Well, see, there was this Countess, having an affair, *Meg explains cheerfully,* so she disguised her boyfriend as a girl so that her husband wouldn't find out - only actually the boyfriend was played by a girl, I never quite got that - and then the husband had a thing for the boy-dressed-as-a-girl, and it was just basically chaos.
*Xander grimaces.* Ah, veiled homoeroticism. Always a favorite in the literature of yore. Why haven't I seen this opera already? And when did the chandelier fall?
*He shakes his head.* No, but there probably isn't anyone in the western hemisphere who hasn't heard about the chandelier. It's getting to be a bit of a Phantom shtick.
Oh, goodness yes, *Meg agrees, rolling her eyes.* And also? You know that voice, when he talked to Christine in her dressing room? You could hear it all the bloody way through the Opera House - none of us ever got any sleep, because Christine's bloody stalker couldn't leave her notes like a normal person.
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Well. I didn't. Maybe some of the other ballerinas did.
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I know, I know.
... What was that opera even about?
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Well, see, there was this Countess, having an affair, *Meg explains cheerfully,* so she disguised her boyfriend as a girl so that her husband wouldn't find out - only actually the boyfriend was played by a girl, I never quite got that - and then the husband had a thing for the boy-dressed-as-a-girl, and it was just basically chaos.
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*Meg doubletakes.* Hang on, you've seen the play?
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*Meg looks rather uncomfortable.*
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Uh ... telemarketers are common. Doesn't make them acceptable. Or human, necessarily.
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*Meg is blankly inquisitive.*
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