http://shadowsusannah.livejournal.com/ (
shadowsusannah.livejournal.com) wrote in
milliways_bar2010-06-01 06:24 pm
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Second verse, same as the first.
Susannah is back, trying once again to get some work done away from her troublesome menfolk. Not that she doesn't have a perfectly good office to hide in if she really felt like playing the recluse. But they don't keep liquor in the house, and where would she be without her Dragonfly?
The mountain of paper situation has only gotten worse; more resumes, print-outs of her memos that she's now marking up in red pen, and a file from the Vannay Institute about Stephen King's latest publications. Among other things.
She's open to distraction; just don't bring up Ron Howard.
Susannah is back, trying once again to get some work done away from her troublesome menfolk. Not that she doesn't have a perfectly good office to hide in if she really felt like playing the recluse. But they don't keep liquor in the house, and where would she be without her Dragonfly?
The mountain of paper situation has only gotten worse; more resumes, print-outs of her memos that she's now marking up in red pen, and a file from the Vannay Institute about Stephen King's latest publications. Among other things.
She's open to distraction; just don't bring up Ron Howard.
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(She also, obviously, notices the hardware. She's got robots on her mind just lately anyway. He's the second cyborg she's seen around here, although the first was quite long way back.)
He's just a kid, anyway. She returns the nod, and adds, "Evening, sugar."
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A tall boy in uniform accidentally jostles her wheelchair as he passes, drinking something luminous through a straw.
"Oops, sorry."
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That reasoning is exactly why Sam makes his way into the bar tonight on a quick trip, but he pauses on noticing someone familiar.
"Hey, Susannah."
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Almost in the same breath, he adds,
"You look busy, though, don't let me bother you--"
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A beat.
"Uh... any particular context? Or reason?"
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"How many researchers do you have?"
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