Steven G. Rogers (
thekidfrombrooklyn) wrote in
milliways_bar2012-07-30 09:42 am
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Steve came to Milliways on purpose this time.
He's outside by the lake, sitting on a rock near the shore. (in the back of his mind, it may be because he has no desire to run into the vampire again.) He's working on preliminary sketches for three different drawings, and singing to himself in a passable baritone.
The first is an oceanscape--the Pacific Ocean on a fine day, the waves rolling to a nearly empty beach. Only one dark-haired figure is one the shore.
The second is a play on one of the Captain America trading cards, with YOU CAN DO IT written at the top in large, friendly letters.
The third, his current project, is of a young man playing guitar. It's the most intense of them all, with dark lines and negative space. The musician's expression is as focused as Steve's.
As he draws, Steve sings under his breath, "'Night and day, you are the one, only you beneath the moon and under the sun...in the roaring traffic's boom or the silence of my lonely room, I think of you...night and day...'"
[ooc: Open all day, though I will be in and out periodically.]
[tiny tag: the Huntsman]
He's outside by the lake, sitting on a rock near the shore. (in the back of his mind, it may be because he has no desire to run into the vampire again.) He's working on preliminary sketches for three different drawings, and singing to himself in a passable baritone.
The first is an oceanscape--the Pacific Ocean on a fine day, the waves rolling to a nearly empty beach. Only one dark-haired figure is one the shore.
The second is a play on one of the Captain America trading cards, with YOU CAN DO IT written at the top in large, friendly letters.
The third, his current project, is of a young man playing guitar. It's the most intense of them all, with dark lines and negative space. The musician's expression is as focused as Steve's.
As he draws, Steve sings under his breath, "'Night and day, you are the one, only you beneath the moon and under the sun...in the roaring traffic's boom or the silence of my lonely room, I think of you...night and day...'"
[ooc: Open all day, though I will be in and out periodically.]
[tiny tag: the Huntsman]
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"I'm from England. I think." He frowns. He's still not clear on that fact. Will's accent is the most familiar, though.
His accent will sound distinctly Scottish, to Steve, however.
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Not that the Huntsman's realised that yet.
"Sorry," he says after a moment. "I'm keeping you from your drawing." His cheeks flush a little as he looks down at the picture of Orpheus again. His mind's still a whirl, and he's not sure if he wants to seek out the young man. God. Thing. Or whether he wants to keep avoiding him.
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Though he notices the flush, and wonders at it.
"He's okay, last I saw him," he adds gently. "After that whole mess."
Assuming, of course, that a friend of Orpheus knows how the last few days have been.
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"What do you mean?" The Huntsman is oblivious to what's happened to Orpheus - hasn't seen him in days.
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"Is he alright?" He asks, softly. No matter his own complicated feelings about Orpheus - he still hopes he's not hurt.
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"Nothing too severe, I hope, too."
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"I don't blame him. If you're going to be warned against doing something, you should be told what it is you've supposedly done."
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"The man who threatened him," he says, very quietly. Through gritted teeth. "Was his name Teja? Dark-haired, gloomy, carries an axe?"
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This is his fault. Teja's taken what he said in confidence, and Orpheus has ended up hurt because of it.
The Huntsman bows his head, looking as if he might be close to throwing up.
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He lays a hand gently on the Huntsman's back to give him a few sympathetic pats.
"He's okay now," he reminds the Huntsman.
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"Where is he?" He asks.
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"Probably the cells? I don't know where those are, though."
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