly for a peach. He's acquired a peach now, and tosses it in one hand, up and down as he strolls in their general direction, tracing a direct interception route.
Will they pay attention to hi if he's in their way?
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They turn on a dime to avoid him, and don't even bother to look up in his direction. They are like human roombas.
Only little, and orange, and apparently surly.
All save Braids, who again breaks formation and gives steps out of time. He might even steal a glance up at this stranger with the peach. But someone would have to be really paying close attention to pick up on that.
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...Does Braids want a peach, or is he going to let it fall helplessly to the ground?
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On the floor?
NOT ON HIS WATCH!
There is precious little the Loompas, as a group, hold sacred. Fresh food is one of the few things that makes the cut. It's what lured them into Wonka's clutches, and it's what he used against them for years to keep them in his servitude. So it's on pure instinct alone that sends Braids diving for the peach, leaving him behind as the other Loompas turn a corner and disappear.
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"You want it? There's more where that came from."
The bar.
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Braids looks from the peach up to the strange man, and back again.
There's more than a bit of fear behind his eyes.
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"What, you think I'm going to renege on my peach promise? I wouldn't give it away just to take it back."
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THE WONKA.
Braids opens his mouth to hiss....and it just keeps opening, splitting his head nearly in two.
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Now, Mac doesn't want anyone to think he's a coward, but he's still new at the Milliways thing and Leo's not hear to make everything fastastico!, and this is kind of weird.
He scootches back.
"OK, OK. You can keep the peach. I was just going to ask you about the door."
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His head tilts to one side, as if silently asking, "Which door?"
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"Well, it's not there anymore. But I saw you fellows using it."
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And apparently it's an amusing dawn.
Braids smiles, though not all the way...because that would be creepy.
He looks to the empty patch of wall that Mac is gesturing towards, then he points at it, looking to make sure this is the spot the other guy is talking about.
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Cheerfully, but with a raised eyebrow that suggests Mac doesn't want to offend the little guy, he leans back on his hands.
"Is that a trick anyone can learn?"
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He moves it slowly along the wall, stopping every centimeter or so.
Braids is curious as to what's so special about that particular panel, that isn't as interesting as the rest of the ones that make up this room.
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"There are lots of them?"
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Of course.
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Everywhere.
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Mac looks again at the mystery door. And then at his new friend. "That's hwo you get around, is it?"
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Braids then lowers his arms, and with his empty hand reaches into one of the pockets of his overalls and pulls out a pocket knife. In adult human hands it's a small thing, but Braids is roughly the size of a Kindergartener, so it appears huge and unwieldy in his hands. None the less he opens the blade and uses it to cut the peach in half. He then offers the half without the pit to Mac.
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"Name's Machiavelli," he says. "Friends call me Mac."
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He looks left.
He looks right.
A rolling bass line comes from no where.
"My name is Braids."
It's amazing how a guy this small can muster up a voice that sounds exactly like Les Claypool.
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"Braids, huh? Good name. You and your friends live here, Braids?"
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Quite a bit, actually.
"Our house. In the middle of the Bar our house."
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