He's laughing as he stumbles through the door, with popcorn in his mouth. But it's not healthy laughter. No. This laughter is the type that makes people stop what they're doing and eye the person laughing, wondering if they intend to pull a gun suddenly and begin shooting randomly.
John Trent, however, doesn't have a gun.
He had popcorn.
But he's laughing as he leans against a wall, shaking his head. He doesn't know if it's the force of the laughter that's causing tears to streak down his dirty face, or if it's honest fear and hopelessness that's doing it, but he doesn't care.
He's laughing.
It's only when he takes a deep, shuddering breath that he lifts his head and looks around.
This wasn't the lobby of the movie theatre.
It was a bar.
With people.
People who weren't eating other people or turning into
things.
John drops his half-eaten stale tub of popcorn and looks around, laughter forgotten. He's dressed in hospital scrubs and too-big shoes he'd taken from a dead body. He's a mess, really, the blue scrubs covered in black, roughly drawn crosses, and there's a stink about him.
But, he's here, not in the lobby, and he's not laughing anymore.
[OOC: This isn't plot locked, but it is part of the Not Going to Millicon Plot. You can read about it in the backroom.
Note the second: My internets won't cooperate. Will pick up tags when they do. Say sorry!]