Loki, Devourer of Hearts (
scarred_grin) wrote in
milliways_bar2012-11-17 03:42 pm
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(a quiet afternoon)
It's hard being the other one.
With all the drama and arguing going on in her life, all Pyrrha wants is some peace and quiet, somewhere tension-free where she can work on her latest project. Which is why she's down in the bar today (dressed down, tiny shorts, faded Bauhaus t-shirt, sneakers, no makeup except her tattooed-on eyeliner) with the nervous manner of a kid whose parents are fighting in the other room.
But her latest project is something to see--a scale model of a few blocks of the city streets where she used to live, handmade and intricately detailed, a set for a tiny photo shoot. She's made people, too, to inhabit this set, with a sort of 50s-B-movie feel to them; the idea is to capture just the right angle so the destruction going on outside the Window appears to be the sky over the city, with its residents freaking out accordingly.
Setting it up is slow-going, though, with a lot of hunching down, looking up and repositioning people, cars and props. How do claymationists do it?
Totally botherable.
With all the drama and arguing going on in her life, all Pyrrha wants is some peace and quiet, somewhere tension-free where she can work on her latest project. Which is why she's down in the bar today (dressed down, tiny shorts, faded Bauhaus t-shirt, sneakers, no makeup except her tattooed-on eyeliner) with the nervous manner of a kid whose parents are fighting in the other room.
But her latest project is something to see--a scale model of a few blocks of the city streets where she used to live, handmade and intricately detailed, a set for a tiny photo shoot. She's made people, too, to inhabit this set, with a sort of 50s-B-movie feel to them; the idea is to capture just the right angle so the destruction going on outside the Window appears to be the sky over the city, with its residents freaking out accordingly.
Setting it up is slow-going, though, with a lot of hunching down, looking up and repositioning people, cars and props. How do claymationists do it?
Totally botherable.
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She taps her forehead. Who knows how demons feel about these things?
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Except Loki, of course.
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Loki's blessing will be quite enough.
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"...are we gonna have to tell people that?" she asks. "Or just like... get it sorted out ahead of time, however that kind of thing happens, and not mention gods or demons or anything at all?"
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Loki feels left out far too often, as it is.
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As long as they're not mean-spirited, anyway.
"Oh, and I met Yrael the other day--he was really nice. We talked about cats and New Orleans and food and stuff."
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He gets up.
"I shall, in any case, go fetch us some wine now, for this calls for a good one. We may be both not quite alive, and in strange places, but we promised to stick together, and have whatever future such as us can eke off the universe. I think that merits celebration!"
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Life--or existence, or whatever you'd call it--works out funny sometimes. But it still works out.
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And probably her year, and maybe even her decade. Needless to say, her mood is a lot better than it had been before he'd come over; and she hurries a bit more with her setup, wanting to get it all done so she can get to the celebrating.
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The mouth-piercings, the red hair--Skaði has no doubt that this is Loki. But of all the shapes he could've taken, why one so... so scrawny, so pierced, so tattooed? Does he enjoy pain that much?
"You've got a lot of nerve, being here," she says, approaching the table.
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"...hi?"
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"Is this how you intend to destroy me? By building toys?"
She wouldn't put it past him, of course--who knows what sort of magic he might be doing, with this.
But it looks so stupid--but then, so did the business with the garter.
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She starts to laugh, but this lady is serious. Serious and pissed off and maybe a little crazy-looking.
"Look, I'm sorry, but you got me mixed up with somebody else. I don't know you. I'm sure not trying to destroy you. Or anybody else, either."
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She's very imposing naturally, and even more so when she tries. Giantess blood.
"Look at you. Look at your hair, look at your mouth."
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