Curtis Everett (
2goodarms) wrote in
milliways_bar2015-03-25 10:33 pm
Entry tags:
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Time seems to flow the same way physics does around here: like it dove headfirst into an uncut barrel of kronole. Curtis can't tell if it's been a few days, a few weeks, or even longer. Maybe it's just because he doesn't know what to do, how to tell time, without someone else raising and lowering the artificial lights.
Once he had that realization, he desperately needed to punch something.
Luckily, while wandering around today, he found the gym. Half the machines in there are too unfamiliar to be of any use, but punching bags look pretty similar across all times and universes. They had one in the tail, just an empty sack people would stuff their blankets into before waling on it for a while, but it didn't offer much resistance. Not like these bags. These bags make a good solid thwack when you punch them, and it feels a little like punching a brick wall if you pick the heavier ones. Nice and satisfying.
Curtis' knuckles are going to be bruised to hell tomorrow, but it'll be worth it.
[ooc: slowtime will be in effect once 11:15 PM ET rolls around.]
Once he had that realization, he desperately needed to punch something.
Luckily, while wandering around today, he found the gym. Half the machines in there are too unfamiliar to be of any use, but punching bags look pretty similar across all times and universes. They had one in the tail, just an empty sack people would stuff their blankets into before waling on it for a while, but it didn't offer much resistance. Not like these bags. These bags make a good solid thwack when you punch them, and it feels a little like punching a brick wall if you pick the heavier ones. Nice and satisfying.
Curtis' knuckles are going to be bruised to hell tomorrow, but it'll be worth it.
[ooc: slowtime will be in effect once 11:15 PM ET rolls around.]

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'Course that doesn't mean much to Dogmeat, who occasionally takes it on himself to go exploring. Then Ellen has to chase him down before he bothers anybody.
You know, like the man in the gym who's beating up on the heavy bag like Paladin Gunny told him it was a greenskin that kidnapped his grandma or something.
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...which is when he notices the dog.
Humans are one thing. Dogs -- any animal -- are entirely another. It'd been enough of a shock to see the aquarium car and the racks of slaughtered meat en route to the engine.
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('Collar' is pushing it, frankly. It looks like somebody hacked a piece of leather off an article of clothing and attached a buckle by trial and error. Old leather, at that, cracked and faded under the Wasteland sun.)
She looks up at the man and offers a small, worried smile. "I'm sorry, sir," she says. "I didn't intend to interrupt. He gets away from me sometimes if I'm not paying attention."
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And the collar. It's not unlike what someone might've made in the tail, if they'd had dogs.
"Haven't seen one of those in a while."
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"Not very common where you come from?" she says. "Dogmeat, sit- we didn't have any animals at all where I grew up, so I'm never sure if I'm really handling him properly."
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She'd spent so much of the last few days in research mode, she needed to move, get the rust off her bones. The problem still haunted her thoughts, so she wasn't even paying attention to who was working the bags. She headed straight for the mat and began stretching out.
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Years of barely adequate nutrition don't do your endurance or strength a whole lot of favors, though. Eventually, he has to stumble away from the bag and brace his hand on his knee, gasping in air -- which is when he finally spots Dejah.
As soon as he can talk: "Dejah. Hey."
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"Hey." He's looking better than when she'd left him a few nights before. There's more color in his cheeks, and he looks like maybe he's slept between now and then. "I was going to come see you but, I thought," she hesitates, and looks down to tug nervously at her half-gloves, "maybe you needed some space."
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And it's probably for the best she didn't see how much his room changed, between when she shepherded him upstairs and now.
"How've you been?"
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It's not difficult to see that the question surprises her. "I am -- well, thank you for asking. I've been doing a lot of research. Decided I needed to come down here and get out of my head for a little while." She glanced over his shoulder to the still slightly swinging bag.
"And you?"
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When Curtis enters, he nods as he makes sure that he's getting the most damage from every hit. He's in jeans and a t-shirt with his human disguise up, his stance is good but his training is still mainly from swords.
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He peels off the outer layers of his clothes -- jacket, sweater, long-sleeved shirt, leaving only an undershirt behind -- and drops them in an unceremonious heap near another punching bag. And then he starts in, with no regard for form or skill: just the intense need to inflict violence on something, anything.
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His form is elegant, that's part of who he is and taught early and often but he does know where to hit, he's getting better at fighting dirty.
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He never knew how the hell Grey did it, getting that strong and that acrobatic. Probably just because he was swinging from the bunks as soon as he could walk.
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The matts are incredible. And so well suited for their intended use.
Elves are not born strong and fast. Skills need to be honed, and while his fighting days are over (and let us hope it may ever be so) setting bones still take strength.
So there is an elf lord partly disrobing a little way away. After that, stretches and gentle warm-ups. After that, push-ups.
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Catching his breath after another round at the bag, Curtis eyes the newcomer sidelong, waiting to see what he's going to do.
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He gives the Man watching him a friendly nod before getting on the mat to stretch. He looks cautious, but that has happened before here and he rarely takes it personally.
Long, slow, carefully controlled movements, that flow into a handstand.
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...Which leads to thinking of the sauna. Of waking up to discover Grey's body, stabbed through the heart, the wound neatly bisecting the word Gilliam.
Gritting his teeth, Curtis turns back to the bag and delivers a punch so hard that it rattles the chain and sends the bag swinging out a good three feet.
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Anger.
Sorrow.
Attention from strangers is rarely welcome, but he decides to keep a discreet eye on the Man. He could hurt himself the way he hits. He is strong, but the bones in the hand are fragile. And in the heat of the moment, that might be forgotten.
He slowly comes down from the handstand and starts doing push-ups. Again, slow, controlled movements. There are old, old scars on both his arms and back and front. Most of them looking too old to actually be his. Faded to a degree where they are only visible when the lights hit them.
And then he moves back to sit on his heels. Ready to stretches.
Whenever he moves, he moves quietly, his breathing deep but soft.
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He hadn't expected to find himself here when opening the door, but after a half-second's hesitation, James accepts the silent invitation and slips through into the bar. Who the hell knows why this place does anything? Better to be safe and check it out like he would if he were running surveillance, just in case.
James cases the main bar briefly, does a quick turn outside, then drifts down to the gym, just to see. As he starts to enter the room, he freezes in his tracks, staring at the gym's other occupant. Adrenaline floods his system--
Steve--
-- but no. No. A second look is all it takes to be sure. Aside from the missing arm, this man isn't clean-shaven; this man's got the build of someone who's been a prisoner of war rather than a supersoldier.
He's attacking the heavy bag with grim, barely-bridled rage. James knows that kind of feeling.
Silent as a shadow, he steps into the room, moves to the side of the door, and leans back against the wall to wait.
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He's about to pick up the routine again when he spots the other guy in the corner.
"Hey." Definitely out of breath. Curtis gestures to the bag. "You waiting?"
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(want to have a go, Buck?)
He shakes his head, both to clear it of his own thoughts and in negation.
"No rush."
There's a beat of silence as he studies the other man with intense focus.
"Hard to get used to boxing one-handed."
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Boxing implies rules and structure. It's not free for all violence like this.
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"Ah."
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