Miss Mary Bennet (
missmarybennet) wrote in
milliways_bar2012-03-12 08:07 pm
Entry tags:
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[OOM: There's a strange sort of sting in being denied something you don't even want.]
Mary had been heading to her bedroom, but the fact that the door has deposited her into Milliways only slows her down for the barest instant. Mary marches briskly across the bar, looking neither right nor left, hoping not to catch the eye of anyone she knows. Or anyone she does not know.
If ever a storm cloud looked as if it were about to cry, it would look like Mary Bennet.
She’s really not sure what feels worse. That Mr. Collins (who even Mary would acknowledge is no particular prize, if forced to be honest) would not even spare her a second glance, much less serious consideration. Or the knowledge that she had half-way wanted him to. Because Mary knows that if Mr. Collins had asked her to marry him, she would have said yes. He was as acceptable as any other, she would have been securely wed, and been a heroine to her family. What possible reason would there be for her to refuse?
But no one would ever think to ask her.
Without pause, Mary goes directly outside, heads straight down to the lake, and plomps herself down on the first largish rock, determined to just sit and be miserable for a while.
Mary had been heading to her bedroom, but the fact that the door has deposited her into Milliways only slows her down for the barest instant. Mary marches briskly across the bar, looking neither right nor left, hoping not to catch the eye of anyone she knows. Or anyone she does not know.
If ever a storm cloud looked as if it were about to cry, it would look like Mary Bennet.
She’s really not sure what feels worse. That Mr. Collins (who even Mary would acknowledge is no particular prize, if forced to be honest) would not even spare her a second glance, much less serious consideration. Or the knowledge that she had half-way wanted him to. Because Mary knows that if Mr. Collins had asked her to marry him, she would have said yes. He was as acceptable as any other, she would have been securely wed, and been a heroine to her family. What possible reason would there be for her to refuse?
But no one would ever think to ask her.
Without pause, Mary goes directly outside, heads straight down to the lake, and plomps herself down on the first largish rock, determined to just sit and be miserable for a while.

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Eh, not really. But he would say so.
He is startled to run across a human girl on the verge of crying out here; startled into silence and awkwardness. He really has no idea what to say.
(His romance detective instincts may be tingling, but he's not really paying attention.)
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But at some point she realizes that she is being observed.
Mary quickly sits up, a bit more in a ladylike fashion, and with a quick swipe of a sleeve over her eyes, attempts to adopt the attitude of one who is simply enjoying the lake panorama.
"Hello. Lovely evening."
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At least she didn't call him a demon and start shooting at him. That set a new bar for lakeside conversations she would be hard-pressed to limbo under.
"it's warmer over there, the sandy part," he adds, in actual attempt to be helpful.
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"There's hardly call for that kind of language."
Even in the midst of a turbulent emotional state, Mary can lecture on propriety. But it doesn't come out nearly as sharply as it might have on a normal day.
It's issued rather dully, in point of fact.
"It might be warmer. But I don't care to get sand all over myself."
Besides, being cold is better for having a good wallow.
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Okay, that was a little argumentative. But not very angry. He fiddles awkwardly with the zipper of his black corduroy jacket; someone has embroidered his sign in red on the upper arms.
"And yeah, sand is pretty terrible. I hung out there a little in the fall because there was a pretty cool little crab who lives over there I would hang out with, but he's hibernating now."
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"Clear and direct would have been to say, It's cold out and I dislike it. One doesn't need to resort to foul language for that."
"And besides," she adds, "I live on a farm and can therefore assure you that the matter to which you refer is not generally, in point of fact, a cold substance."
Not until it's sat out for a while, anyway.
"If you object to the chill, perhaps you should go to the sandy area."
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"I will compromise and retract it to be substituted by 'colder than a horrorterror's amity fronds,' if it pleases Her Honorable Tyranny."
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Instead what Mary does is say, "Thank you."
Primly.
Mary goes back to looking at the lake.
"And I am quite happy to be boring, so you may spare me your insults."
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"...the giant crustacean part is not an insult either," he adds, after a beat. "on my world the judges are all gigantic lobster-monsters, which sounds incredibly stupid now that I come to tell someone about it, but that's the way it is."
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"Such a sad face for a pretty girl," he says gently. "Pray, tell me how to change it?"
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"If you're here to harass or try to frighten me, Your Majesty, I pray you just get it over with."
She'll even toss her iron nail aside.
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"You're a fairy. Everyone one knows that fairies seduce and kidnap mortals. At least that's what all the old stories say."
But she sounds more dejected than if she actually cares.
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"Irish cousins, you could say."
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To a good English girl, this might be all the more cause for consternation. But Mary has had enough exposure to Milliways by this time to hold judgment a bit.
And it's just been a long, trying day.
"Fairies are so different in Ireland?"
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He considers her, and what sort of fae she'd make were he to make good on his instinct. "Tell me, what happened to ye today to have you in such a black mood?"
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"The Irish do like to do everything in their own way."
It seems this applies to supernatural beings as well.
Mary drags the cuff of her sleeve across her eye. She's not crying, really. Just....leaky.
"It was....simply a trying day. My family is in something of an uproar, I'm afraid."
It's Milliways. There are few repercussions for airing dirty laundry here.
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Swords sheathed and loosely gripped in one hand, he pauses coming around a bend.
"Ah, sorry there." He rubs at the back of his neck with his free hand and offers a polite smile. "Didn't know this rock was taken."
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"That's quite all right," she says, sounding ever so slightly like someone nursing a cold in the head. "There is no harm done."
None done, and yet....Mary finds herself eying the swords warily.
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He smiles again. "Sword practice. I've found that later in the evening here can either be a great time for solitude and contemplation, or I suddenly have three new friends that would like to discuss their own katana style."
[OOC: SORRY. Fell asleep and the next day blew up. BUT I REALLY WANT TO PLAY. Mary is awesome!]
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"I don't know what a katana is."
Presumably something to do with the swords.
"I would reassure you, though, that I will not intrude upon your solitude. I don't make friends so easily."
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"It has not been a bad thing, to be disturbed." He smiles. "I've found that, sometimes, I believe I want solitude and am pleased to find it broken. I've almost grown to enjoy interrupts since my brothers have left home."
"But, thank you." He bows slightly. "I will try to return you kindness, if that is your wish."
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The man does not seem to be a threat, and even if Mary would rather be left alone, deeply ingrained politeness would prevent her from saying otherwise.
In any case, a distraction from her woes might be preferable.
"You have many brothers?"
It is quite true, in her experience, that siblings give one little peace.
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Leo squats down, resting his elbows on his knees.
"Yourself?"
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Mary pulls a face, thinking of the scene she left behind in Longbourn.
"It's extremely trying. But none of them come here."
A fact that Mary is starting to appreciate more and more.
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