Rae "Sunshine" Seddon (
sunbaked_baker) wrote in
milliways_bar2014-04-02 03:36 pm
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To see an opera
(Up in her room, Rae gets ready.)
When Sunshine comes down the stairs, today, she may not look wholly like herself. The baker is usually seen in the bar wearing bright t-shirts or sweaters, with colorful jeans and sneakers, her hair up in a ponytail or held back by a likewise colorful kerchief. One colorfully casual customer.
Today her hair is down, tumbling about her scarred shoulders in loose waves of red, and what she wears is not her normal style at all.
She takes care with her steps, and not just because of the silver heels that grace her feet. As she moves down the stairs, Rae consciously straightens her spine against the fluttery nervous feeling in her stomach, and hopes it will soon pass.
This is going to be an enjoyable outing. Rae refuses to let her feelings of self-consciousness mar it.
(ooc: Sunshine will likely be out of the bar for a while after this, so any and all threads are welcome, but will be millitimed to before her thread with Hannibal Lecter.)
When Sunshine comes down the stairs, today, she may not look wholly like herself. The baker is usually seen in the bar wearing bright t-shirts or sweaters, with colorful jeans and sneakers, her hair up in a ponytail or held back by a likewise colorful kerchief. One colorfully casual customer.
Today her hair is down, tumbling about her scarred shoulders in loose waves of red, and what she wears is not her normal style at all.
She takes care with her steps, and not just because of the silver heels that grace her feet. As she moves down the stairs, Rae consciously straightens her spine against the fluttery nervous feeling in her stomach, and hopes it will soon pass.
This is going to be an enjoyable outing. Rae refuses to let her feelings of self-consciousness mar it.
(ooc: Sunshine will likely be out of the bar for a while after this, so any and all threads are welcome, but will be millitimed to before her thread with Hannibal Lecter.)
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He steps around the island, and smoothly sits on a stool. "Bon appetit," he says. "What books and movies are the same?"
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"There are only a few I know for sure cross over, but there are likely plenty of others. Dracula - I knew that one crossed over even before I met him - Sherlock Holmes, Godzilla, Polidori's The Vampyre, Le Fanu's Carmilla... Autor and I discussed The Count of Monte Cristo together, the first time we met - though from what he says it was also his suggestion that led me to read it in the first place, as a kid," Rae chuckles slightly. Time lines, man, how do they work?. She makes sure to get a bit of each ingredient in the salad before she takes a careful bite.
"Mm," she says, wondering at the sauce. "That's lovely, Dr. Lecter."
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"Is Dracula really the same?" he wonders then, while starting on his own salad. "There is some heavy Christian symbolism in that one. And The Count of Monte Christo means your world must have had a France, and Napoleon."
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Legends die hard. Mrs. Yanovsky's point, exactly.
"Vlad as I met him in the bar is most definitely not the character in the book Dracula as I know it."
She knew that the moment he revealed who he was.
"It's likely there are many different versions of the same stories, of the same people. An opera of a Bible story of a historical king, just across worlds."
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Yech. The tiny, tart tomato with the dressing and glaze and herbs leaves a much better taste in her mouth.
"Stories and legends and peoples' lives carried across, changing depending on the world that interprets them. All meeting at Milliways."
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"Teen romance," he echoes. "I don't really understand that part, but I think those books are quite a large thing in this world. And movies of them, as far as I know. Yech."
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Eek.
"Media depicting romantic relationships between humans and vampires are flatly illegal, in my world. They still get made, of course, but the penalties for getting caught are steep. Usually fantasies about vampires are limited to a brief moment in adolescence, with the heady thoughts of power associated with the rule of vampires having to be invited. Then the kid grows up a bit, realizes what would happen the split second after they issued that invitation, and moves on with their life."
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Pause, while he eats a spear of asparagus.
"But power over a monster, if only for a tiny moment, is a heady fantasy."
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"The short-lived teen power fantasy tends to overlook that while a vampire can neither drink nor have sex with a person without an invitation, they can still kill someone at will. They just wouldn't get a square meal out of the deal."
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He eats another tomato, looking thoughtful.
"Monsters have many reasons to kill. The very human monsters of my world do it as well, after all. And if there's no law enforcement to deter them..."
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They don't, she means.
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He takes a sip of his wine.
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And with great enthusiasm.
"Consequences just mean little if they don't believe they're going to be caught."
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"But it's not down to instinct. Vampires don't have to torment before they feed - they choose to. They don't have to feed on humans - they choose to. Law enforcement can't offer a sufficient deterrent that would persuade them to stop."
As though resigned to it, Rae shrugs her scarred shoulders. "I can. Either by explaining to them what they're doing to themselves by doing so, what it costs them in the long run, or... by the other thing."
Deterrence is always down to persuasion.
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It's what she tells herself, when things go badly. She can try her best, but she can't make them listen. And there is no room - no time - for half-measures, when it comes to vampires.
Or serial killers, she would imagine.
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