ext_211214 (
runmakitarun.livejournal.com) wrote in
milliways_bar2008-07-06 02:46 pm
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[OOM: History will one day remember it as the last major offensive of the war, but for those who live through it there is only one thing to remember: death. So much death.]
The Makita who trudges into the bar today is almost unrecognizable as the girl who left only a few days ago. Her clothes and face are still spattered with the blood and grime of days of fighting in the streets, but that isn't uncommon for her.
No, the difference is that this Makita is hollow-eyed, almost empty. Her steps are slow and heavy, her eyes are blank, and she doesn't even appear to be aware that she's back in Milliways at all. A close look at her face will reveal the twin streaks of oddly clean skin running down her cheeks; the path the tears have scoured out.
She's not crying now. She has no tears left.
Makita has been many things in her life, but broken has never been one of them. Until now.
[This post open for days and days as it's sort of important to Makita, and likely to go slowtime since I'm still traveling. But don't let that deter you from tagging.]
The Makita who trudges into the bar today is almost unrecognizable as the girl who left only a few days ago. Her clothes and face are still spattered with the blood and grime of days of fighting in the streets, but that isn't uncommon for her.
No, the difference is that this Makita is hollow-eyed, almost empty. Her steps are slow and heavy, her eyes are blank, and she doesn't even appear to be aware that she's back in Milliways at all. A close look at her face will reveal the twin streaks of oddly clean skin running down her cheeks; the path the tears have scoured out.
She's not crying now. She has no tears left.
Makita has been many things in her life, but broken has never been one of them. Until now.
[This post open for days and days as it's sort of important to Makita, and likely to go slowtime since I'm still traveling. But don't let that deter you from tagging.]
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A swift, murmured conversation with the bar, and then she heads for the couch in front of the fireplace. Times like these, she hates that Makita prefers the bar to a room, but she doesn't want to freak her out any more than she obviously already is.
"C'mon, little thuvasaur. We're gonna sit down."
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It won't be long before she heats up enough to start shivering.
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Plourr takes the blankets (big, thick, warm quilts) and wraps Makita in them from head to toe.
"You're in Milliways, Makita. Take it easy; I've got you, alright? Gotcha." She rubs her arms in the hopes of getting blood flowing faster.
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It helps, anyway.
She takes Makita's chin in one big hand and lifts her face so that they're looking eye-to-eye. "Makita, it's Plourr. I need to know if you're hurt."
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(She moves like the walking dead. She moves like someone whose mind has gone silent but whose body refuses to give up. Plourr's seen it before. Hell, Plourr thinks she's felt it before.)
"Shavit, you're freaky," she mutters, and she lets go of her face; she peels the oversized hat (there is a nearly identical one sitting on her daughter's dresser; she tries not to think about it) off the girl's head. She smoothes matted hair, big fingers a touch clumsy (not used to this), but no less careful for it.
"Seriously freaky." She has her in a half-hug against her side; she momentarily rests her chin against the top of Makita's head. "Come on, girl. I know you're in there somewhere."
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