Bran Davies (
theravenboy) wrote in
milliways_bar2006-01-02 10:19 pm
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[OOM: After Bran reclaimed his harp from the lake and went home, Bran and his da had a quiet holiday, and an interesting conversation.]
Harpsong winds through the front of Milliways. Owen Davies holds open the door so that Bran can go through first, and follows after. Both men are dressed in their Sunday best.
Bran goes immediately to the bar, where he receives a gift and a note. As he reads the note, his jaw tightens.
[ooc: Yes, they're both here. Please ping before tagging, though.]
Harpsong winds through the front of Milliways. Owen Davies holds open the door so that Bran can go through first, and follows after. Both men are dressed in their Sunday best.
Bran goes immediately to the bar, where he receives a gift and a note. As he reads the note, his jaw tightens.
[ooc: Yes, they're both here. Please ping before tagging, though.]
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A beat.
"Murder is still a sin, after all."
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Everything about him changes in an instant from boy to clear-eyed Old One, and there is a clear kinship to Merriman in his sharp-glinting gaze and the swiftness of his steps.
Softly, as he takes his place on Bran's other side, "Sins you speak of, Rider?"
"I would not think that is a road you would wish to start down, here."
Will stands tall and straight before her, and coldly furious.
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"No, and you would not, now would you?" Mockery in her tone, cruel laughter, and it is the White Rider of the Dark before them now and no trace of Blodwen left, not when facing the Wild and the Light at once.
"Have a care, Old One, dewin bach -- even you cannot strike me here, not without paying for it; it is an assurance that I now have, you see."
"Go ahead. Try."
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"In this room, at your challenge?" Faintly scornful, but the words are directed at Bran as much as the White Rider, though he never looks away from her.
"No." The soft word falls like a stone. No, Bran, he thinks with it.
"You were cast out once, Rider, and the Dark defeated at the height of its rising. Winter will turn to spring, here as in the world, and the Dark's power has ever been less than it thinks."
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"Some things do change, and this is not your world, little Watchman. Even you, too, may fail."
"And you will." A beat. "You already have, I think."
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Neutrally, "Do you?"
He's composed. He would be in any case; now, with Bran and Owen teetering on the razor's edge of temper beside him, it's doubly important.
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Smiling, in defiance of the whirling risen invisible storm that seethes around her, held in check only by her will.
"Ask one of these two, perhaps the white raven -- I would be surprised if he did not have an opinion on matters, indeed."
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"You have betrayed every loyalty, every duty, every love you have ever had," Owen Davies says to the being wrapped in darkness. "And I am not afraid of you, Blodwen Rowlands."
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Grief, and loss, and the bitter, bitter knowledge of exactly just what it is that she has lost -- and the pain of that knowledge is very, very visible.
Then it is gone, blown apart by the raging power of the Dark, so very near its height-- and something else is suddenly, utterly clear, as she welcomes it to her in an attempt to fill the emptiness that is all that remains within her now.
"No."
One single, hissed word, of desperate, furious negation, and the White Rider gathers herself to strike.
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It is ever the job of the Maker to see what is going on around him.
Gwion sees this.
Light catches on the harp string on his wrist as he moves forward, quickly. "Blodwen Rowlands." Clear, and urgent. "I would offer you a trade."
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When Gwion speaks, Bran freezes in position, his knees still bent to move. He says nothing.
Then his eyes snag on the harpstring around Gwion's wrist, and the harp missing from Gwion's arms.
It is with very great difficulty that Bran restrains his terror and anger now.
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Enough that she looks at him, ice-blue, ice-bright gaze on his, surprised.
"You would bargain with me?" A beat. "You, Gwion harper? Now?"
Another beat.
"What, then?"
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And Gwion is there.
Will holds himself taut, and does not look away from the White Rider. Not now.
The air, he thinks, is holding its breath.
A wash of wary gratitude, and of uneasiness. What are you planning, Gwion?
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"This."
His chest rises, and falls -- a steadying breath.
"For one of those lovely flowers in your hair."
And Gwion smiles, the lines in his face creasing and deepening with the weight and freedom of sincerity.
"One thing of the Lost Land for another."
There's art in everything. Craft, too.
And this -- this, too, is Making.
How long has it been since he has called Cantref y Gwaelod, the Lowland Hundred, by that particular name, after all?
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A copy only, a mimicry of what once was.
Moving slowly, Blodwen pulls the brightness of the two remaining flowers from her brown hair, and holds them out to Gwion.
"They will not last, I am afraid." The light voice is soft, strangely quiet-- and yet clear as a bell of silver, cutting through the taut silence.
"Nothing does, in the end."
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Very quietly, he says, "That is how it should be."
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He holds the flowers in an open palm, and looks down at them as he speaks.
"I am sure that you remember what my land was like in the days of its glory -- you spent enough time there." Gwion looks up, and gives her a quick smile -- nothing of animosity, and why should there be? The Lowland Hundred was a land of many wonders, there for all to see.
He looks down at the flowers again. "Full of Makers, it was. We Made such beautiful things -- smelted, forged, sculpted, wrote, sang, danced, dreamed -- and why? To capture something that had been, or that could be, and was not. We know well what loss is. It is our business."
The fingers of his other hand come close to touching the other flowers, and do not.
"I wish that I could help you see what it is to create, Blodwen Rowlands. But I cannot." He's not looking down any more, and his smile is sad. "So I will create for you. And that is my choice to do so -- and my honor. And I do wish you well."
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She does not take it from him. Blodwen lets her hand fall to her side, and stands still. Her glance flicks to Owen, and to Bran-- but then returns to Gwion, and lingers there.
"To capture something that was not," she says slowly. "And to keep something of it. I think... that I shall wish you better success in your seeking, harper, than I myself have found."
And with that, the White Rider leaps up on the wind of her storm, and is gone.
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Will looks at Gwion.
He says nothing, but his face has softened into a grave sorrow far too old for his features. Thank you, he does not say, but it is there to be seen.
And the gifts put into some men, he half thinks and half remembers, shall light the dark corners of life for all the rest.
In so brave a world.
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And when his dark eyes catch Will's, the harper gives him the old smile -- the one that is wry, and fond, and crinkles the lines at the edges of his eyes.
Quietly: "Well, now."
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