Matt Murdock (
man_without_fear) wrote in
milliways_bar2016-12-07 12:38 pm
Entry tags:
(no subject)
[oom:"We're doing good here, Foggy." "Are we?"]
...the hallway the Bar.
Matt bursts into Milliways at a dead run, halting himself just before he plows over a wait rat.
The rodent runs off and Matt stands gasping for breath, suit and tie a rumpled mess, head canting furtively, reading his surroundings and urgently trying to identify them.
A moment later he whirls around, pulling up short from running into a wall.
A wall. Not a door.
Feeling out with his hands he confirms it. No handle, no hinges, no way back to Claire.
It's all slow to process and for a moment all he can say is, "No."
[oom: Spoilers for episode 1.4 in the link and likely in any threads. Catch him when he comes in or at a nearby table after.]
...
Matt bursts into Milliways at a dead run, halting himself just before he plows over a wait rat.
The rodent runs off and Matt stands gasping for breath, suit and tie a rumpled mess, head canting furtively, reading his surroundings and urgently trying to identify them.
A moment later he whirls around, pulling up short from running into a wall.
A wall. Not a door.
Feeling out with his hands he confirms it. No handle, no hinges, no way back to Claire.
It's all slow to process and for a moment all he can say is, "No."
[oom: Spoilers for episode 1.4 in the link and likely in any threads. Catch him when he comes in or at a nearby table after.]

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She is crossing the room towards the bar - her water bottle needs refilling and she's ready for a rest - when she notices Matt standing with his hands against the wall, breathing hard.
"Matt?" Sunshine asks, concern in her voice as she approaches. "Are you all right?"
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Rae's voice registers and his hands come off the wall. At last he finally takes stock of himself and where he is exactly.
Turning around his movements to straighten himself out are jerky. He runs a hand through his hair and adjusts his glasses, very conscious of the fact now that he's still out of breath and doesn't have his cane.
"Yeah, uh-- I just... I think my door is gone." He tries to give her a sheepish smile, but it doesn't quite make it.
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It explains why he was standing at the wall where the door usually is, and why he's upset. Though he looks like he might have been riled up before finding he was bound, rather than after.
"Being bound is... frustrating as all hell and really inconvenient," she remarks. It hadn't been the best introduction to Milliways, for her. Rae had taken to calling Milliways the 'friendly, kidnapping bar' for a while. "The door'll come back eventually, at least, but there's no sure way to know when."
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"I really need to get back. Surely there must be some way." He works hard to keep the anxiety and anger from his voice, but there's a tightness in his jaw and tension in his shoulders that aren't dispelled so easily.
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"I don't know of a way out of being bound - and you're not the first to really need one - apart from the door just showing up again. We could ask the Bar?" she suggests, unsure. Even if his anxiety and anger are mostly hidden from his tone of voice, the turmoil in his shadows is as clear as day.
"If it's a time-sensitive issue, you know that time stops on the other side of your door while you're here, right?"
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Behind his glasses Matt's eyes close, and he can hear Claire's struggle on the other side of the phone ringing in his ears.
Rae's last words give him some small measure of comfort and he tries hard to hang onto that.
"Yes. I know."
Pulling in a slow deep breath he finally finishes gathering himself together.
"I'm sorry. I didn't expect this to happen."
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There was the minor complication of being weakened by slow-acting poison at the time, which would have killed her had the door not returned in time.
"I don't... really think the Bar has anything to do with what Milliways does as a whole, like with the door, but we can at least ask."
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Resigning himself to the fact that the door isn't going to reappear on it's own he accepts the offered suggestion.
"Alright."
A brief, hesitating moment and he lifts his hand.
"Would you mind?" If nothing else maybe Bar can give him another cane, and help him figure out what the hell he's going to do while he's stuck here.
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"I don't mind at all," she replies, stepping forward to let him take her arm. "So long as you don't mind me being a bit of a mess. I caught you on my way in from my run."
One can be as clean as one can be when one starts out, but after a few miles run around a pseudo-Scotish lake in the cold, no one is at their best.
The arm under his hand as Rae leads Matt through the tangle of tables to the bar is lean and muscled, hinting at somewhat more strength than perhaps one would get just from lifting heavy baking trays every day. There is also a sizeable scar running the length of her upper arm. Not from a cut or a scrape or a burn, but the scar of a messy tear such as would be made by teeth. It is long healed, but the scar is still there, currently with the faint rasp of salt from dried sweat.
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He dismisses the idea that there is anything offending about her current state with a short shake of his head and accepts her help with a, "Thank you."
His hand closes on her arm and he can feel the muscle tone and notes that it isn't exactly the same as someone who strength trains. The definition doesn't speak so much of a sculpted physique as it does muscles which are used, and often.
It makes him curious, and the scar only adds to that. He resists the urge to feel it out with his fingertips and instead walks along with her seemingly more focused on navigating than on her arm.
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Even apart from the whole slowly-dying-of-poison thing, she had resented being kept away for so long. It's almost ironic now, when she has spent so long in Milliways of her own free will.
"Here's the bar. There's a bar stool about a foot in front of you, and the counter top beyond that," Rae offers as they reach their destination. She generally doesn't hide her scars, but she doesn't exactly show them off, either. It is very rare for someone to actually touch them, and so it was a bit difficult not to be a little self conscious of his hand on her arm as they walked.
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"Anyone stuck in a place against their will wouldn't take it well," he replies, reaching out his free hand and locating the stool before slipping his other free of her arm; his fingertips perhaps trailing along the line of her scar briefly before pulling away.
"Hello again, Bar," he greets the counter as he takes a seat. Best to be cordial, right?"
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General source of frustration, yes.
A napkin appears on the counter top, one corner under Matt's fingertips. On it, in Braille, are the words,Hello again, Matt Murdock.
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"Jay."
His hand doesn't relax so much as it shifts from being balled and ready to throw into being held tight with frustration.
"No," he answers, regarding the wall once more.
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"She's locked you in?" He asks, giving Matt time. "Is there a reason?"
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His chest is heaving and he works to catch his breath while he tries to process the situation.
"The door is gone. I need to get back there."
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He can't change it right now, though. It is time to evaluate and reassess.
Pulling in a slow, deep breath Matt draws himself up and finally turns to face Jay, putting his back to the door.
"How does it work? When will it come back?"
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He drops his voice a little lower. "Train, hone, plan, tool up. Use the time to make yourself ready for whatever you're facing."
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"A cane." He doesn't want to eat, and he won't be sleeping for awhile, for now though he should keep up appearances.
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"If you want to spar, I have a private spot down in the garage."
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"I want to get back out there." But barring that hitting something (or someone) might be good.
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"Well, you can't." He points out bluntly, rather intentionally being a dick. "So what are you going to do instead?"
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"Let's spar," he says, deciding that yes, he definitely wants to do some hitting.
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