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Damian wasn't surprised to find himself alone by the time night fell. Whoever chose to be in Nathaniel's bed near dawn was usually up and about long before he rose with the setting sun.

Now, however, he has taken to the grounds surrounding Milliways... or, more accurately, the skies. Usually he isn't keen on levitating where he can be easily spotted, but the desire to feel the wind in his hair is too much to ignore tonight. It is one thing that reminds him a little of the sea, though the air doesn't have that salty density to it. The sea has been a comforting thought throughout his long existence, even though he hasn't more than glanced it in centuries.

He loses himself in the sensation of flight, letting his mind go blissfully numb for a short while before picking an inviting, sturdy tree and sitting high in the branches so he sways lightly with the pulse of the wind.

Escapism can be a wonderful thing sometimes.

He's botherable by those who can climb well (or don't need to climb in order to reach him). He has no intention of coming down from his perch.

[[ooc: Primarily slowtimes, as the mun has an appointment and a worsening cough... plus homework. Slowtimes welcomed! ^^]]

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He takes her at her word on the crabs. He can't eat them, whatever they are, and sucking their blood would do nothing but make him rot from the inside out, if he had no other source of sustenance.

Damian is well-versed in combat, so he doesn't need to see her use the weapons to know that she is capable of doing so. There is a certain physique and movement to trained warriors, and he can see that in her as clearly as the folded wings.

He may not return her smile, but he does keep steady eye contact. After all, rule number one in the vampire handbook on 'how to win over strangers' is always keep your eyes on the prize. "Not normally, no," he says in answer to her question. "I needed an escape tonight."

Don't be fooled by the walking armory - Kendra has a profound weakness for Godard films, German Expressionism, kittens, flapper dresses, and is all kinds of sappish when she's not geared up and ready for war.

A few pleasant seconds is spent looking him over - when Kendra does slow down enough at Milliways and talk to people, she considers them a gift (later if not sooner) from the gods, a sign that people usually fall into her path for a reason, even if that reason is nothing more than an ephemeral flash of a mutual road traveled or a conversation three quarters of the way up a tree.

She pauses before she answers him; that's because she has to slowly look up to take in whatever eldritch abominations pass for the stars here, the sky, the astral bodies, a hushed reverence writ in every small movement.

Then she turns in the air to gaze at the shadows of the distant mountain range (she still wants to explore there - one day, one day), then to the lake, and then slowly turns back to face him, back to the invisible, palpable sense of presence that he possesses.

"You couldn't have picked a better place to escape."

She picks her words with precision, because she means them in every possible way, with every possible nuance, all at once.

"When pressed, I'll admit to being fond of it for that reason. Oh, well, no hot buttered crab forthcoming. Such harsh justice for such a beautiful night. Didn't your mother warn you about strange flying women appearing during your quest to find vertiginous solace?"

"No," comes the simple answer.

He watches her closely, thinking on the irony of her statement. If it was the perfect place to escape, why was she disturbing him?

"Wise woman, your mother. Did someone at the bar give you grief, if I may ask? I'm Hawkgirl, by the way - I should have mentioned that before."

Having pulled more than a few spectacular storm-out-the-door-and-into-the-bountiful-bosom-of-nature escapades herself, she recognizes the signs. Hints of them, at least. Or he's simply a man who enjoys trees at night, and this is an unassailable position with which she cannot and will not argue.

Damian had left in order to escape his problems, not readdress them, but he sighs, looking away from Hawkgirl in order to look out between the branches at the moonlit trees that sway in the night wind.

"I'm Damian, the vampire servant of a master necromancer. My mistress presents me with several problems... and two of my friends love one another but are being forced apart."

That sums things up rather nicely, giving the hawk girl the basic information without revealing too much.

That's a packet of concise exposition that would do someone from her home Earth proud.

Wow. Honesty, brevity, and a few generous dollops of telenovela.

She knows, of course, that every manner of creature and person in the multiverse can fall prey to the emotional vicissitudes that inevitably come part and parcel with entangling your life and/or destiny with another, be it by accident, design, or something worse.

Do vampires have their own soap opera channel? They should, she decides, and then revises that to they do in at least one reality, they must, and maybe they need own version of Dr. Phil.

Kendra doesn't bat an eyelash at 'vampire' or 'necromancer,' -- okay, well, she does, but it's more of a sense of recognition that yes, Milliways really loves bringing people in from all over every creation ever -- although she's certainly, as a professional costumed vigilante, interested in the moral ambiguities that may or may not be present for any given value of either.

"That's very...honest of you."

This is said simply, with an undercurrent of acknowledgment and respect.

"Are you here against your will? I know that some people are Bound," and this is said in such a way as to make it clear that Kendra detests the notion of people being imprisoned, with a prickly, rising heat bracketing her words, and with the sense that yes, she considers vampires full citizens, entitled to all rights therein. "I don't blame you for hightailing it out to the nearest tree. I would have brought a diary, though, and scribbled out frustration furiously. Very cathartic. Or just ranted angrily and raged against the dying of the light on Twitter."

She has questions, yes she does, but she doesn't want to spook or irritate him, and the night is young, it's summer, and things should simply go more slowly in summer in Kendra's psychological landscape.

Damian hears that respect and appreciates it.

"My door is gone, but my mistress is from the same time, and I believe that I may return with her when she wishes it." If not, then... oh well. In some ways, he is eager to get back. In other ways, he most definitely is not.

"Diaries can be used against you," he says matter-of-factly, as if that fact alone is enough to dissuade anyone from the method of draining frustration.

[[ooc: Must slowtime now... I have a cough/cold and must sleep. ^_^]]

"They sure as hell can," she agrees immediately, speaking from obvious firsthand experience. "That's why you're supposed to write them in code and periodically hire a private contractor to stuff them into lead capsules and fire a few volumes into space. Costly, but worth it."

She's grinning at this point.

"Not that I can afford it, of course. But a woman can dream."

"Sounds like more trouble than it is worth," Damian states flatly. In his opinion, it's much wiser to simply avoid all the extra work and not keep a diary in the first place.

"Anger has long since been trained out of me." In other words, he sees no need for a diary in order to scribble furiously and seek a release for anger, because he simply doesn't anger easily.

[[ooc: Sorry about my own slow response. I have lots going on myself. We can continue this slowtime if you like, or we can drop it if you prefer. ^_^ Not a big deal to me, and I'd hate to be an added stress on top of crises.]]