Charles Xavier (
balancingminds) wrote in
milliways_bar2013-05-12 06:37 pm
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His conversations with Gene and Guppy have left Charles worried about Autor.
What he's doing is familiar as Charles spent a good part of his childhood observing and listening as he tried to figure out what to say, what he shouldn't say and how to not be thought mad. What helped him the most was Raven who would point out when he was being strange and rude. Though he also was willing to listen because he knew that people didn't like him and wanted them to.
He takes another sip of his Scotch and listens to Milliways with a search for any thoughts of Autor as he flips through the Sunday New York Times
(OOC: Charles is more actively listening than he normally does. Please add thoughts in narration and if they are thinking about Autor but not focusing with Charles, feel free to tag the thoughts in. Then Charles may come and talk to them. All threads happen before the one with Autor. Thank you.)
What he's doing is familiar as Charles spent a good part of his childhood observing and listening as he tried to figure out what to say, what he shouldn't say and how to not be thought mad. What helped him the most was Raven who would point out when he was being strange and rude. Though he also was willing to listen because he knew that people didn't like him and wanted them to.
He takes another sip of his Scotch and listens to Milliways with a search for any thoughts of Autor as he flips through the Sunday New York Times
(OOC: Charles is more actively listening than he normally does. Please add thoughts in narration and if they are thinking about Autor but not focusing with Charles, feel free to tag the thoughts in. Then Charles may come and talk to them. All threads happen before the one with Autor. Thank you.)
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[ooc: This is one of those 'Charles would probably not miss Joshua' tags. He's... full of pain right now. Sorry?]
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"Joshua?"
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Charles would probably find the memories in the front of Joshua's mine: May 11th, 1997, when he disappeared, and then the same weekend in May three years previously when his parents died.
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He hugs Joshua tighter, projecting calm and safety.
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There's a cup of green tea on her table, as well as a collection of fresh daisies. She appears to be braiding the flowers into a crown, and humming to herself a little as she does so. Her thoughts, as much as Charles might be able to tell, match her outward mood -- happy and content, with warm flickers of delight at the memory of a young man's shy, genuine smile.
(Let's just say that for now, they're overriding any memories of a hate-filled glare. Not that she would be upset with a memory of that nature -- quite the contrary, in fact.)
[OOC: Tagging may be a bit sporadic this evening, but I'll do my best to keep on top of the thread!]
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"That's beautiful."
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"Oh, thank you!" She picks up a fresh daisy, twirling the flower on its stem. "I saw them when I was outside earlier, and I thought I'd see if I could remember how to make a flower crown. I think I have enough to work with here -- it's been a while since I made one."
Everything about her is pleasant and polite...though the odd staring eye motif on her pendant, and on the red headband that holds back her hair, might be a trifle unsettling. (Some cultures do wear similar designs as protections against the evil eye, though, so it might well be normal for her.)
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"You seem to be doing quite well with them. Your memory is clearly good."
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At the word greenhouse, there's another pleasant flicker of memory.
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Her memory is nice, he's glad that Autor does have some friends.
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There's a sudden internal admonishment -- oh, I'm forgetting my manners! -- before she gets to her feet, and drops a little curtsy of greeting. "My name's Punie. Punie Tanaka."
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He bows in return to her.
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...heavens, this escalated quickly. Maybe I should just burn them all. So tempting, but that would just make it worse.
"Effugium," Autor says, and drops from the air near his door as his flying carpet shrinks from under him. His fingers touch the doorknob with a spark of memories, conscious--better hide these bruises, do I have piano today?--and unconscious--gears, a girl, a raven.
Better move quick, Charles.
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"Leaving will only help so much, people here remember and Guppy is well liked."
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You're part of this, now? Well, thank you for the warning. I appreciate it. And deeper: How much does he know? How much? And deeper still, a pained laugh, overshadowing: Probably everything.
"Hello, Charles," he says, and leans back on the door, folding his arms. He projects the image of smug, confident, and completely impenetrable--for everyone else in the bar. There's no need to pretend for Charles, and he knows that the telepath will pick up on the fact that he's tired.
The kid is tired, and he'd really rather crawl up into a hole and die for a while, and his face--deliberately punched, but still painful--is stiff, and I am so tired of talking to people.
"Your dissertation was amazing."
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His gaze softens as he wants to help but Autor doesn't make it easy.
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"That's... sort of presumptuous," he says, though he states it as a question. There are six different ways he could take that statement.
Wait, what? Bother me in what way? he thinks, furrowing his brow. Punches and rulers and crazy crazy crazy, and the idea that he can handle them all. And he can. Now. People at home don't bother me.
His hand inches towards the door. He can fall backwards if he needs to; it's sort of comforting to have an escape route which he can also lean on and feel less exposed.
"Are you suggesting that I think of people as problems to be understood?" he says, raising a brow. Yes and no. That's complicated. He has an image of pond scum--not a problem, but a symptom. "Aren't you the one who studies the mind and its variants as part of your genetics work?"
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People as pond scum is an awful image and one he dislikes but he's not going to approach it yet. He doesn't move towards Autor, Charles isn't trying to stop him, he's trying to figure out how to help.
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His fingertips graze the doorknob again.
Then he narrows his eyes and pushes off the door. "Are you serious? You're trying to fix me based on the fact that I write down what I see? You're not even a part of this debacle."
He's lashing out, and he's aware that he's lashing out, and he's sorry, he's sorry, he'll regret it later and might even apologize if he's apologized to first, but right now he's not prepared for this, Charles, and he doesn't know why you're talking to him.
"I don't understand how what I did is any different from what you do even now--read people and make observations," he says bitterly, "except that I do so without the benefit of reaching into their heads whenever I damn well please. I actually ask them what they're thinking."
He bites the cut on his lip, thinking. "Security came after me because I wrote down information given to me willingly. I bet they've never even touched you."
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"I've worked out my differences with people without the need of Security, because here I can be honest. That's also meant I've been threatened. Everyone does a variation on what you're doing, assessing, listening, but ask yourself what are you getting from it. Are people chess pieces to you or possible friends?"
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