Jack walks downstairs to the bar to procure breakfast. Instead, he comes face to face with the door.
There's an entire room between him and the door, but the space is irrelevant next to the meaning of the door. He can leave. He can leave at last. Confused thoughts roll through his mind, of how two weeks, compared to others, was not that long an exile from his world, not when he was able to leave for a day; of how he had thought, once, that he didn't mind being trapped here, but how the presence of the door has now brought up feelings of claustrophobia and discontent he had repressed in his eagerness to embrace the bar and (
Satine) its people.
Jack stares at the door for a moment longer, then turns, nearly runs up the stairs to his room to gather his hat, coat, papers, and notebook. Back downstairs, dressed in his coat, he walks to the bar and writes
( a letter to Satine. )He stares at this composition for a moment or two, knowing he feels less hopeful and more (
jealous) empty about the Duke than he let on in this letter. He has no time for bitter feelings, though. He moves on. He has to move on.
If it was a fling, a lovely fling it was.He can't be hung up on her forever.
Now donning his hat, he walks forward to the door, opens it, and steps out into New York City, 1933.
[ ooc: don't worry; he'll be back. soon, even. very soon.
also? i lose at the html. just thought you ought to know. ]