Cecil Gershwin Palmer (
holdingacat) wrote in
milliways_bar2018-07-17 07:56 pm
Entry tags:
(no subject)
(OOM (sorta): Episode 1, in which we have a fairly slow news day.)
(OOM (tragically): An interlude, in which Cecil is very into science.)
The man who strides through the door isn't tall. He isn't short, either. He's not fat, or thin.
He is wearing a black plastic poncho and a cat-eared headband, but that's just because he is following the latest trends (and can carry it off so well).
A black ceramic coffee mug is in his hand, the coffee that it once contained long-ago gone.
Cecil stutter-steps to a stop a few steps in, brought up short by the distinct lack of a break room, and the distinct presence of a bar. Uh...huh.
"Um. Intern Chad? Have you been redecorating?" Cecil calls in a carrying tone. "... Chad?"
(OOM (tragically): An interlude, in which Cecil is very into science.)
The man who strides through the door isn't tall. He isn't short, either. He's not fat, or thin.
He is wearing a black plastic poncho and a cat-eared headband, but that's just because he is following the latest trends (and can carry it off so well).
A black ceramic coffee mug is in his hand, the coffee that it once contained long-ago gone.
Cecil stutter-steps to a stop a few steps in, brought up short by the distinct lack of a break room, and the distinct presence of a bar. Uh...huh.
"Um. Intern Chad? Have you been redecorating?" Cecil calls in a carrying tone. "... Chad?"

no subject
She also has a margarita. Because it's hot and she deserves it.
"No? It's looked like this for a while, I think?" She looks around. Nothing seems to have changed over the last few months.
no subject
(He definitely knows everyone in Night Vale.)
So, an outsider.
(Interloper)
"Oh, are you one of the team of scientists? I'm afraid I haven't seen Carlos since he left the sound booth." Cecil offers helpfully, stomping ruthlessly on his inborn urge to point and shout, because that's just rude.
(And might get back to Carlos)
He sighs, giving his (tragically empty) empty mug a morose look.
"I wouldn't mind redecorations so much if they didn't keep moving the coffee machine."
no subject
It's odd that he'd assume she was a scientist. Does she look like a scientist? She thinks she probably looks a bit tipsy right now, but this is a bar. That's allowed.
"I think the coffee machine's over there." She points toward the bar. There's definitely something behind it that could be a coffee machine.
no subject
"Oh, I didn't know there were any television stations allowed in Night Vale, how wonderful! I suppose it was only a matter of time, but... oh, and forgive me, it was horribly neglectful of us not to mention your arrival on the show tonight. I have a new intern, what can you do?" Cecil is, if nothing else, committed to his life in the media. In his excitement, as he speaks, his voice slides more towards that of his radio persona (which, let's be honest, isn't that far removed from every-day Cecil Palmer) - a touch more smooth, a touch more caramel.
no subject
Oh. Nichola should have figured. Sometimes she forgets that Milliways exists outside of her own world.
"This isn't Night Vale, sweetie. I'm pretty sure we're in space."
Which is pretty cool. And also kind of scary, given how many deadly plagues come from space. But nobody's brought anything back through the door yet, so it's probably okay here.
no subject
"Space?" It's a bit of a squeak, before he hastily gathers his composure with an air of having to do this... quite often. So very often. It's an art, at this point, how quickly he puts himself back together and smiles, wryly.
"An inter-dimensional portal inside of the station? Oooooooh, Station Management isn't going to like that One Bit." His tone would sound decidedly ominous if there wasn't a thread of decidedly gleeful amusement sewn through there, gleaming like silver. Considering the grief Management puts him through sometimes, he can't bring himself to control it.
no subject
"That's what I've been told."
Cecil reminds her of someone. He reminds her of a lot of people actually. Many of whom she works with.
"So, where's Night Vale?" No TV allowed, inter-dimensional portals popping in and out of existence, and interns that randomly vanish? She'd almost put money on it being in the desert somewhere.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
He looks up at the newcomer and smiles. "Welcome. Would you pass me thread please?" A reel of thread sits on the edge of his table, just out of reach.
no subject
Cecil doesn't know this person. He would never claim to know everyone in Night Vale, but... he does.
He knows them very well.
Since there has only been one group of outsiders lately, Cecil makes the logical deduction as he hands over the errant reel of thread.
"Oh, were you waiting for Carlos? I think he miiiight have run off. Scientifically, of course." He hastens to add - clearly there was exciting science to be done elsewhere.
no subject
He thanks Cecil for the thread and cuts a length. "Is this your first time at Milliways?"
no subject
"If by 'Milliways' you mean 'the staff break room redecorated without even sending out an office memo to warn about the changes ' then... no. No, it isn't. Is it yours?" Cecil asks in return, puzzled.
no subject
no subject
"An interdimensional portal? Inside of the station?" He asks, and chuckles darkly. "Oh, Station Management will Not Be Pleased."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
no subject
It also isn't an uncommon thing for everyone to know Cecil - by voice, at least, if not by sight.
"Oh, I wouldn't say strange." He replies, distracted. Ugh, they even moved the coffee maker.
no subject
Depends on if Cecil can tell that he is Death.
no subject
This is an outsider. Interloper. Honestly, it's a trial to not point and shout, especially if this guy's going to be rude about his home.
"Uh huh. I don't suppose you've seen Chad?" He asks, because he's not rude (besides, you need more people for a mob).
no subject
Death sips the coffee.
no subject
"Yes, yes, I know, we are all living in a state of perpetual peril, our sense of safety a transient and ineffective veil across the existential dread that pervades our lives... I saw the new ad for Taco Bell too."
(no subject)
(no subject)
(no subject)
(no subject)
no subject
At first, he hesitates. Milliways, he knows, is a lot to take in, and if he's not familiar with monsters, Gaster's appearence might frighten or overwhelm him.
But the mention of interns piques his sense of nostalgia, of memories of working on the Core.
Gaster floats over, careful not to get too far from the electromagnet, and inspects Cecil curiously.
no subject
"Errr... Intern Chad?" Good grief, did the boy annoy Station Management?
no subject
"My name is Dr. W.D. Gaster. And this is Milliways, an inter-dimensional bar. Welcome."
no subject
"Don't tell me the interns are naming the break room now. Doesn't anyone feel the need to send a memo about this?"
no subject
"I don't believe this is the place you're thinking of. This place exists as its own separate universe. Most end up here by accident, or so I've heard."
no subject
But it's still funny.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1/2
2/2
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)