nevercomplains (
nevercomplains) wrote in
milliways_bar2010-02-26 10:34 pm
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A doctor steps into the bar.
He furrows his eyebrows.
(He is dressed in a grey suit, every detail meticulously neat, brown bowler hat perched on his head at a natty angle. He leans on a handsome cane.
He is blocking the door.)
[tags: applegate]
[OOC: And I am gone for the night, and for the sake of my ability to handle slowtimes, the post is closed! Thank you! ♥]
He furrows his eyebrows.
(He is dressed in a grey suit, every detail meticulously neat, brown bowler hat perched on his head at a natty angle. He leans on a handsome cane.
He is blocking the door.)
[tags: applegate]
[OOC: And I am gone for the night, and for the sake of my ability to handle slowtimes, the post is closed! Thank you! ♥]

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"Watson, why on Earth have you - "
His questioning expression turns very quickly into one of surprise - and then, mild triumph.
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Watson very, very slowly reaches up and removes his hat.
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"I do believe I warned you."
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"--This?" he says, his eyebrows decidedly up. "This is your pub between worlds."
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Holmes remains unaffected by any batting that may be occurring in his direction.
"What else would it be?"
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So yes, she never really learned that maybe, just maybe, the place to put together her (adoptive, thank the small fluffy gods) daughter's new bike is not in the middle of the bar. That a table should not serve as a decidedly messy workbench. Or that bits of the bike shouldn't waver in and out of existence.
This is Ace putting it together. Of course some of the temporal coordinates are a bit wonky.
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That woman off to one side, spotted on a visual sweep of the room, is A) dressed quite strangely, and B) putting together something that looks to be a very unfamiliar style of bicycle.
She may find herself under some small amount of scrutiny.
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If she fails at this, Spoon'll never let her live it down. It'd really help if she stopped trying to construct it like she does bits of her ship's engine.
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If one isn't Watson.
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Ace goes about it the more old-fashioned way, grabbing a wrench and banging away at the missing piece with a scowl. Amazingly, it still goes clang when she hits it, even though it's a bit out of phase. The sound just shows up a few seconds later than it ought.
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So this time she is going through the door, but there is a man blocking the way so she coughs, politely,
"Sir."
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If he sounds distracted and like he's not paying a terribly large amount of attention to the young lady behind him, that would be because he is and he is not, in that order.
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She bobs him a curtsy as she walks by him and turns to face him.
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"What?" he manages, after a moment.
It is not terribly eloquent or socially impressive, but it is what immediately comes to mind.
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There's a man, in clothing that shouldn't be too foreign to Watson, though it is definitely modernized, sitting by the fire and watching him carefully.
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'Wary' would be one way to describe the set of his face as he does so. 'Bewildered' would be another.
The man by the fire rates a second glance as the only person/item in this room that does not look utterly mad upon first glance.
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(When he mutters, "I don't think," it is to himself; under his breath.)
"Sorry; I find myself..."
He looks around.
"...lost."
That's one way to put it.
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Her.
Whatever.
So, have a blonde woman in a fairly scandalous black dress eyeing you up in considerable amusement, Watson. Just don't expect to see her again after this.
Unless Applegate is bored.
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Unfortunately, these are rather unusual times.
As in, times where Watson does not know where in the hell he is or what is going on, and a woman in a quite revealing gown is watching him with an intensity that borders on unsettling.
It may just be the dress.
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"You look a bit confused, sir."
She's never done an introduction before.
This should be fun.
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"The end of the universe," she says.
She indicates the Observation Window, just to see how he might react. (And how long it will take before someone bumps into him, standing in the Door as he is.)
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