take_that (
take_that) wrote in
milliways_bar2019-06-23 09:41 pm
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There's a man wandering into Milliways today, with a shabby blue suit and spiky black hair.
He stops, and glances around.
"Maya?" he calls out. "If this is some kind of elaborate prank, I'm very impressed, but could you please put the office back the way it was now?"
After waiting for a response, a rat comes over with a pamphlet. The man reads it.
He sighs, and shrugs.
And somehow, this is not the weirdest thing that's ever happened to me.
He sits down at the bar and orders a cup of coffee. When in Rome, right?
(ooc: Phoenix's internal monologue is in italics.)
He stops, and glances around.
"Maya?" he calls out. "If this is some kind of elaborate prank, I'm very impressed, but could you please put the office back the way it was now?"
After waiting for a response, a rat comes over with a pamphlet. The man reads it.
He sighs, and shrugs.
And somehow, this is not the weirdest thing that's ever happened to me.
He sits down at the bar and orders a cup of coffee. When in Rome, right?
(ooc: Phoenix's internal monologue is in italics.)

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"You look new," he says, by way of greeting. "-- I mean, I've not seen you around before, at least."
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He rubs the back of his head.
"So...bar at the end of the universe, huh?"
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That sounds like something Maya would read about...
"How long have you been coming here?"
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Although he's sure plenty of people have theories.
"Since I was eight, apparently. I don't really remember it, but people have told me that they've talked to an eight-year-old version of me, so."
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Then Phoenix remembers his manners.
"Oh, I'm Phoenix, by the way. Phoenix Wright."
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"Yamato Ishida," he says. "Nice to meet you."
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He looks around the room. Lots of different people, not all of them human-looking.
"So where are you from? I'm from LA."
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He counts off on his fingers.
"At least five, possibly as many as eight worlds," he says. "In the other dimensions sense rather than a space travel-y kind of sense, although there are people here from places with space travel and intergalactic civilisations and stuff."
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I am definitely telling Maya about this.
"Is that something you have in your world?"
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"Well, I do have a friend who can channel the dead."
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"... They can, huh? That must be ... good ... for them."
Beat.
"That's not -- not a thing in my world, ghosts don't exist."
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I don't actually know if ghosts exist in my world, either.
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And there was the one time she helped us find Maya when she was kidnapped. And the time she used her powers to seduce a witness...
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Dead people should stay dead, not come back and practise law.
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He waves his hands. "I don't mean she does my job for me. Mia was always about letting me figure things out on my own, even when she was alive. But a lot of bad people have been found guilty because of her help, including her murderer."
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"... I guess the murder victim helping out with their own murder trial would be useful," he allows, grudgingly.
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"It was. That case was how I met her sister, Maya. She's my assistant now."
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...Sorry, a whathouse?"
(ooc: This version of Nick can't speak Japanese. :P)
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"Iemoto. Er," Yamato pauses for a moment to figure out how to explain this. "They're the house that created a particular art form, and are the only ones legally allowed to teach it. In Sora's case, her family created a particular style of flower arrangement that used to be taught to young noblewomen."
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"And she's okay with that?"
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Although whether it was the family business itself or the feeling that she was only valued as an heir is up for debate.
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(ooc: Sorry for slow reply; moving issues.)
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"But she's still planning on going back someday? I mean, I guess nobody can blame her for wanting to at least get out and see the world first."
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And her mother was always thinking about her and Maya, even until the end.
"And I do think Maya will take over, when she's ready."