inatownlikethis (
inatownlikethis) wrote in
milliways_bar2015-08-12 01:15 pm
Entry tags:
First Entrance
The woman who steps through the door with a distracted expression stops dead still as soon as she looks up and Milliways registers. Slowly, carefully, standing very straight, she puts her earrings back in. She'd been on her way to bed, but--this isn't bed. She smooths her hands down the front of her skirt.
After a few steady breaths, she walks to the bar and sits at one end, still very straight, very careful. When she realizes that there's a pamphlet at her elbow she looks it over, one eyebrow going higher and higher. A bar at the end of the universe?
Having read the pamphlet she smooths the paper and re-folds it into a fan to hold. Something to keep her hands from trembling while she studies this new situation.
After a few steady breaths, she walks to the bar and sits at one end, still very straight, very careful. When she realizes that there's a pamphlet at her elbow she looks it over, one eyebrow going higher and higher. A bar at the end of the universe?
Having read the pamphlet she smooths the paper and re-folds it into a fan to hold. Something to keep her hands from trembling while she studies this new situation.

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She speaks English, expecting it to be the language of the place; she speaks with a strong Mexican accent, but very clearly and precisely.
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William has his lariat over his shoulder when he enters from the Front Door, he's been working and thinking about the rodeo. This works well as he can get some food, she catches his eye as she looks from his time and maybe even from Mexico, he tips his hat at her.
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Ordinarily she wouldn't approach men she doesn't know, for no reason. But this isn't ordinarily, and it isn't for no reason. She stands, smoothing her skirt again, and walks up to him. "Excuse me."
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He stops near a table and waits to see what she needs, she sounds of the border.
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There's a young woman at the bar in the petticoats and puffed sleeves and froth of the urban, European 1830s. (1833, to be precise.) Her outfit speaks of both money and good aesthetic sense, but it's perhaps not quite as fashionable as it could be; a little old-fashioned and a little too old for her fresh young face, in a few of the minor touches.
She's negotiating with the bartop, or rather with the scribbled-upon napkin in front of her. "--You're quite right, madame, but how can we ensure that he eats it? You know him, he only smiles, he'll probably find some poor unfortunate to give his dinner to, and now that he isn't living with me, that is, with us... Oh! Could I write a note to accompany meals? If I asked you to let me know if he doesn't eat properly -- if we told him that you'd do so -- would you do that, dear Mme Bar?"
Her gestures are quick and fluttery, but she's quite earnest.
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Helen Ramirez doesn't know 1830s fashions in any detail, but she does know when a young woman is wearing a dress that doesn't quite flatter her. A very young woman in this case. But--a respectable young woman, to guess from the particular ways that her costume doesn't flatter.
Respectable, but also apparently mad. Helen watches her warily, and then with amusement. What a place this is! How can you tell who might be mad?
(For her part, she's aware that her dress is impeccably flattering. Severe. But--flattering. Her jet earrings and black trim have the same effect, severity, but--not an unapproachable severity.)
When the girl falls silent, Helen leaves her chair and steps closer. "Excuse me. But I have to ask. Who is Madame Bar?"
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Both of those reactions are swamped by the realization that this severe, elegant, possibly grieving woman is brand new, or she wouldn't be asking such a question.
"Oh!" Cosette straightens, turning towards Helen, and then ducks her head in a moment's laughter. "Oh dear, you must think me mad."
Yeah let's not wait for an answer to that.
"This is Madame Bar," she carries on, patting the bartop lightly with a small gloved hand. "I know how it sounds! The first time I came I was sure I was dreaming, oh, everything. But it's the truth. She's marvelous. She gives a person whatever food and so forth they might want -- all kinds of things -- and she speaks in little notes. I was told it's magic, I confess I don't understand at all, but it's so."
A napkin appears next to Helen with a note in orange, in whatever language she might wish or expect it to be in: Pleased to meet you, Helen Ramirez, and welcome to Milliways, with a little drawing of a smiling face.
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She reads the note. Spanish, where she was expecting English: she runs her fingertip over it again, then takes it and folds it into the bodice of her dress. "I never believed in magic. Any kind of magic. --My name is Mrs. Ramirez. I just came here." She extends a hand to the pretty blonde girl. (The large jet ring says widow with more certainty than the rest of the black: but not recently bereaved, from her manner.)
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"Pleased to meet you, Mrs. Ramirez. I'm Cosette F-- Pontmercy. Madame Pontmercy."
This name is new enough, and welcome enough, that she still goes pink with pleasure when she says it.
"I didn't believe in magic either. But there are all kinds of marvels here. It's a wonderful place."
Some people's opinions might differ on that. To some extent, Cosette is even aware of that. But she's young, and she's eager to experience more of the world, and she's found nothing but good things here, on the whole.
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But what counts across worlds is that she's really watching the room, in a quiet way, not just looking idly. A new arrival, or a very sharp regular, then. Good to know.
He smiles at her in passing, friendly but not especially formal, on his way to the Bar.
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"At you" he says, frankly "because you're someone I haven't seen here before. And I have been here..." he looks up and tries to calculate briefly before giving it up as useless. "...some seasons, and seem likely to be here quite a few more. So new people are always worth noticing, even when they don't have your sense of style."
Which is good, because mostly, people don't.
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"Yes. I am new. And you talk like that every time you meet a new woman?" There's no flirtation in her voice. But...there's also not no flirtation in her voice.
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"And now..the super-amazing, daredevil will ride a motorcycle through several fire rings, set over a shark and alligator infested pool."
She stopped short of sending the doll over the course when she saw the woman enter. She was very pretty and elegant, though Matilda figured she was either very new or maybe she just hadn't been here while she was here.
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"Thank you, I'm pretending one of them's a daredevil at the circus." Though, given the flouncy, 80s fashion clothing said doll was wearing, it was likely any actual firestunts would meet with bad news.
"Are you new here?"
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