Sara Lance { is the steady hand & beating heart } (
strongerthanyouknow) wrote in
milliways_bar2021-02-11 08:34 pm
One (1) Assassin-Captain Enters the Bar
Sara had been headed from her office toward her room, but the moment she passed through the doorway, her step froze against the sudden myriad of voices. Reflexes pricked, counting the numbers of people off even before the second later lift of her gaze from the datapad in her hand and found .... a weird kind of diner-bar?
Without ever raising a foot, she shifted her weight to look behind her. Then back.
In front of her. Well-lit diner-bar. Behind her. Midnight Waverider bridge.
The latter at least earns less severity than alternate would have. Not that she relaxes her tense scrutiny of a random bar appearing on her time ship. Instead, all she says, to no one in particular is,
"We are not in Kansas anymore, Toto."
[ Welcome to Milliways, Sara Lance! The first thread is Bar Intro only; feel free to spot Sara at the bar, the window, etc., somewhere else after that. Open until it rolls off the page. ]
Without ever raising a foot, she shifted her weight to look behind her. Then back.
In front of her. Well-lit diner-bar. Behind her. Midnight Waverider bridge.
The latter at least earns less severity than alternate would have. Not that she relaxes her tense scrutiny of a random bar appearing on her time ship. Instead, all she says, to no one in particular is,
"We are not in Kansas anymore, Toto."
[ Welcome to Milliways, Sara Lance! The first thread is Bar Intro only; feel free to spot Sara at the bar, the window, etc., somewhere else after that. Open until it rolls off the page. ]

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(And since he carries himself with the straight-backed posture of a soldier and the watching-all-the-exits, light-on-his-feet demeanour of a habitual killer, he's probably used to black eyes anyway.)
"New here?" He asks lightly as he passes. "I -- heard the Wizard of Oz reference."
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She answers his question by way of a different one.
"Where exactly is here?"
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"Interdimensional nexus point appearing as a bar," he says. "There are leaflets that explain more. And the first drink is free."
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But no. The Vanishing Point had been completely outside of space and time (and destroyed). Her expression doesn't change much at all for the glance back to the boy, but it's hard to shock a girl who has already seen alternate universes and alternate timelines, the entire fabric of the multiverse both destroyed and remade.
Then, and vastly more importantly,
"What kind of drinks are we talkin' here?"
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Probably isn't a thing in his multiverse.
"As far as drinks go, though, basically anything you can think of. Including alcohol -- a lot of people need it the first time they arrive."
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"Far be it for me to mess with tradition while I'm a guest in someone else's house."
Is that just what Sara Lance would do if she felt like? Could change her mind about at any time, without so much as the bat of an eyelash? It's hard to tell, but at least she's open to getting her free-drink on to go with this newest bout of soon-to-be midnight paperwork on the multiverse.
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He flashes a grin -- and while the effect is somewhat ruined by the fact that he has visible fangs, he's clearly at least trying to look friendly -- and eases towards the Bar.
"If you decide you want a second drink," he says, "the Bar'll set up a tab for you. Don't worry about waiting for a bartender either, if you just tell the Bar what you want, it'll materialise it for you."
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Her gaze flicks calmly over the expansive room (checking that she had counted the occupant number correctly initially before even seeing the room itself; which she had, of course), as she follows him further in. The bar is long, sturdy, and looks like any million others she's seen. "What kind of tab?"
And. "Materialized from where exactly?"
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He looks at Sarah.
"Whoever Toto is, they didn't follow you."
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Beat. Her smile sliding toward a golden confessional smirk.
"No one needs to meet Mick Rory for the first time in the buff. Trust me."
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For all her brightness and bluster, Sara actually has very, truly little to say bad about Mick. In the end, the two most important things remained forever uncontested, for all her glibbest mouth or sharpest temper. Mick Rory was whatever got the closest to being second to her on the ship, and he was maybe the one person in all time and space she could trust to kill her without hesitating if she needed to be.
"Sara Lance." Her eyebrows and the edge of her smile begs the question of introduction more than asking it.
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"Jin Dynasty, too?"
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She offers a smile to the lady already there.
"Hey."
She's in skinny jeans and a shirt tied at the waist, both of which are now randomly stained with dark finger marks, and ankle boots with a kitten heel that she could run in, but only because she can run in any heel.
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All except for Sara. Who doesn't ever get to use it to do any of the things she most wants to. She knows better. She doesn't get the excuse. The One-Time Warning. (You answer to a higher calling, Sara. I’m sorry. You cannot stray from our guiding principle.) So maybe she's taking this one: a nice long sit and a few good drinks. Nothing about it screwing up time with any of her better angels or demons.
The greeting gets a look over, and Sara raises her eyebrows, a little surprised but easy-peasy about, "Hey." It also lends to the cursory of taking the woman in. She always did like a woman that didn't mind getting their hands dirty. A tip of her chin toward the clothes. "What were you working on?"
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She turns on her barstool, leans with her back against the bar so she's facing the room as a whole and can hold her drink.
"You know anything about bikes?"
If so, she's about to get her ear talked off. If not, there are other small talk avenues.
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That was the problem with being at so many points in time. You were either long before something got invented or long after many things had been invented to replace them. But she had a deeper appreciation for the things from her time, even if none of them could make her stay either. She was where she was supposed to be, doing what she was supposed to be doing, and she would be as long as she remained capable of it.
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Dinah really would spend hours down there if she was away from bikes for any extended period of time. She has, in fact, although mostly that's because they remind her of Ted, and feel like home.
"Why not around them? Just noot part of your life, or - " two fingers and a thumb spread wide, a wrist arching as the hand waves and takes in the whole Milliways is weird situation in as minimalist a gesture as possible " - trapped on a planet the other side of the galaxy where they have teleportation devices but no wheels?"
Ask her why that sounds so specific.
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Before shrugging her shoulders into it, too. "Home's Timeship. Doubles as a Spaceship. Does not have bikes on it. I really should inform Gideon that it's a reflection of a design flaw that needs fixing sometime soon."
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"And that's why I try not to spend too much time in space - ironically, there's no space for decent vehicles. I'll support your campaign to get some."
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"John." Is it amazing someone can fit surprise, amusement, and vague suspicion into those two syllables? Well, Sara's just that magical then. A hand ends up on her hip, and her weight shifts, still much too tightly still. "Walked through a door, and wa-la." This with one raised hand-making, finger-waving, jazz fingers.
(The other doesn't move from her hip. Or the weapon closest to it.)
"You want to fill me in?"
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