properpolice (
properpolice) wrote in
milliways_bar2012-07-09 02:25 pm
Entry tags:
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So the front door opens. That isn't new.
A woman walks in, dressed to spend a few hours in the pub. This also isn't new.
She stops stock-still just inside the doorway, her eyes wide before she slaps her hands over her own mouth to keep from screaming. Some things just aren't done.
And yeah, that's just a tiny bit new.
A woman walks in, dressed to spend a few hours in the pub. This also isn't new.
She stops stock-still just inside the doorway, her eyes wide before she slaps her hands over her own mouth to keep from screaming. Some things just aren't done.
And yeah, that's just a tiny bit new.

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He's dressed casually too. Jeans and an old black rugby shirt. Probably looks like shit, but he's never one to worry about that.
'Shaz.'
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Screaming in pubs in front of your DCI (she made that choice, consciously, she came back and for just a day she was DC Granger, under DCI Hunt, and it was the most glorious day ever) - this is really and truly Not Done.
Though really, she'd protest that the jeans and rugby shirt isn't exactly making things easier.
With a visible effort she swallows the rising tide of emotion (fear? fury? She really can't tell right now) and nods, just a tiny bit too sharply.
"Sir."
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He can't remember. And her tone of voice - well, she was sometimes a bit pointed with him. It might not mean what he's afraid it means.
'...how are you?'
Probably a stupid thing to say. If she's from...before, then she'll be suspicious. He hasn't asked how she is since she got stabbed two years ago.
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How, exactly, is she supposed to be?
...
If this means there is another test, or... thing, or some new revelation that she's not dead, just confused, there might actually be screaming.
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She's from after.
Or maybe not? It would be bad, very bad, to jump to the wrong conclusion here. But her tone of voice says a lot.
He puts his pint down on the nearest table, and tries to remember how it feels like to be a DCI.
'What's out there?'
He nods towards the door.
'Where've you come in from?'
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He doesn't know, and some of her grimly-held-onto control wobbles because if he doesn't know then this wasn't planned and she's lost again and some (a lot) of the panic that tore through her when she first found out finds a place to dig in again because it's bloody not fair, she's twenty-six and it wasn't supposed to go like this and...
And she's a Dectective Constable so shut it.
She tries, very hard, not to think about who's voice her brain decided to use when adding that last tidbit.
"We're goin' to the pub, Guv. Me an' Chris, an' Ray, an' Mum.... but you weren't coming. Not this time." She's distantly proud of how her voice didn't wobble when naming Chris. Because Chris should be here. When she finds him, she'll tell him so.
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He's still wearing his snakeskin cowboy boots. Couldn't be without them. And he takes a deep breath, shoves his hands in his pockets, and forces himself to meet her eye.
He wants to ask where the lads are. At the same time, he can't know what goes on in that pub. Not just that he doesn't want to. He can't.
'You'd better come an' have a drink.'
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Of course, with her luck, she'd just end up somewhere worse next time.
Like with him.
And doesn't that skeeve her more than just a little bit?
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Like any of this feels good.
'Yeah.'
But if she wants to run away, he's hardly going to blame her.
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She tried doubting, once. It was rubbish.
She might still be pale (as a ghost) but her steps are firm when she steps forward, away from the door.
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'Give her whatever she wants,' he mutters to it as he sits, because the least he can do is stand her a drink.
This is kind of excruciating. He wants to default to DCI mode, but how the hell is he supposed to pull that off convincingly? It wasn't too bad that last day, but that was a few days ago now, and the truth has hit pretty hard.
Something neutral then, maybe.
'You didn' expect to come here, I take it?'
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'No.'
He's as tactful as he can be, but he's not really known for tact.
'No, it doesn' mean that.'
He can understand the unwillingness to say it. And tries to crack a smile.
'But this one's nothing t'do with me, I'm sure you'll be glad to know.'
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She likes to think they caught that creep. Caught him and hung him high, for killing a copper.
"Yes sir, thank you sir." She sees the effort, and tries to reciprocate. "Does that mean the pay'll be better, Guv?"
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He wishes. Only not.
'You don' have to call me that, y'know. If you don' want to.'
He says it quietly, looking at his pint. He doesn't want her to feel like she has to, given everything.
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"All due respect, Guv, but sayin' things like that makes me worried you've been knocked over the head." She informs him, tartly. "You're my Guv, an' you always will be."
She doesn't quite roll her eyes at him.
Really.
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'Not knocked over the head.'
She's a good lass. He's always said so.
'So, you're goin' to stay for a bit? It's not that bad.'
He toys with his glass a bit, then has a drink.
'Alex is here too.'
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"Suppose I should. Haven't seen Chris about, an' if he ends up here too he'd need pointing toward the right door, wouldn't he?" It's less a question and more fond exasperation, but still. Someone has to look after him.
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'I haven' seen him either. Or Ray.'
The question hovers, and he tries to think of a way to ask without being told much.
'You didn' see them in...there?'
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If he acts like it's normal, it will be, right?
'The beer's not that good, and Nelson's a cheeky bastard.'
He nudges her lightly with his arm.
'An' it's not goin' anywhere.'
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"Well. That's something, then."
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Besides, he doesn't have the power to remove the gateway to Up There. Heaven. Whatever you want to call it. All of that is out of his control.
'Yeah.'
He has a drink.
'For what it's worth, I'm sorry you found out the way you did. Keats-'
He stops, because he doesn't know the details of how they were told. But it should have been him that did it.
'- he didn' have the right.'
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Not so much told, as shown, in vivid color detail. There was so much blood.
Hurriedly, she downs a hefty portion of her glass to try and re-bury that particular bit of the memory.
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'...what're you on about?'
Punishment?
'Why would he punish you for listenin' to him? He wanted you to listen to him.'
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