Josiah 'Doc' Scurlock (
scurlock) wrote in
milliways_bar2012-07-15 06:50 pm
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When Doc enters the bar tonight, it's from a hotel room in Montgomery. He's carrying a bag over his shoulder, and isn't surprised to see that Milliways has decided to show up. After a quick trip to his apartment in the staff wing to change his clothes and shower, he makes a trip out to the stables to check on things.
Once he's satisfied with the state of the stock (and taken note of some new arrivals), he ends up at a table near the bar with a drink and a dinner 'menu'.
Contemplating the specials, he sips at the bourbon (straight, tonight) and looks around the bar for familiar faces while he decides what to order.
[No new threads please - busy workweek means slowtimes. He'll be back!]
Once he's satisfied with the state of the stock (and taken note of some new arrivals), he ends up at a table near the bar with a drink and a dinner 'menu'.
Contemplating the specials, he sips at the bourbon (straight, tonight) and looks around the bar for familiar faces while he decides what to order.
[No new threads please - busy workweek means slowtimes. He'll be back!]
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The rats have wisely returned with their dinners - two massive steaks with plenty of their requested side dishes as well. Doc passes over hers, and then a rolled up napkin containing a set of silverware. He then orders a glass of water.
(If she's going to be taking blood, he should start hydrating now, just to be on the safe side.)
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"I am not going to drain you dry. You may even enjoy it."
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If he ends up in the infirmary because of a blood magic ceremony gone wrong, he will never hear the end of it from McCoy.
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And generally, even then, it's beef blood, or pork blood, or some other unfortunate critter.
And it is foul.
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Despite his track record for acquiring scars.
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She's also making quick work of her meal. She has been busy recently, after all.
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"I even manage most of the time, now'days," he adds, before digging into his mashed potatoes with vigor.
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"I'm sure that is a distinction Olya and her doctor will approve of." Since they're on the topic of that couple's appreciation of their actions.
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Once he's cleared his plate, and finished his glass of water, he looks around the room once more.
(You can't be too careful.)
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Without any obvious preamble, he stands from the table, carrying his bourbon with him as he rises.
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At least someone's in a terribly good mood.
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"I don't got any 'girlfriends' t'be concerned with," he says with a smirk as he leads them through the bar and towards the entrance that leads to the staff wing. It's quieter than most of the halls upstairs, and they only have to pass a few doors until he reaches #4.
After unlocking the door, he steps aside.
(It's only polite to hold the door for the lady, and if there is anything lying in wait, she'll have no problems dispatching it.)
The apartment is relatively neat - books lining a large bookshelf on one wall of the living area, a couch, small dining table and two chairs near a kitchenette, and separate doorways leading to his bedroom and the bathroom. A small arsenal of medieval weaponry (longbow, sword, staff, and crossbow) hang on one wall with a cloak that would easily blend into any forest's green and browns; there are a few live plants in the windowsill that overlooks the lake.
He removes the gunbelt after locking the door, dropping it over one corner of a chair - well within reach, but off his person.
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And then, we're afraid, she is terribly distracted with the medieval weaponry. Her fingers dance along the edge of the sword, as light as a breeze.
"It is often used?" She asks, curiously. Someone, it seems, has a bit of a hobby.
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There is another sword in the footlocker that sits below that wall, wrapped in cloth. He had lost it during the end of days battle and then Teja had found it, and repaired it; though the weird feelings of power that still pull at him when he wields it are enough to tell him it would be wiser to leave it for very special occasions that it's needed.
Beside the footlocker there is also a cask that looks like it was stolen from a pirate ship; that's because it was.
"To be quite honest, I rarely see Will these days," he adds, somewhat quieter. "I hope he's doin' all right."
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"Good sword." She finally allows, even if it isn't quite right for her. "Do you usually fight with lighter?"
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He moves to the sheath on the leather belt and draws the bone-handled Bowie that he's carried since being stabbed with it by the bounty hunter who had him tied up in Raton. He flips it over in his palm before offering it to her, handle first.
"...I definitely fight with lighter."
While he's a hell of a shot with a firearm, he's not half-bad at close quarters knife fighting, either. Bare-knuckle brawls aren't his thing by a longshot, but with a sharp edge and quick reflexes, he stands a fighting chance at making it out alive - no pun intended.
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"Brave, to carry one that has already tasted you." she notes, judging its throwing balance - but if she was him, she'd never let someone else get their hands on something like this.
Of course, that's the key point, isn't it?
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While she holds the knife, he never truly turns his back to her, even as he moves towards the kitchen to pour himself another drink. There's an edge to his senses, now that she's in his space, his outlaw's instincts keeping track of where she's standing in comparison to him - all subconscious.
"So just what is it you gotta do for the protectin' work, anyway? I'd like t'be as clear as possible 'fore I just agree t'let you get a taste."
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She doesn't have that back-up anymore, and hasn't gotten into a battle rough enough since coming back here to seriously run down her defenses. She places the knife down carefully on a side-table, and curls up into one corner of the couch.
"For you? As I said, something of you, something you can carry and will not be remarked upon, enough power that I should not get into a fight tonight." Or at least, if she does, she's fairly sure Skellig will be deeply unhappy with her.
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"I don't carry much on me in the way of jewelry or nothin'," he says. "I usually keep t'just my gun and that knife. I had t'sell my watch a few months back," he admits, trying to think of his options that won't raise suspicion.
And then something clicks in his head.
"I do have somethin'," he says. "That I used t'wear all the time. Chavez made each of us these pieces of cord that were wrapped 'round a stone, I kept mine on an ankle 'cause the rest of the guys all thought it was a bunch of Navajo bullshit..."
He pushes himself up off the couch to go to the dresser in his bedroom, his form visible through the open door as he pulls open the top drawer and rummages.
"...they took it off the last time I ended up here in the infirmary and had it sent up t'my room," he adds.
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"He was one of my pals," he offers. "It made him feel better. He got shot the same time I did - I nearly died, 'fore I found my way back here after weeks. He wasn't that lucky."
Doc pulls the braided piece of leather from the drawer - it's plain, with one small, flat piece of worn turquoise woven in between the strands. He pauses a moment, looking down at it - part of him is angry at himself for being afraid of wearing it as intended, on his wrist, while riding with the other guys.
He misses Chavez a lot. Some times more than others.
Pushing that thought out of his head, he walks back into the other room.
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"You have not worn it so long... in his memory?" Katya asks, mostly to know if there's a chance it could disappear again.
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He shakes his head.
"I don't know what I thought. What I do know is that this," he holds up the coiled leather in his open palm. "Is who I really am. An outlaw and a Regulator. All I got is my friends in this world, the ones that are still livin' and those who ain't. I know that I now," he says.
After she does this protection spell, that braided cord will be going on his wrist, and staying there until someone removes his hand.
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