http://bothbutneither.livejournal.com/ (
bothbutneither.livejournal.com) wrote in
milliways_bar2006-01-17 07:28 pm
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It's really kind of a roller-coaster ride, emotionally speaking: happy, depressed. Shocked, ecstatic. Musical, stilted. And through it all runs one thought: why should death be any easier than life? We come here knowing what we know but that shouldn't be all. It shouldn't be. There's more. Even just now, as he played a few tunes on his sax upstairs before setting it down, almost in a state of despair because he loves it too much, if there's any such thing.
He wants to keep on learning. Doing. Loving. Living. And he wonders how much time he has on his clock: Charlie said no one had been here for longer than two years. But musicians are notoriously bad at keeping time if they're not playing; he knows that so very well.
Gren used to have no fear of death, and he still doesn't. But he does have a healthy apprehension for what comes after death.
He takes a seat at the bar, but he doesn't order food and he doesn't order drink. He just takes it all in, thinking that it just might be a good idea to meet more people. At least that will distract him from his philosophizing -- something he's never been very good at.
He wants to keep on learning. Doing. Loving. Living. And he wonders how much time he has on his clock: Charlie said no one had been here for longer than two years. But musicians are notoriously bad at keeping time if they're not playing; he knows that so very well.
Gren used to have no fear of death, and he still doesn't. But he does have a healthy apprehension for what comes after death.
He takes a seat at the bar, but he doesn't order food and he doesn't order drink. He just takes it all in, thinking that it just might be a good idea to meet more people. At least that will distract him from his philosophizing -- something he's never been very good at.
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So, she'd gone into the bar to try and distract herself by meeting someone new. It didnt' take her long to spot the man who looked to be people watching. He wasn't doing anything else, so she assumed that was what he was up to. She approached him and smiled quietly, wondering if perhaps he was lonely too. "Hi, I'm Stella. Do you mind some company?"
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He still can't believe there's someone else from his time that he didn't know to start with. It's almost unbelievable, but here she is.
And really, he's only leaving out a few minor details. They hardly seem important right now.
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Yes, really: don't be stupid, Gren. "How's it going, then? The whole seeing thing? Because you had me fooled." He takes a sip of his tea and once again, it's perfect. "And you know what? I'm not busy. I'm never too busy to play."
At least now that he has his sax again.
He never went to Venus. Not once in his whole life. He's seen pictures, but they probably don't do it justice.
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It's still pretty amazing, though, that Stella's from the same time as him. He wonders for a minute if they're really from the same place, but... she's mentioned Venus sickness, which means terraforming and artificial atmospheres and floating gardens, and all that points to things being the same.
"Do you have a favorite song?" Odds are, he'd know it.
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It's only because he doesn't now how Gren will react that Charlie doesn't pounce. Bt he is very, very cheerful.
"Hey! Want to make some music?" He bounces on the balls of his feet.
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His expression softens into a smile. "Yeah. That sounds great."
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He's back with his sax pretty damn fast: this is an opportunity he doesn't want to waste. As quickly as he can, he softens a reed and sets it into the mouthpiece and tightens it and warms up and just... beams.
He knows this. He can do this. And seeing as how he wrote the song, he hands the sheet music to Charlie.
"Any time."
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And he smiles, and it's a very big smile.
"That was... not so bad. I think if we pick up the tempo just a little bit..."
Playing saxophone is a good thing. Playing it alone is fine: it's a solo, it's a single streetlight in the dead of night; it's a breeze rippling across a pond. But playing with other people is just that much closer to the divine.
He's missed this more than he ever realized.
Thank you, Charlie.
"What's next?"
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"Or some standards. My gran insisted I know some of those."
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He's also like a kid in a candy store: he can't make up his mind. He's almost giddy.
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He wiggles in his chair, beaming, and starts playing something fast and playful.
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When they're done, Gren just lets out a laugh: it's joy and relief and happiness and fun all wrapped up in one big smile from the bottom of his heart.
He thinks this is what it's all about. For him, anyway: music transcends everything. Everything, and he hasn't been this happy since he got here.
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"You choose now. I hate being the only one to suggest songs--makes me feel like some kind of dictator."
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He can already see the pattern: jazz, rock. Slow, fast. Soft, loud.
Gren likes the pattern very much.
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