James Buchanan 'Bucky' Barnes (
nerves_of_ice) wrote in
milliways_bar2016-05-07 12:23 am
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Another night in another city; another night in which he finds himself once more lying awake and staring at the ceiling.
At least this time not all the dreams were nightmares.
After a while, he gets up. Moving silently in the darkness of his rented room, James Barnes heads for the door, taking his journal from the top of the fridge as he goes.
He opens it to Milliways, and scans the room briefly before taking a seat at a table off to the side. Frowning with concentration, he flips to a blank page and begins to write - slowly, with frequent pauses for thought.
Eventually a waitrat brings him a cup of coffee. He thanks it absently, in Russian, and continues his painstaking work.
[ooc: Bucky is still several months before Civil War. Yes, I have seen it, but there are no spoilers here, I promise.
Open to all until it scrolls or I note otherwise. Thanks!]
At least this time not all the dreams were nightmares.
After a while, he gets up. Moving silently in the darkness of his rented room, James Barnes heads for the door, taking his journal from the top of the fridge as he goes.
He opens it to Milliways, and scans the room briefly before taking a seat at a table off to the side. Frowning with concentration, he flips to a blank page and begins to write - slowly, with frequent pauses for thought.
Eventually a waitrat brings him a cup of coffee. He thanks it absently, in Russian, and continues his painstaking work.
[ooc: Bucky is still several months before Civil War. Yes, I have seen it, but there are no spoilers here, I promise.
Open to all until it scrolls or I note otherwise. Thanks!]

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Today, that pleased little smile crosses his face, and he closes the door to his apartment behind him.
"Hey, Buck."
*for Bucky. Shh.
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"Hey."
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Because there's best friend privileges and then there's being an obnoxious pain in the butt.
...not that Steve minds being an obnoxious pain in the butt. Sometimes it's very useful.
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"Hey."
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Just a few footfalls, honestly.
"James."
Beat.
"Hello."
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"Joe. Hey."
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Carefully.
"You have been busy?"
Beat.
"At home."
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Curtis, bearing his own cup of coffee, pauses by James's table. (Notebook, look of ocncentration like Painter'd get sometimes when he was working on a really complex sketch -- yeah, he's gonna hold off on sitting down for a minute.) "How's it going?"
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He glances down at his journal, grimaces at it, and looks back up at the other man.
"Slowly."
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He looks around for someplace to sit and remove his winterwear, but he is loathe to disturb someone at work.
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After a second or two, he nods to the other man, then glances pointedly at the empty seat across from him.
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Here's a person you definitely always want around for painstaking work: Harry Percy, stamping in from outside with a not-inconsiderable amount of dirt on his person and a distinct aroma of horse. He tugs off his gloves and tosses them onto a table as he passes en route to the bar, not really noticing (with that exquisite sort of carelessness surely only the aristocracy possesses) that someone may already be sitting there.
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He doesn't startle. His cool, assessing glance moves from the gloves on the table up to the man who's tossed them there.
"You dropped something."
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It's not exactly clear what year he's from, but the where is obvious.
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The accent gets his attention fast. He watches the other man closely -- and openly -- taking in everything about his appearance.
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"What're you writing about?" she--different body, same brain, still thinks like a girl--asks, looking up from the list she's making.
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He studies the young man, noting the hair color and gloves, and his eyes narrow.
"You look different."
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[ooc: yes, absolutely!]
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