ext_75369 (
iwasalevel6.livejournal.com) wrote in
milliways_bar2005-12-25 07:54 pm
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[ oom: A day in the studio. ]
There were certain things that had no business being said, like when you lived in a world where the people you knew were in fact the opposite. They weren't your friends, they were very well your enemies and rejected you as if you had done something villainously wrong. There would be no commentary on Hollywood here. This wasn't a conflict between Tony Almeida and Hollywood--it was a conflict between himself and everything, everyone that he knew. He had had enough of being challenged. He wanted to go home.
That wasn't his call to make.
He understood this well and made a great effort not to expect Milliways behind every door he opened. He had to accept that a door was just a door, and that whatever magic brought him here was sorely missing in this world. The only sense of happiness that he knew was that one date with Elaine; that was the only moment he had allowed himself to remember that Milliways existed, and so, by extension, did the woman he loved, who he never allowed himself to forget regardless the pain memory caused him.
So when he walked up to the door of the studio, happy that the work day was over, he didn't expect to see the bar again. He expected to see a bright sidewalk, cars, and maybe some dumb starlet trying to push herself on him.
Of course, Milliways doesn't operate the same way Tony's mind does.
And he can't believe it when he does see it behind the door. It takes a few prolonged minutes of staring before he steps through the door and doesn't look back save to see if the door's closed completely.
Because he's glad to see the last of that place. Damn glad, glad, glad. It's like he stepped into some odd mixture of a Frank Capra movie and "The Twilight Zone" and as weird as it is, as weird as this place is--man is he happy to see it. He's home! He's home! And he wants to shout it out at the top of his lungs, wants to announce that he's back and so glad he could barely describe it if asked to.
He ran to the bar and put his hand on its surface, patting her gently. "I'm back," he said. "I'm back!"
Immediately, Bar produced a gift and two notes. One of which was from Bar that said, "Welcome back, Tony."
The other was attached to the gift:
Mr. Tony Almeida,
You may not ever meet me, and I may never meet you. But the friends you have acquired here, the life you have lead, and the people you have touched, has made me admire you. Please accept my gift as a token of my appreciation. Merry Christmas, whenever you return.
- Anthony Almeida
Tony opened the package carefully. His jaw dropped. Anthony had left him a watch, and why? He didn't know, but the strangeness of this gift, bestowed upon him by his double, struck him at that moment. And he laughed.
[ ooc: mun is watching Home Alone but please do tag because she is hyper and happy and eee Tony and Home Alone! ]
There were certain things that had no business being said, like when you lived in a world where the people you knew were in fact the opposite. They weren't your friends, they were very well your enemies and rejected you as if you had done something villainously wrong. There would be no commentary on Hollywood here. This wasn't a conflict between Tony Almeida and Hollywood--it was a conflict between himself and everything, everyone that he knew. He had had enough of being challenged. He wanted to go home.
That wasn't his call to make.
He understood this well and made a great effort not to expect Milliways behind every door he opened. He had to accept that a door was just a door, and that whatever magic brought him here was sorely missing in this world. The only sense of happiness that he knew was that one date with Elaine; that was the only moment he had allowed himself to remember that Milliways existed, and so, by extension, did the woman he loved, who he never allowed himself to forget regardless the pain memory caused him.
So when he walked up to the door of the studio, happy that the work day was over, he didn't expect to see the bar again. He expected to see a bright sidewalk, cars, and maybe some dumb starlet trying to push herself on him.
Of course, Milliways doesn't operate the same way Tony's mind does.
And he can't believe it when he does see it behind the door. It takes a few prolonged minutes of staring before he steps through the door and doesn't look back save to see if the door's closed completely.
Because he's glad to see the last of that place. Damn glad, glad, glad. It's like he stepped into some odd mixture of a Frank Capra movie and "The Twilight Zone" and as weird as it is, as weird as this place is--man is he happy to see it. He's home! He's home! And he wants to shout it out at the top of his lungs, wants to announce that he's back and so glad he could barely describe it if asked to.
He ran to the bar and put his hand on its surface, patting her gently. "I'm back," he said. "I'm back!"
Immediately, Bar produced a gift and two notes. One of which was from Bar that said, "Welcome back, Tony."
The other was attached to the gift:
Mr. Tony Almeida,
You may not ever meet me, and I may never meet you. But the friends you have acquired here, the life you have lead, and the people you have touched, has made me admire you. Please accept my gift as a token of my appreciation. Merry Christmas, whenever you return.
- Anthony Almeida
Tony opened the package carefully. His jaw dropped. Anthony had left him a watch, and why? He didn't know, but the strangeness of this gift, bestowed upon him by his double, struck him at that moment. And he laughed.
[ ooc: mun is watching Home Alone but please do tag because she is hyper and happy and eee Tony and Home Alone! ]

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Rose holds out her watchless wrist.
This is her version of welcome home, evidently.
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"I heard about that. Grapevine, y'know. Grapevine says a lot."
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Pause.
"He didn't try to kill anyone, did he?"
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Innocent grin. "Maybe I'll have to charge admission to the year's most awesome New Year's party ever. Or maybe I'll just invite you and your wife for free."
It's an invitation disguised in a glib comment! What d'you know.
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"Welcome back." He of course can't tell for sure just yet, but he can sense that there is somethin different. He's almost afraid to hope it's Tony, not Anthony in fromt of him. "Merry Christmas, Happy Holidays, or whatever."
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"Merry Christmas is fine. What's up with you?"
Meaning, "why are you being so cautious?"
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"Oh? You have business there?" He'd keep it neutral. For now.
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No, she never did meet Anthony. Sadly.
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"Hey, Sam!" Tony turned around and engulfed her in a tight hug, almost lifting her off the ground.
"How's your Christmas?"
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"Very, very good!" Sam beams. "How about yours?"
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She belatedly remembers she has cookies! "Want a cookie?"
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Michelle's in the bar because the thought of spending the day alone in their apartment is too depressing.
She sees Anthony standing near the Bar, amused by something, and wonders if she should go talk to him. Their meetings were not only awkward, but also only reminded her of what she lost.
She did however receive his gift, and it would only be polite to thank him.
Unconciously, she touches the new necklace as she walks over to him.
"Anthony, you're back?"
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When he pulls back, she visually examines his face. Her eyes darting over every line, every feature, from his lips to his eyes.
"Tony?" she whispers.
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"Tony," she breathes and wraps her arms around him, holding him tightly. Her breathing is a little ragged but she's trying not to cry.
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None of it is quite as good a present as the sound of a familiar voice down the bar, saying "I'm back!", though.
Jack turns, looking around the patrons sitting in between them. "Tony?"
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"Tony, where the hell have you been? We were worried about you," he says, grinning from ear to ear.
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