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The first thing Pearly notices on arrival in Milliways is that the world is smaller, much smaller, far too small. Not in the sense of space – he’s used to the cramped alleys and underground cellars of the Narrows or the Five Points – but in that his vision is restricted. He looks up at the ceiling with a quiet snarl, razor eyes rolling back in his head…no Avenue of the Nine, nor the Twenty. No Sarganda Street, no Diamond Row. Nothing.
He looks around, glaring. The knife in one hand drips blood on to the floor, and he wipes his face with the other, which holds a gun, single-barrel, ivory handle. His mouth opens to speak to the place at large – the first saloon in a long time not to quiet at his entrance – but then his eyes fall upon the Observation Window.
….oh. Oh.
The knife drops to the floor, and everything else melts away.
[OOC: I strongly recommend reading this post before tagging, and perhaps his profile as well. Open until whenever!]
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Ganymede had been pacing, twining and unwinding a silk scarf around his hands and neck, careful not to catch it on the spines of his bleached snake vertebrae choker, when Pearly comes through the door. It's not that he's particularly afraid of someone bloody--gods know he's been around worse--but it does get his attention rather quickly.
And then the man just drops it (Ganymede's never fathomed why on earth that window is so fascinating to some people, but there you are) and he takes the opportunity to pick it up, straightening slowly.
"You alright?"
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'What it is?' he snaps out, in a heavy New York-Irish accent, not looking at who has spoken.
'Where'd it come from?'
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Ganymede waves a hand in front of Pearly's face when he gets no physical response.
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Just when he thinks he's seeing all the gold in the world, a wave of red and silver and yellow explodes at some other place; his eyes can't stop moving, there is no way to see it all at once, and it's making his heart smash in his chest, choking his throat.
He licks his lips again, entirely forgotten he's holding some man's arm, and when he tries to speak nothing comes out but a quiet and helpless moan.
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He shifts his wrist, and when the bones merely grind together, Ganymede steps between the stranger and the window, silk scarf still in his off-hand. "Would you mind letting my arm go?" he asks. He's blocking the colors of the window with his body, head tilted as he watches the man. He's never seen a reaction quite like this one, not to simple colors.
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He starts swaying on the spot, completely unaware, the words of another lost to his ears.
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He can't take his eyes off the window, but he can raise his hand - perhaps luckily, it's the one with the dripping knife in it rather than the gun - and point it in the general direction of the noise.
'Shut up,' he says, distinctly, even though it's hard to hear his own voice through the roaring of his blood.
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Then it's the man. There's something rather turn-of-the-century about him, and Pam can always pick up on that. Already she feels as if she's dealt with his type before. When she was human.
The knife clatters to the floor, and her eyes flick down, following it.
She glances back up again and finds the man staring like some kind of dazed opium fiend at the Observation Window. She was never into the Observation Window. She couldn't care less about it.
But she unfolds her long legs and slips off the bar stool, and with long strides she crosses the room toward him, all tight red dress and crimson lips and golden hair. She bends down and picks up the knife, its edge still wet with blood. Holding it up-- not giving it to him yet-- she says flatly,
"You dropped this."
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He doesn't look away, of course. He's currently not capable of it, his scarred cheek twitching erratically in a face otherwise slack with obvious hunger, and lust.
So much colour. So much. He can't hope to take it all in, but unless distracted, he'll stand here until he's tried.
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Seriously?
"Just thought you might want it back. Fortunately you're no longer at the scene of whatever crime you perpetrated, so it's all good."
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'In this neighbourhood?'
Seriously. No one's going to catch him at anything he's done, and he hasn't yet registered he's not in New York any more.
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"Well, you're going to have to change 'neighborhood' to 'end of the fucking universe,' because sweetheart, that's where you are right now."
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To those who can sense power auras, there's a little more to see. But still, by her kind's standards, it's not all that strong.
She halts just inside the back door, studying the man transfixed by the Observation Window.
After a few moments, she begins to make her way over.
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So she's entirely prepared to stand around for hours watching him, if he's going to stand in one place that long. All the same, when she comes around enough to see his eyes, she startles visibly.
They're not exactly like the eyes of her kind. But they're more similar than anything she's ever seen.
(His aura's not exactly like her kind or like a yoma's, either. But he's got one, all the same.)
[OOC: Assuming he's got an aura based on the whole demon thing, but if you want to hash out more cross-canon detail just let me know!]
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He stands there for at least two hours, until he can't see anything but red and gold and yellow, and his head is reeling from the overload. Only when he realises that his sweat has run cold, and his hands are trembling, does he get the sense someone is watching him. It's still an effort to turn his head away, and it takes a good few minutes before his vision clears enough to take note of what's in front of him.
His head tilts, curious even though he's reeling. And full of far too much energy, like a drug addict after the morning's first hit of cocaine. Her eyes, though. He's never seen any come close to his own before.
'How long you been there?'
How long's he been here?
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"What are you?"
It's genuinely curious.
And a little wary. But not afraid.
(Clare's not very good at fear. She's also not very good at small talk.)
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"Always takes you aback, doesn't it?"
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'Always?'
It always will for him, but he doesn't get used to colour like this. Not so much. It keeps changing, how could you ever get used to it?
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"Well, time's a little interesting here. But I've been coming for a good while, and I'm not bored of it yet."
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Even more crazy where he comes from, but he can't compare because he doesn't yet know where he is.
He drags his gaze away, the room flashing in silent explosions of red and gold and fire and orange behind his eyelids, blotting out the details. It's a saloon, that's all he registers. That, and that this man feels...not entirely as he should.
He pulls a huge ruby from his pocket, and tries to catch reflected light from the window so it'll tell him something. But the light doesn't seem to work that way, and there's no moon in sight to help him.
'Goddamnit,' he mutters, and drops the thing back out of sight.
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Can't tell the time, by magic or by physics, doesn't work when you're somewhere that's everywhen and everywhere.
"I take it you're new?"
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