Jim Moriarty (
just_cant_lose) wrote in
milliways_bar2016-04-08 08:44 pm
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Well, this is new. And that's OK! New is good. Unexpected is not, particularly, and that's why this particular young man's surprise at finding himself wandering strange corridors has quickly melted to suspicion, and then anger.
He schools himself out of it by the time he finds the stairs. He waits at the bottom of them, perfectly still apart from large, dark eyes that flit over the whole place, taking it all in with no expression on his face. Only the Window gets a second look, and when he's finished his surveillance he walks over to it and stands there, staring in mute wonder, one hand pressed to the glass.
He can investigate the room later. This is more interesting for now.
[OOC: Open all weekend! <3]
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When he sees the other boy, he asks, "Do you know where that is?"
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How hard is it to say I don't know? Very hard, even at age ten. He glances to the boy then, takes him in, and decides friendly is the way to go.
'I think everything's blowing up.'
He's dressed in neat stonewashed jeans, worn black Adidas trainers with normal laces - none of that weird fluorescent yellow and orange trend so prevalent in the 80s - and a red Liverpool T-shirt that he chose this morning because he wanted into his brother's good books. His accent is Irish, but refined. Not rough, not thick, almost English in some lights.
'Have you not been here before?'
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Also no one's looked at him as if they want something from him, his accent is Canadian with a slight French lilt, "No, I know where all the doors go."
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There were a lot of doors upstairs. He'd be impressed if they all went to different places, and even more if another boy his age knew about it. He looks him over again with a little more interest.
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Its best if people don't pay too much attention to him, that's safer and so he's really good at hiding and investigating. He might not know this knowe but he'll figure it out.
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'What secret passages?'
James likes secrets. Other people's especially. They're so useful when you want extra pocket money, or to get a lift somewhere, or all the chores done at home.
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'Hello,' he says, because that's the sort of thing you have to say.
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(A pang of self-consciousness, of course: his own clothes are ragged, his feet bare, and everything is more or less splashed with paint. But there's nothing he can do about it, so.)
"Do you live here?"
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Of course he does! Because...why not!
He's wearing stonewashed jeans straight out of the 80s, worn black Adidas trainers and a red Liverpool T-shirt, chosen to curry favour with his brother for the day. Perfectly normal, thank you. This kid, on the other hand, looks like he crawled out of a Dickens novel.
'Who're you? What're you doing here?'
His accent is Irish, but refined. Not rough, almost English on certain words.
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Where could it be? He's pretty damn sure it isn't Dublin either, and it's definitely not London, which is where he lives at the moment. But James learned to lie convincingly a looooong time ago, so it's really just a matter of picking a place.
'It's not a proper pub either. Have you got permission to come in?'
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"Do you know what it is?" She whispers, Louisiana accent on full showcase.
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He doesn't look at her. Why would he want to look at anything but this?.
She's taller than him. He's small, skinny, pale, and his brown eyes are almost too big for his face. His accent is Irish. Refined, not rough. Almost English on some words, because the Dublin lilt can be funny like that.
'Not what it's called. But everything's ending.'
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She has no idea what kind of accent he has, but it sounds nice.
"We're not," she points out softly.
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He sounds confident about it.
'Everyone dies.'
He does look at her then, a glance to check her reaction.
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"Mama died." Not that she could actually prove that if she had to. It's more that Mama just went away and no one talks about it. "And gators kill all sorts." She loses many a fox kit that way.
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Near a swamp. One or the other. He knows that accent, or something like it. He's seen Live and Let Die.
'Have you seen an alligator kill anyone?'
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This from a very pale little girl with long black braids who silently turns up beside him.
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This from a very pale young boy, with eyes too big for his face.
'But the colours don't matter.'
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'Some of them. But there are planets as well, and asteroids. And everything else.'
The end of everything, he's sure of it. And it's a heck of a show.
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Because that is what her world rides on.
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His does not, so of course there isn't.
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