Javert (
never_shall_yield) wrote in
milliways_bar2014-08-01 02:32 pm
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Javert enters, glances around and nods. There's a dusty air to him, as though he's been walking on dry roads for a while. The space behind him shows blue sky, a few small shacks, and fields that go on forever. Heat too; a great roll of it that follows on his heels and lingers for a few moments after he has shut the door.
He gets a glass of water from the bar, drains it, and then retires to the outside. Stables first, to check the horses - the young one, and the one he will take with him if he can. Then to the building site, because it has been on his mind and he must continue with all haste.
He stops when he gets there, though. There is wheat growing at the edges of the walls. That is not good; he does not want anything to dig down and undermine the foundations. So he scowls and yanks it out, telling himself to be more careful about the seeds he trails with him from the farm. That done, he sets to work. Mortar, then walls. When he runs out of bricks, more bricks. When he runs out of light, there is a roof to design.
He'll be in the bar later, drawing roof beams and vaulted ceilings, a book in front of him to tell him what he needs to do. Supper, needless to say, lies ignored.
[OOC: Unexpected couple of days off, so I couldn't resist an EP. I'll be here for the next twelve hours, and can play up to Sunday evening for slowtimes. Miss all your faaaaaces. D:]
He gets a glass of water from the bar, drains it, and then retires to the outside. Stables first, to check the horses - the young one, and the one he will take with him if he can. Then to the building site, because it has been on his mind and he must continue with all haste.
He stops when he gets there, though. There is wheat growing at the edges of the walls. That is not good; he does not want anything to dig down and undermine the foundations. So he scowls and yanks it out, telling himself to be more careful about the seeds he trails with him from the farm. That done, he sets to work. Mortar, then walls. When he runs out of bricks, more bricks. When he runs out of light, there is a roof to design.
He'll be in the bar later, drawing roof beams and vaulted ceilings, a book in front of him to tell him what he needs to do. Supper, needless to say, lies ignored.
[OOC: Unexpected couple of days off, so I couldn't resist an EP. I'll be here for the next twelve hours, and can play up to Sunday evening for slowtimes. Miss all your faaaaaces. D:]

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"Oh! Hello, Javert."
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He is no expert, but he is fairly sure they should not have four horns each.
'Madame Park.'
He bows politely, then surreptitiously puts the brick down and checks his peasant's cravat is in place.
'How are you?'
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Country life seems to agree with him, physically. If one ignored the lack of edge to him, they might think he seemed normal.
He puts the trowel down too, out of politeness.
'Has there been trouble in your new station?'
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He sees Javert and raises a hand in greeting. Friendlily.
He's dressed for walking through the undergrowth. Trousers, boots, a belted tunic. No outer robe. And his hair hangs in a thick, utilitarian braid, down his back.
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Javert is working steadily, mortar laid neatly down in rows, bricks laid into it carefully. No fuss, little mess. He is tidy in his dress as always, though his trousers and waistcoat are flecked with dust and specks of wet sand.
He does not stop what he is doing, but inclines his head politely.
'How are you, monsieur?'
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"And you? Has your shoulder been giving you problems?"
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He must be the one building the church and she walks up to him, gently lifting the wheat he had torn out, "It wasn't harming your church just existing."
She's in a green linen dress with bare feet and the air around her smells of summer ripeness and the beginning of a storm.
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But then he sees she is not wearing shoes, and there is a strange smell. He is on guard at once - and then he registers what she said, and forgoes bowing in favour of frowning.
'I beg your pardon?'
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She walks closer to him, he doesn't look like a man who's sanity is held together by a building.
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Dorian Gray is still hoping to see unicorns, but instead, he finds what appears to be the man building the church.
"Good afternoon," he says as he comes closer.
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'Good afternoon, monsieur.'
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He watches, somewhat hypnotised by the building process, and then starts trying to work out how many bricks there are.
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Then he turns back to his work.
Eventually - some time later - he asks, 'what are you doing?'
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"You laid three bricks every two minutes which means you laid approximately ninety bricks in the last hour." he says. "There are two hundred and sixty bricks on this side which means in ten bricks time you will have been going for three hours."
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She comes across the church (least it looked like the start of one) almost by accident. She heard it was there, but the exact location and a reason for going never really entered her mind until now.
Stretching her legs and taking a swig of water, she carefully went inside after him. "I heard a church was being built, should've figured you were the one building it."
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He thought he did, but cannot remember.
There is not yet a proper 'inside' to the place - the wall he is working on is waist height at this point, and the other three just a little higher than the floor. But the space is clearly visible now, and it won't take long to become a proper structure.
'Good afternoon, mademoiselle.'
headed for long slowtime
"You may have. I do remember seeing you working on some sketches awhile back." The memory was fuzzy and not entirely something she put focus on. "Must've skipped my mind if you told me your plans or not."
At the very least, she had so much else to consider that some details would've been regulated to the back.
allgood
Re: allgood
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Though the task remains a long one, his day's work is finished. He is making his way back through the woods, taking a shorter route than usual. He slows at the sight of the church-in-progress. He has not noticed this structure before. It does not seem to be finished.
Garyn shrugs. It's not like he has any pressing business at the moment. Curious, he straps his dull leaded blade around his shoulder and approaches the edifice.
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He glances up at the movement on the edge of his vision, frowns slightly and returns to what he is doing.
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He is rather more surprised to find who else is inside of it.
"Javert," he says, his tone less a greeting and more a quiet exclamation. "I hadn't taken you for a bricklayer."
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Assuming the Crucifix is of the Catholic variety
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RL devoured me, but I've returned.
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"Huh," he says, noting the pile of uprooted wheat. "What's that for?"
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...is rather distracted from the question by...well, by so many things. Flying things and a laser, mostly.
Forgive him if he does not reply promptly. Or remember this boy's name; he was rather distracted when they met briefly before, and finds himself in a similar state now.
Green people will never not be strange.
'What is what for?' he says, eventually.
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