The Master of Ceremonies (
i_am_your_host) wrote in
milliways_bar2017-02-14 07:31 pm
Entry tags:
musical interlude
Being trapped in Milliways makes Emcee anxious and restless. His door is visible, he isn't Bound, but he is still trapped. Without a fully-formed plan yet (and without Eric, one of the key components in his plan), he can't leave.
It would be so easy to stay.
Emcee sits down at the piano with some sheet music. Once again, he practices. And then he plays.
"All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere..."
His voice is softly melancholic, weary with resignation, edged with a plea.
"Their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow
No tomorrow, no tomorrow
And I find it kinda funny, I find it kinda sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you, I find it hard to take
When people run in circles it's a very very
Mad world...
Mad world...
Children waiting for the day they feel good
Happy birthday, happy birthday
Made to feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what's my lesson
Look right through me, look right through me
And I find it kinda funny, I find it kinda sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you, I find it hard to take
When people run in circles it's a very very
Mad world...
Mad world...
Enlarge your world...
Mad world..."
Emcee ends on a sigh as the notes fade away.
there are no
troubles
here
It would be so easy to stay.
Emcee sits down at the piano with some sheet music. Once again, he practices. And then he plays.
"All around me are familiar faces
Worn out places, worn out faces
Bright and early for their daily races
Going nowhere, going nowhere..."
His voice is softly melancholic, weary with resignation, edged with a plea.
"Their tears are filling up their glasses
No expression, no expression
Hide my head I want to drown my sorrow
No tomorrow, no tomorrow
And I find it kinda funny, I find it kinda sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you, I find it hard to take
When people run in circles it's a very very
Mad world...
Mad world...
Children waiting for the day they feel good
Happy birthday, happy birthday
Made to feel the way that every child should
Sit and listen, sit and listen
Went to school and I was very nervous
No one knew me, no one knew me
Hello teacher tell me what's my lesson
Look right through me, look right through me
And I find it kinda funny, I find it kinda sad
The dreams in which I'm dying are the best I've ever had
I find it hard to tell you, I find it hard to take
When people run in circles it's a very very
Mad world...
Mad world...
Enlarge your world...
Mad world..."
Emcee ends on a sigh as the notes fade away.
there are no
troubles
here

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"Oh," he says with mild surprise. The rat squeaks, gesturing for him to turn toward the fireplace. Emcee glances over, and with a smile, he raises his glass to Sinric.
"Thank you, darling. Will you come sit with me?"
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"It was one of those songs that found me when I was spending all that time alone in my room," he says. "I listened to it over and over and over again, it moved me so. It was funny. It was sad, that my own dreams of dying were..."
He trails off.
"The best I've ever had," he sings in a whisper.
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"Hard to make someone understand an experience like yours. And yet to find words that echo the feeling so deeply." He nods, knowing how powerful that is.
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"It still haunts me," he murmurs. "I like to think that I can move on quickly from the worst of situations. But this-- this was so much more than I had ever known. It could drive me mad if I let it."
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"I know. You told me there will be, and I believe it," he says earnestly.
He plays another chord.
"Don't let the sun go down on me," he sings softly, sparsely playing the accompaniment, letting his voice carry the melody.
"Although I searched myself, it's always someone else I see
I'd just allow a fragment of your life to wander free
But losing everything is like the sun going down on me."
He leans into Sinric's arms. "Another song that moved me."
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The song ends on its hanging, slightly ominous notes, and Emcee lets the sound fade before lifting his fingers off the keyboard.
And then he takes a drag off his cigarette which had been waiting for him in an ashtray beside the sheet music.
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look he's been seeing the piano for a while there and wondering
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"Indeed it is," Emcee affirms with a mild smile.
He can't remember where they'd first/last met. The county fair, perhaps, which feels like so very long ago.
"It's called a piano. You haven't heard anyone play it before?"
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He scuffs the football up against the piano's leg a couple of times, then catches himself and darts a faintly apologetic glance at Emcee. "It's, eh. Good?" It plays notes and everything! "That a song from where you're from?"
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"And no, I only learned the song here. It's from the future. I've been listening to a lot of music lately to keep myself occupied. I am an entertainer, so this is what I do."
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"Aye, right enough, I should have known it would be from a place like here. Talking about..." About Children waiting for the day they feel good, made to feel the way... "About that kind of stuff. Whatever."
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He stands and shifts behind the bar, bending over to apologize to Bar for invading her space while she's awake and sets to mixing a drink for the poor maudlin fellow at the piano.
Soon enough, he's at Eemcee's side, a poster sized roll of paper under his arm and two martinis on a tray balanced on hand attached to the arm holding the roll of paper. By then, Eemcee has finished the song, and so Eliot bows at the waist, saying, "Not to distract from your lovely song, and it was glorious and sad, but I need your help. Can I depend on you, noble sir?"
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"Eliot," he breathes through a half-chuckle, eyeing the cocktails on the tray. "Oh, you know I'm the furthest thing from a 'noble sir.' 'Indelicate peasant' is more like it, but I can still help you all the same."
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[ooc: the drink is something like a dirty martini with a dash of bitters and rosemary.]
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"Ooh, I like this. I like this very much indeed. And the other one?"
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"This is nice, but the one with the bitters has a more dynamic flavor. I would definitely go with the bitters. Not too much, though. I like the aftertaste of rosemary."
A beat.
"I get to finish both, don't I?" he says, teasingly possessive of the free drinks he's just been offered.
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"I suppose, but for a price. Scoot over so I may play a song. No negotiations."
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"You drive a hard bargain," he replies, moving over to make room on the bench. He places one martini glass on the piano, and keeps the other one in hand.
"I didn't know you played."
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