Sallie Abigail Reynolds (
realmrsreynolds) wrote in
milliways_bar2007-12-21 08:02 pm
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Piano Recital.
The show's about to start, and Sallie's dressed up for the occasion, waiting for the players to approach and sit in the front row.
The decorations turned out well -- Christmas lights lining the rows of chairs, a candelabra on the piano and music stands holding corrected programs for anyone to grab if they so desired.
Having borrowed the microphone to the PA system, Sallie clears her throat and speaks.
"Hello everyone! The recital will be starting in five minutes, so please, make yourselves comfortable and enjoy the show."
[OOC: Players, please tag directly under the post. Audience? Tag your reactions under the player's individual tags.]
The decorations turned out well -- Christmas lights lining the rows of chairs, a candelabra on the piano and music stands holding corrected programs for anyone to grab if they so desired.
Having borrowed the microphone to the PA system, Sallie clears her throat and speaks.
"Hello everyone! The recital will be starting in five minutes, so please, make yourselves comfortable and enjoy the show."
[OOC: Players, please tag directly under the post. Audience? Tag your reactions under the player's individual tags.]
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Brahms' Intermezzo in A Major is a soft, sad piece, beautiful in its delicacy. Often shaken by heart-wrenching sorrow, the melody progresses only by clinging to a thread of hope. In the silver threads of notes weaving their tones of grief, there is still strength left, determination resolute and unyielding, and the promise of something better. Hope shines through like the rays of the sun through prison bars.
It promises peace beyond the struggles of life, and rest.
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Eventually, she manages to focus on the song itself and it doesn't take long to melt back into smiling, even if the song itself is melancholy.
When Yrael finishes, Sallie's the first one to applaud.
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Some things she simply does not understand.
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The music made her ache, making her eyes tear up in places, and she clapped with a passionate enthusiasm at the end.
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Subtleties are lost on eight-year-olds. She thinks the piece is very pretty, though, and played beautifully.
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A piece like this is hard to convey all the emotions that wraps the notes. Kap had to wonder if Yrael was a master player as well.
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Guess who had absolutely no idea her friend the notcat could do that?
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A softness and slowness that calms the soul; a sorrow that is deep, heartfelt, a state of being rather than a temporary emotion; then, the brief burst of brightness, of hope and determination.
This music paints in notes how he himself feels, Teja muses -- grieving for all that was lost in his life-long war, bitterly missing his friends; but also the determination to still stand and fight again, and the overwhelming hope for his people that got away alive.
When people clap, Teja is still too far away in thought to join in immediately; then, of course, he does.
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But it makes Skinner, private cynic and dealer of grief as he is, rather uncomfortable.
Of course, anyone looking on wouldn't have the slightest indication of how he feels. To the outside world, he's simply listening with rapt attention.
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He manages to make it through the song without any major mishaps. Thank heavens for that.
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"Bravo!" Sallie calls grinning, proud of a word from Earth-that-Was Lilly taught her.
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It might have something to do with the frenetic intensity.
It might also be the result of a slowly dawning understanding that the whole point of this is to sit and listen.
X is good at listening.
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The piano was truly an amazing instrument to give these things.
It was so compelling that Marian found herself needing to breath deeply come the end, even as she smiled and clapped.
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Nice.
He applauds as loudly as any.
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"Wow, that was good," she whispers to Tom and Door.
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The practice that Skinner had years of playing the piece had done him well.
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Then, it gathers meaning, speed, and darkness -- and turns into a fierce piece of great complication and expressiveness, grim, fast, and strong.
Again, it is a piece very much after Teja's heart; but one he doubts he would be able to play on his harp, even after listening to it more than once, with great concentration.
This time around, he claps sooner, not lost in reverie as when Yrael played.
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Her song, Tomorrow Shall Be My Dancing Song, was a sweet, playful English carol focused on the life of the savior from his winter birth to his sacrificial passing.
Having been unsure about whether she should before she arrived to the recital, Marian was thankful to find herself both smiling at the audience and enjoying herself as she sang the longer notes.
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At the end of it all, she's smiling as well.
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But Marian is singing.
So she doesn't frown this time, either.
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Then she sits down and begins playing Deck the Halls.
She plays with much gusto, and a few jarring chords, but on the whole she does well.
When she finishes, she looks to the audience, a huge smile on her face.
"Happy Christmas, everyone!"
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Does the girl want to be here? Are they making her perform?
Why is she not as good as the others?
These are the quandaries that make up X's life when she attempts to be 'normal'.
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Chad, for the most part, had been nervous all day about the recital. Call it a habit from when he was growing up and always being put on the spot by his grandparents. So sitting on the front row, waiting his turn, was enough to make him a little antsy.
When it was his turn Kap made his way up to the stage giving the audiance a respectful bow before taking his place at the piano. No sheet music stood infront of him- he knew the words and notes by heart.
He started to play softly after a moments pause, the words soon following the opening chords of Ave Maria (http://www.youtube.com/watch?v=lw4ZKOwYDuw).
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He can appreciate the song, though, and applauds at the effort when Chad finishes.
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He takes a few moments to adjust it, and, upon settling down, sets his hands in his lap.
It's just a few more moments until his hands are on the keys, right hand starting the low trill at the beginning of his piece: Rhapsody (http://youtube.com/watch?v=5O7qZnqflxM) in Blue (http://youtube.com/watch?v=V0DMEqtAKGo&feature=related).
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Parts are very loud, and her ears are sensitive.
Then, too, it's very long.
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He took one look to the audience, and gave a weak smile and wave, before sitting down and setting his fingers on the keys.
His song, Nocturne in G Minor (http://www.box.net/shared/bbib31dvna) was played lightly and carefully, and had a bittersweet sound to it. He had only just gotten back into playing after coming into the bar, and this was played for the people that coaxed him back into playing.
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