ext_211214 (
runmakitarun.livejournal.com) wrote in
milliways_bar2008-07-06 02:46 pm
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[OOM: History will one day remember it as the last major offensive of the war, but for those who live through it there is only one thing to remember: death. So much death.]
The Makita who trudges into the bar today is almost unrecognizable as the girl who left only a few days ago. Her clothes and face are still spattered with the blood and grime of days of fighting in the streets, but that isn't uncommon for her.
No, the difference is that this Makita is hollow-eyed, almost empty. Her steps are slow and heavy, her eyes are blank, and she doesn't even appear to be aware that she's back in Milliways at all. A close look at her face will reveal the twin streaks of oddly clean skin running down her cheeks; the path the tears have scoured out.
She's not crying now. She has no tears left.
Makita has been many things in her life, but broken has never been one of them. Until now.
[This post open for days and days as it's sort of important to Makita, and likely to go slowtime since I'm still traveling. But don't let that deter you from tagging.]
The Makita who trudges into the bar today is almost unrecognizable as the girl who left only a few days ago. Her clothes and face are still spattered with the blood and grime of days of fighting in the streets, but that isn't uncommon for her.
No, the difference is that this Makita is hollow-eyed, almost empty. Her steps are slow and heavy, her eyes are blank, and she doesn't even appear to be aware that she's back in Milliways at all. A close look at her face will reveal the twin streaks of oddly clean skin running down her cheeks; the path the tears have scoured out.
She's not crying now. She has no tears left.
Makita has been many things in her life, but broken has never been one of them. Until now.
[This post open for days and days as it's sort of important to Makita, and likely to go slowtime since I'm still traveling. But don't let that deter you from tagging.]
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He approaches, carefully, and drapes a blanket around her shoulders.
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To those who know Makita it's that utter lack of awareness that screams something is very, very wrong.
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"Can you hear me, lass?"
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"Yes," she answers flatly.
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That's clearly a lie.
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He's considering carrying her to the infirmary.
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Kriff are her arms cold under Plourr's fingers.
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And judging by the subtle tremors running down Makita's arm, even she's close to that point.
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She scoops Makita up into her arms as if she weighs nothing, and heads straight for the bar.
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He steps closer and just stands there for a moment and finally says, "do you need anything?"
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Now that she's stopped moving forward she looks even more lost. Just standing there staring.
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Stalingrad had not been a happy place in the winter of 1942-43.
So the small woman is up and walking towards her, a hand just gently touching her arm.
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Well, probably not harm in attempting to steer her to a table. Table means a seat, which means get at least the outer garments off and new ones on and warm food.
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"Hey, hey, honey, can you hear me?"
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Then, as if that moment had never happened, she stands numbly, making no attempt to retrieve it or draw the pistol on her other hip.