Voodoo (
boston_bruiser) wrote in
milliways_bar2012-07-07 04:26 pm
Entry tags:
(no subject)
[Out of Milliways:
First, there is a briefing.
Then, Voodoo keeps a promise.
Then, they wait.
Then everything goes to shit. Warning for the usual language, violence against your fellow man, and gunplay.]
There are times when Voodoo is in a lighthearted mood when he comes here, nevermind his vocation and all the shit that’s going on – that has gone on – in his life. There are times where he’s happy and carefree here, eager for a run around the lake or maybe a session of target practice out back. There are times where he feels mischievous here, searching the Bar for some poor schmuck to mess with.
This is not any of those times.
This is the exact polar opposite of those times.
If you’re looking for him, you can’t miss him. He’s standing in the middle of the Bar, decked out in combat gear and a look of total concentration on his face. He’s taken up three tables with diagrams, satellite photos, weather forecasts, intelligence reports, and topographic maps that look like they all relate to one very specific grid square in Helmand province, along with reports on various pieces of Soviet Bloc gear and weaponry. His attention right now is on one topographic map in particular, where he’s circled a medium-sized area at the bottom of a valley and is in the process of sketching out what looks to be plans of attack on it in grease pencil.
Botherable.
But don’t even think about touching anything. It will end very, very badly.
[Tinytag: Cato]
First, there is a briefing.
Then, Voodoo keeps a promise.
Then, they wait.
Then everything goes to shit. Warning for the usual language, violence against your fellow man, and gunplay.]
There are times when Voodoo is in a lighthearted mood when he comes here, nevermind his vocation and all the shit that’s going on – that has gone on – in his life. There are times where he’s happy and carefree here, eager for a run around the lake or maybe a session of target practice out back. There are times where he feels mischievous here, searching the Bar for some poor schmuck to mess with.
This is not any of those times.
This is the exact polar opposite of those times.
If you’re looking for him, you can’t miss him. He’s standing in the middle of the Bar, decked out in combat gear and a look of total concentration on his face. He’s taken up three tables with diagrams, satellite photos, weather forecasts, intelligence reports, and topographic maps that look like they all relate to one very specific grid square in Helmand province, along with reports on various pieces of Soviet Bloc gear and weaponry. His attention right now is on one topographic map in particular, where he’s circled a medium-sized area at the bottom of a valley and is in the process of sketching out what looks to be plans of attack on it in grease pencil.
Botherable.
But don’t even think about touching anything. It will end very, very badly.
[Tinytag: Cato]

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But she's distracted by Voodoo, who is taking up a lot of space in the middle of the bar, and has a very serious and in her experience un-Voodoo-like expression on his face.
"Everything okay?"
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"No."
It is simple, monosyllabic, clear. He's sketched out a bunch of symbols in red on the mountains surrounding the valley that will doubtlessly be foreign to Korra, though for now he's sticking with company-level infantry and below.
"Op went bad."
(That's putting it mildly.)
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She takes a moment before she asks, mulling over the question for suitability.
But she can't really hide from this sort of thing if she's going to be a good Avatar, can she?
"How bad?"
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"Two helicopters wandered into our area of operations while we were on-mission and got shot down. They crashed here," he says, tapping the circle.
"Those helicopters were carrying a total of 80 Royal Marines. And these," he says, gesturing to the symbols drawn onto the nearby mountains, "are people that want to kill or capture them."
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Korra doesn't know, but she can assume from context that the people who want to kill or capture them are the bad guys.
"What are you going to do?"
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Voodoo keeps up his grease penciling.
"I'm assuming," he says, brushing a breadcrumb off the side of the map, "that they're all dead or combat ineffective. So me and another guy're gonna ride out there, set up a perimeter, and hold it until reinforcements come."
He stops his sketching. Looks at the crash site. The valley. Then at the mountains.
"I really hate these fucking odds."
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Without bending?
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"That's the plan."
They might have close air support, they might not. He doesn't know.
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It doesn't come.
"Where are you going to set this perimeter up?" she asks. The how will maybe come later.
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Cato looks at Voodoo and then back at the maps.
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"No," he says, "I ain't sure. Depends on whether or not there's anyone alive at the crash site."
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He's not an expert but he sounds like he's at least been around the block.
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"Figures..."
He moves back and forth between the charts,
"At least you have a better idea of the weather than I did when I needed to figure out what to do."
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Cato was rambling, he's still studying the charts.
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She stops not too near the tables and tilts her head, studying the layout thoughtfully. In her hands, she's still holding three vases of flowers, grouped together in the formation known the world over as 'three drinks from the bar.'
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But once does, he tucks the grease pencil in his vest, looks at her, and waits.
(Well, obviously she's standing there for a reason, right?)
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She's being incredibly rude, isn't she?
She looks up and smiles sheepishly, and holds up the vases in a hand by way of explanation.
"Sorry. I'll put these back until you're done."
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(It's not like he's got much room to talk right now in terms of etiquette.)
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And in return, she grabs herself a glass of water, and checking over her shoulder that intense-looking-marine doesn't have one, gets one for him too.
"Here," she offers. "Dehydration never helped anyone think."
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Eventually he even takes a sip.
"People call me Voodoo."
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Glancing back at the map, "do you mind if I ask? Or will it break your concentration more than I already have?"
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