river_meimei: (Default)
River Tam ([personal profile] river_meimei) wrote in [community profile] milliways_bar2005-08-13 12:19 am
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There are a few wooden benches in the greenhouse, scattered here and there among the tidily graveled paths. River's lying on her back in one, one knee pulled up and the other dangling off the edge, head propped against the wrought-iron armrest with its rose-filigree.

Porridge Woman the frog sits on the ground next to her foot, catching the occasional fly. A rabbit sits on River's chest; she's gently stroking it.

The humid breezeless air smells of

(Anthy)

roses.
balletrat: (palerosemeg - carrie)

[personal profile] balletrat 2005-08-13 04:27 am (UTC)(link)
*The door to the greenhouse opens, and footsteps sound - footsteps that seem like they have a right to be there, from the lack of hesitation.

A month ago, for her, Meg made a promise, and she's come to make good on it.*
balletrat: (Default)

[personal profile] balletrat 2005-08-13 04:38 am (UTC)(link)
*Meg steps through the greenhouse, taking careful note of the condition of the roses as she goes - as careful as she can, for someone who knows nothing about gardening.

She is looking for Anthy; or, failing that, a watering can.

She's a trifle surprised, therefore, to step around a white rosebush and see someone else.*

- oh. Hey, River.
balletrat: (Default)

[personal profile] balletrat 2005-08-13 04:48 am (UTC)(link)
That's me, *Meg says, amiably.*

- don't suppose you've seen Anthy, have you? I looked in her room, but she's not there, so I guess she's better -
balletrat: (helpfulmeg - shati)

[personal profile] balletrat 2005-08-13 04:56 am (UTC)(link)
- River?

*Meg's wide gaze follows the fleeing rabbit for a moment, then returns to River, concerned.*

- you and Anthy didn't have a fight or something, did you?
balletrat: (yeahrightmeg - shati)

[personal profile] balletrat 2005-08-13 05:06 am (UTC)(link)
Wouldn't let her fight with you? *Meg repeats, and her voice is more cautious, now, and her eyes don't move from River to follow the frog's flight.*

What wouldn't let her? The - rules, of the duels and things? Is that it?

*Meg is rather on the wrong track; but, in her defense, the right track is far out of her experience, and not anything she would want to consider, besides.*
balletrat: (yeahrightmeg - shati)

[personal profile] balletrat 2005-08-13 05:16 am (UTC)(link)
*Meg's eyes focus, sharply.*

- sorry.

River, sorry for what?
balletrat: (dangerousmeg - shati)

[personal profile] balletrat 2005-08-13 05:35 am (UTC)(link)
*Meg's hands spasm together in front of her.*

River, *she says, and tries for patient; and misses it, by a fair amount.*

Tell me.

Where is she?
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 05:46 am (UTC)(link)
- and she's you, *Meg says, frustrated and frightened and straining for understanding, and then, again:*

and she's you.

*Comprehension, rising.*

Je m'en fous -

*And, with comprehension, denial.*

Non. No, how could - you wouldn't have let them do that. You said you could protect her, merde, I've seen you fight -
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 05:56 am (UTC)(link)
*Meg is shaking her head, slowly, even as River starts to talk, hair falling in front of her eyes - not in negation, so much as shock and disbelief.*

- you promised. You said you'd try to help, you'd keep her safe, and I trusted -

*She'd believed, and hadn't protested, whatever she felt; hadn't challenged, had let it rest.

She'd believed River was good for her.*
balletrat: (whitemeg)

[personal profile] balletrat 2005-08-13 06:11 am (UTC)(link)
*Meg's hand, automatically, reaches towards her tutu for a handkerchief; finding one, she regards it for a second, almost in surprise, and then tosses it on the bench, next to River.

Her lone left hand is still clenched tightly; she'll have nailmarks in her palm, later.*

Crying, *she says, shortly,* won't help it.
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 06:26 am (UTC)(link)
I'd like to believe you, *Meg says, and her voice is almost close to being steady.*

- and I'm even going to trust that when you say 'sedatives and soothers', you're not talking about your promises, here. Giving you the benefit of the doubt, tu vois?

I'm not even going to ask what you're doing here, now, instead of out there looking for her, because I'm almost pretty sure you must have a good reason.

*Her voice is almost conversational, now, though the ragged edge betrays it.*
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 06:50 am (UTC)(link)
*Meg takes a breath.*

Maybe, *she says, and she doesn't sound angry, quite; though she doesn't sound like she's backing down, either, not by a long shot.*

But that's not the point, is it? Trying doesn't matter. It's whether or not you can do it that counts.
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 07:02 am (UTC)(link)
Hope so, *says Meg - not casual, not in the least, but you can tell that that's the general aim of her tone.

It's easier. Pretend it's just a chat. It's easier.*

She's sacrificed for you; so she thinks you're worth it. I hope she's proved right.

She never was, with me - proved right, I mean - but then, she never got into as much trouble for it, either, before, so maybe it'll be - maybe it'll be different, now.
balletrat: (whitemeg)

[personal profile] balletrat 2005-08-13 07:36 am (UTC)(link)
*And still, Meg's eyes are fixed on River; and don't look likely to shift, as she waits for a response.

When it doesn't come, she speaks again, and all efforts at casualness, at conversation, are gone.*

You took a responsibility, when you stepped up, that day. You know that.

We've had different ideas maybe of what that is, and you hadn't always listened to me, and maybe if you had she wouldn't be there now, but that's not the point.

Point is, you're capable. more capable than - than anyone else, maybe - and you're responsible, too.

I believed that - and I guess I still do.

So when you go -

*If I let you go, is not said, but heard; nevermind whether or not Meg has any power to give permission -*

- you've got no excuse for not bringing her back.
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 07:49 am (UTC)(link)
*Meg's eyes meet River's squarely.*

I'm not you.

I can't know things unless you say them.

I thought you probably knew what it meant - before what's - anyways, I tried to tell you often enough, just to be sure, but I've never known. How could I?

It's too important to take on faith.
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-13 08:33 am (UTC)(link)
Oui, *Meg agrees; her hands again gripping each other, for lack of anything else to hold onto.*

That's why.
balletrat: (whitemeg)

[personal profile] balletrat 2005-08-14 02:56 am (UTC)(link)
Tu comprends, je pense, *Meg says, and she is not shaking; she will, later, but not here, and not now.

And then realizes what she's said, and twists herself back into the foreign language -*

You understand me, I think.
balletrat: (rosesmeg - john)

[personal profile] balletrat 2005-08-14 03:21 am (UTC)(link)
. . . even, *Meg says, suddenly weary* if I don't understand you.

*For the first time, her eyes leave River's face; down to her hands, clutching the elephant necklace.

And Meg turns to go.*
balletrat: (palemeg - shati)

[personal profile] balletrat 2005-08-14 03:30 am (UTC)(link)
*Meg walks out of the greenhouse, and does not look back.

Her steps are steady for a long, long ways, until she's into the forest, cloaked by the trees and well out of sight of the open glass.

And then she folds in on herself, arms wrapping around her knees, and shakes and shakes in every well-trained muscle, and stares at the tree in front of her with dry, aching eyes.*