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herr_bookman) wrote in
milliways_bar2012-12-15 06:28 pm
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"Once upon a time, there was a man who died..." - Autor first ep
“—and that’s why you’ll never be any good at the piano!” Autor says, smirking triumphantly.
Then, he opens his eyes. He sees some scantily clad women. He sees some scantily clad men. He sees some--oh, my God what is this did someone spike my tea--*things*, which may or may not be scantily clad.
In the back of his mind, he files away that he thinks he’s in a tavern. Most of his mental resources are busy containing a potential freak-out, so that fact doesn’t register as important.
“Okay,” Autor says, as quietly and calmly and as detached as he can manage. He takes a deep breath, adjusts his glasses, and prepares to bolt.
He turns on his heel, intent on getting back to where things make sense. Instead, he smashes face first into a wall--there had to be a door there, right? Ahh! My nose! It’s bleeding!--and lands gracelessly on his butt.
Then, he opens his eyes. He sees some scantily clad women. He sees some scantily clad men. He sees some--oh, my God what is this did someone spike my tea--*things*, which may or may not be scantily clad.
In the back of his mind, he files away that he thinks he’s in a tavern. Most of his mental resources are busy containing a potential freak-out, so that fact doesn’t register as important.
“Okay,” Autor says, as quietly and calmly and as detached as he can manage. He takes a deep breath, adjusts his glasses, and prepares to bolt.
He turns on his heel, intent on getting back to where things make sense. Instead, he smashes face first into a wall--there had to be a door there, right? Ahh! My nose! It’s bleeding!--and lands gracelessly on his butt.
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He glances around the room, and winces. And I'm not sure I want to.
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"What is Goldkrone like?" she asks instead, taking a seat herself in the hopes that Autor will follow her lead.
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Then he shuts down. The questions regarding his sanity still weigh on him. But despite that--or because of it--he decides to tell her.
She asked, after all, and it would be rude to refuse. He tries to ignore the fact that she is the first person to ask, and how it makes him feel.
"Well," he starts, and edges towards the chair. "Given that we're in Goldkrone, I don't know why you're asking. You'd think it's like any other town, but it's not.
"You see," he says, working himself into a cheerful fit, "Goldkrone is caught in the web of a Story being written by a dead man."
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"Caught in the web of a Story..." she echoes.
She lets it sink in.
She doesn't like it.
Princess Tutu Season II SPOILERS
"No one exists outside of Goldkrone. They appear at the gates, written in for whatever purpose Drosselmeyer needs them for.
"And then? We can't leave," he says, laughing. "In fact, most people are immortal. They do the same thing day after day, and never notice.
"But we're just the side characters." His fingers brush the table, but he doesn't notice. "The Prince, and the Raven; now those aer his true masterpieces."
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"By the Goddess," Mia murmurs, her hand drooping down from her face and her eyes considerably wider.
Writing a Story. She never would have thought to do it that way. That would be the sort of thing Ghaleon would do. Hell, if Ghaleon had gotten wind of this sort of thing years ago, there might have been a very different outcome.
And her mind calls up Fakir's request nearly three years ago.
"You said you could teach it. Magic.
"If-- Would you?"
She shakes her head and the back of her mind notes to be observant of her spell comp class.
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"Anyway," he says, plunging ahead, "when Drosselmeyer died, the titular Raven leapt out of the story, and the Prince, his enemy, followed. The prince took out his own heart to seal the raven away.
"Oh, and by the way, Fakir is the reincarnation of the knight Lohengrin from the Prince and the Raven," he says, wrapped up in his own retelling of the tale. "Like Lohengrin, he's supposed to have died at the claws of the Raven.
"A side note, really."
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"How can you say such a thing so casually?!"
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He's not sure if he likes the feeling. Damn. Maybe he'll be more careful about who he blabs to.
"It was his part in the story," he says, shrugging. "Do you think you could change a fate written in the blood of a dead man?"
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Her eyelids lower as if drawn by the downward pull of her lips.
"Sometime before the last time I saw Fakir, he said it was over. I think I know what he meant a little better now. And while the dead do sometimes come here, he was still flesh and blood enough to recover from his injuries."
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He frowns. "And besides, you don't know my part in this yet. I am a direct descendant of Drosselmeyer. Do you know what that means? I can control his power as a writer when--not if--I know more about it."
"You're right about changing fate, really, you are, but you're looking to the wrong actor," Autor says, grinning savagely. "If Fakir dies, I might be even able to rewrite him back to life!"
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What was left of the warmth and welcome Mia offered Autor before is gone. It's strange, seeing her borrow Draco's cold mannerisms.
"These ideas you have... Where my husband is from, that would be one of the Unforgivable Curses. And I won't stand for you talking about Fakir dying and rewriting him back to life. That....not even the most depraved students in my spell composition class have entertained such notions long."
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Her tone and her eyes remind him far too much of someone else. For a moment, he brings his arms to his sides, trying to make himself look as small as possible.
For a moment.
"You seem very attached to Fakir," he says quietly.
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Mia would think he's being dense but there's a moment of softness at the thought that maybe Autor just doesn't have friends.
"So there's a spell," she says instead. "A spell that's a Story."
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Then he seems to realize she's asked him about the Story again. He stiffens.
He crosses a hand over his chest and bows formally. "I apologize, miss," he says. "I seem to have taken up a great deal of your time. Please, show me the door. Please."
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"No, really," he says, glancing around for a door, windows, stairs--anything. "I have, ah, a music lesson to attend. There are consequences to my being late."
He doesn't give his name. What if she tracks him down later?
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But if search he must, who is Mia to stand in his way?
"You'll learn sooner or later that I'm a terrible liar. Be careful if you take the door to the grounds. There are demon rabbits in the woods and a man-eating mermaid in the lake."
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"Man-eating mermaid? Did I not just spend most of this conversation with you telling you that we're in Goldkrone?" he says, and makes his way over to the Window of Observation. "Honest-"
He sees stars collide with one another, erupting with fission and fusion in a battle of the Titans. He sees molten color; gaseous planets forming and de-forming like a painter's palate. He sees a background of pitch, the stuff of nightmares.
He thinks he may hear howling.
"--ly," he whispers, and his skin burns.
For a second, a moment, but also possibly infinity, Autor stares into the abyss. The abyss stares back at him.
Of course he does the sensible thing and faints dead away.
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Once it was clear Autor wasn't going to wake up, Mia waves her owl over to fetch the carpet. She alternates between pacing and shaking her head the entire wait, wondering how Duck and Fakir were faring.
When Croix returns, she unrolls the carpet and carefully pulls Autor on to be carried upstairs.
"You'll need some time to digest everything," she tells the unconscious young man before beginning their trip up the stairs. "Everyone always does at first."
A key to a vacant room is obtained and Mia writes a note to attach to it, jotting down the rules and the gorgon on her door.
Everything secure, the Guildmaster takes her leave.
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To say Autor isn't caught up on his sleep is like saying Goldkrone Academy produces ballet students.
He might thank Mia, were he awake. And not terrified of her, of course.
He might be panicked for entirely different reasons when he wakes up...