Number Five (
manipulatestime) wrote in
milliways_bar2020-10-21 01:36 pm
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It's late afternoon when someone who really looks like he doesn't belong here saunters in from the front door. (It's probably the uniform.) There's surprise on his face at first - who isn't surprised when a bar you've never been to before shows up where your closet should be? - but the expression is soon replaced with a big smile.
There's a blue flash and he's at the bar ordering a cup of coffee, black, and then another flash and he's seated in one of the comfy armchairs by the window. Legs crossed ankle over knee, he sits back and watches the display with an odd curiosity.
This has to be it. The place the workers at the Commission only whisper about.
Number Five has finally arrived at Milliways.
There's a blue flash and he's at the bar ordering a cup of coffee, black, and then another flash and he's seated in one of the comfy armchairs by the window. Legs crossed ankle over knee, he sits back and watches the display with an odd curiosity.
This has to be it. The place the workers at the Commission only whisper about.
Number Five has finally arrived at Milliways.
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"You're a little young for Honours classes, aren't you?" he asks. Now with more than a few words spoken, his heavy Mid-Atlantic accent shines through.
He does not answer the question. Not directly, anyway.
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"I'd prefer if you answered my questions."
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"Define apocalypse," he says. "We talking viral pandemic, aliens from outer space, some dumb kid reading Latin out loud?"
God, he's so bored with the world ending.
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"Any kind you're aware of."
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It's someone else's problem now.
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"Do you belong in the present?"
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Technically? Maybe?
That was an awfully big reset though. He's actually never thought about it much, and assumed things were 'right' once he caught up to where he'd left off.
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Totally a time jumper. And a pain in the ass jumper at that.
"That's when they start coming after you."
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"Are you a cop?" Wilford asks plainly.
He sounds like a cop. Wilford's been younger than he's supposed to be before, so he wouldn't be surprised if a cop were undercover as a schoolboy.
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"How do you do it? Travel through time?"
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Wilford takes a deep breath, like he's been asked one of those Tough Questions.
"That's something your parents will have to explain," he says.
He's not even sure if the kid is old enough to reset. He should still be in that "young enough to bounce" age, from the looks of him.
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"I know how I time travel. How about you tell me how you do it."
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Not the dead dad and robot mom thing. Wilford spent a year chasing a story like that and it was boring as hell and only got him killed.
"Time travel," he says, very carefully. "You time travel. Not reset."
There's a very small, but important difference here.
Now Five is the interesting one.
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"Reset. What's that?"
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Wilford studies Five, and the uniform he's wearing. He doesn't recognise any of the insignia on it, but that's hardly surprising, especially around here.
"And you think I'm dangerous," he says finally. "It's one thing to fuck around with what's already happened." He wags a finger at the boy. "But you've gone forward, haven't you? What apocalypse have you caused?"
Meet Milliways' resident paranormal investigator, Five.
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He slinks into a closer chair, coffee forgotten. "Now I'm trying to stop it from happening."
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Even if Wilford could go forward, he'd never want to. Entirely too much burden.
"What's this apocalypse of yours look like, then?"
Since it's clearly not aliens, viruses, or demons.
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"But I'm stopping this apocalypse. I'd rather see how things turn out if there isn't an end of the world."
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"And just how do you propose to do something like that?" he asks.
He's still not convinced that the kid isn't the one who causes it.
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"I found it in my brother's hands when I arrived. I think it belongs to the person who's responsible for it all."
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Not the eye. He's pointing at Five's wrist.
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"It's a tattoo."
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"Why that tattoo?" he asks.
Never mind that it's on a child. He's well familiar with cults and trafficking and all the nefarious reasons a kid would be branded like that.
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